Photograph of a 1886 Drug Store. The drug store is located in a two story brick building on the corner of a dirt street. The sign "Drug Store" on the northwest corner of the building, has a horse hitched to the support post. The front of the building has two glass box windows on either side of the double door entrance. Eight men are standing on the sidewalk near the front entrance. There is a man sitting in each of the four second story windows on the front side of building. A hitching post is on far left; two white wooden buildings on far right with the top of a two story brick building partially visible over the roof tops of the wooden buildings. The photograph is mounted on a tan cardboard substrate. Image dimensions are: 19.7 cm x 12.4 cm. Pencil writing near top left corner of cardboard reads [not fully legible]: 84.50 49.00 $35.50 $35.50 (with x's under the cents).
Tintype image of Albert Peyton George. In the photograph, George is wearing a dark military style outfit. A white collar is visible above the neckline of the jacket. A watch chain hangs across the front of the jacket. George has his left hand on a book that is on top of a table to his left. There is a hat and another book on the table. He has a tablet and a pencil in the right pocket of the jacket. The tintype has a paper frame with gold trim.
Studio bust portrait of Albert Peyton George. George, who has his hair parted on the side and combed back, is wearing a dark three piece suit, white shirt, and dark colored bow tie. He has a leaf pin on his left lapel. The photograph is mounted on tan cardboard substrate.
Studio bust portrait of Albert Peyton George. Albert, who has his hair parted on the side and combed back, is wearing a plaid three piece suit, white shirt, and light colored bow tie. The image is faded into an oval and is mounted on a tan cardboard substrate with scalloped gold edging.
Photograph of Albert Peyton George. George, who is seated in an upholstered chair, is wearing a dark three piece suit (top button buttoned). George has his right arm across the arm rest of the chair. His left arm is resting on his left thigh. Portrait ends just above the knees. The photograph is mounted on a cardboard substrate. The cardboard has a red trim around the perimeter. Back of portrait in black print: "Louis Rice Photographer Texas." The words are written inside of drawn banners. A camera and paint palette image are drawn between drawings of two women in round frames.
Photograph of Albert Peyton George. In the photograph, George is wearing a military style jacket and short pants. There is a watch chain across his jacket front. A white collar is visible above the top of his jacket. George has a tablet and pencil in his left jacket pocket. George is holding a book under his right arm. His left leg is across his right. He is leaning on a table that is to his left. On the table is a book and a hat. The photograph is mounted on a cardboard substrate. Written on the back of the portrait in pencil: "Albert Peyton George". Also in black print: "D. H. Swartz, Photographer, Columbus, Texas. Copying and Enlarging a Specialty. Dealer in Frames, Albums, Etc. Duplicates can be had cheap. Order soon." To the left of the photographer information is a drawing of a man sitting under a tree and fishing in a body of water, boats in water, buildings in background.
Photograph of Albert Peyton George. George, who is wearing a three piece plaid (thin) suit (top button is buttoned). He is holding his hat in his left hand. His right hand is in an urn that is resting on top of a pillar to George's right. There are vines in front of and draped over the pillar. George has his right leg over his left leg. The photograph is mounted on a cardboard substrate. In black print at bottom of cardboard: "Rose & Schmedling, Galveston."
Studio portrait of Belle Ryon Davis. In this bust portrait, Davis is wearing a dress with puffed sleeves and ruffled insets above shoulders. There is heavy embroidered stitching at edges of collar and down the center of the dress. Davis' graying hair near forehead is curled and the rest of her dark hair is pulled back into a bun. The photograph is mounted on a tan cardboard substrate with gold trimmed scalloped edging.
Photograph of Belle Ryon Davis holding a child. The photograph is cropped by fading at Davis' waist. Davis, who is wearing small wire-rimmed glasses, is dressed in a long sleeved dress with sleeves that puff near the shoulder. Lace of a darker color is seen from shoulder and down side and again at sleeves. The dark color is repeated in two strips on high collar. Her dark hat has dark tulle, ribbon, and flowers with lighter colored flowers to the right. The child is wearing a long white gown with crocheted cap. The back of the photograph bears evidence that it may have been glued into a frame or an album.
Studio photograph of a boy. The boy is identified as Bud Davis as written at bottom of image in blue ink. Davis is sitting in an upholstered chair that has tassels at the bottom and on the armrest. Bud is wearing dark colored short pants, jacket, vest, and white shirt. He has dark stockings with stripes at bottom and ankle boots. Davis is resting his right arm on the chair's armrest and his left hand is on his left thigh. The photograph is mounted on a tan cardboard substrate with pink backing.
Bust photograph (appears to be painted image) of J.H.P. Davis. He is wearing a dark coat, dark tie and a white shirt. His dark hair is parted on his left side. He has a mustache and short hairs under his lower lip. He is glancing to the left. Attached to a cardboard substrate. Looks as if it used to be in an oval frame.
