Thomas Moran and the Spirit of Place Page: 24
32 p. : ill. ; 28 cm.View a full description of this pamphlet.
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NO.14, GRAND CANAL, VENICE, 1889
WATERCOLOR, GRAPHITE, AND GOUACHE ON PAPER, 14'/, X 24 INCHES (SIGHT), PRIVATE COLLECTION
"Venice is an inexhaustible mine of pictorial treasures for the artist and of dreamy remembrances to those who have been fortunate enough
to visit it, and so it will continue to be as long as it exists and the human mind finds enjoyment in the picturesque and in the beautiful."
Thomas Moran letter, May 1888, quoted in Maureen O'Brien and Patrice C. F. Mandel, The Almerican Painter-Etcher
Movement (Southampton, N.Y.: Parrish Art Museum, 1984), no. 38, quoted in Linda C. Hults, "Thomas Moran and
the Landscape Prints," in Anne Morand, Nancy Friese, et al., The Prints of Thomas Moran in the Thomas Gilcrease Institute
of American History and Art, Tulsa, Oklahoma (Tulsa: Gilcrease Museum, 1986) 33.
Facing, page:
NO.15, WHITE CITY, WORLD'S FAIR, CHICAGO, 1894
WATERCOLOR, GRAPHITE, AND GOUACHE ON PAPER, 16 X 24/ INCHES (SIGHT), PRIVATE COLLECTION~..
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Harvey, Eleanor Jones. Thomas Moran and the Spirit of Place, pamphlet, 2001; Dallas, Texas. (https://texashistory.unt.edu/ark:/67531/metapth307670/m1/26/: accessed April 24, 2024), University of North Texas Libraries, The Portal to Texas History, https://texashistory.unt.edu; crediting Dallas Museum of Art.