Bust portrait of Mary Moore "Polly" Ryon taken by Justus Zahn, Galveston, Texas. Ryon's graying hair is parted down the center and is pulled back into a bun at the nape of her neck. She is wearing a dark dress that is shirred down the front. The high necked collar has two tiers of dark lace and is accented with a wide ribbon tied at center. The portrait is mounted on a tan cardboard substrate with gold trim around the edges. Back of photograph in pencil: "15911".
Photograph of a group of six boys. The boys are identified on the back of the photograph as: "Charlie Anders, Joe Anders, John Baker, George Baker, Albert George, Earl McFarland." Also written "about 1883 Taken." The front row has three boys seated on a trunk; back row has three boys standing.
Studio portrait of a child. The child, who is standing on a wooden "bridge", is wearing a dark colored outfit with plaid trim. The child has dark lace-up boots and is holding a hat in left hand. The photograph is mounted on a brown cardboard substrate with text at bottom that reads: "C. J. Wright, Houston, Texas." The back of the photo has circles with different patterns, drawing of a camera, easel, and paint palette; banner with "CJW" in oval center and banners below this reading "I Have Engaged The Sun To Shine For Me." More text reads "C. J. Wright, Houston, Texas All Negatives Preserved Duplicates may be obtained at any time."
Studio portrait of a child. The child, who is wearing a long sleeved white gown, stockings, and dark shoes, is sitting on a print blanket. The photograph is mounted on a brown cardboard substrate with text at bottom that reads: "C. J. Wright, Houston, Texas." The back of the photo has circles with different patterns, drawing of a camera, easel, and paint palette; banner with "CJW" in oval center and banners below this reading "I Have Engaged The Sun To Shine For Me." More text reads "C. J. Wright, Houston, Texas All Negatives Preserved Duplicates may be obtained at any time."
Photograph of a child sitting on an upholstered chair. The child is wearing a white long sleeved gown with no shoes. The toddler has left hand on the arm rest of the chair. The photograph is mounted on a tan cardboard substrate with gold trim around edge. Stamped on back in blue: "Louisville Art Gallery J. D. McDaniel Photographer 1205 Elm Street Two blocks West of Union Depot Dallas Texas".
Photograph of a child. In this studio portrait, the child is wearing a white gown with ruffled lace trim. She is wearing a bracelet on her right wrist. The child is sitting in a fabric draped wicker chair. The photograph is mounted on a dark gray cardboard matte. The matte has text below the portrait that reads: "Lorenz Art Gallery Extra Finish [in paint palette drawing] Richmond, Texas".
Photograph of a cowboy holding the reins of a saddled white horse. The man is wearing knee high boots with spurs, dark pants, vest, and white shirt. He is holding his hat in his right hand and the reins to his horse in his left hand. The man and horse are standing in front of an unpainted wooden building. There is a vine covered window or door of the building partially obscured from view by the horse. There is a small frameless window on right that a woman wearing scarf and glasses is peering through. Wooden structure on left, tall grass in foreground. The photograph is mounted on a cardboard substrate with scalloped edging. The back of the photograph has penciled writing that is not fully legible: "John Poron (?) to T.M." Remaining writing is not legible.
Photograph of the J.H.P. Davis house. East exterior view of the white wooden two story house. The home has first and second floor porches with round white columns and white railing. Some of the windows have dark painted shutters. Three of the brick fireplaces can be seen above the roof line. A portico on the right side of the house is partially obscured by shrubs. At the center of the photograph is a shrub lined cement sidewalk leading to the front porch steps. There is a metal archway over the sidewalk about halfway to the steps. A woman wearing dark skirt, white blouse, and dark hat is seated on the top step of the porch. Two men and three women are standing on the porch near the front entrance. Line of tall shrubs on left; small shrub on right corner of house; large tree on right. The photograph is mounted on a gray cardboard substrate. Image dimension are: 17.3 cm x 12.1 cm.
Photograph of a family of six posed outside of their home. The man and woman are sitting in wooden chairs with four children (two boys and two girls) standing behind them. They are posed near the northeast corner of a wooden story and a half home. The house has a front porch that extends across the front of the house. The front door is opened. There is a pole building with wooden fence and a tree to the right of the photograph. The photograph is mounted on a cardboard substrate.
Post card image of a group of eleven people camped out in a pasture. The people may be gypsies. Man on far left is seated on a white horse. The man is ponying a dark horse behind the white one. There is a tent beside the man on horseback. Man on far right is pouring water from a bucket. Partial view of a wagon on far right, partial view of a donkey (?)on far left. Trees in background.
Post card image of a group of eleven people. The group is standing outdoors with the top of a tent visible above and behind the group. The man with long gray beard on far left, who is wearing dark pants, white shirt, suspenders, and dark hat, is holding a fiddle across his left arm and a bow in his right hand. The group may be gypsies that have camped out in the woods. Trees in distance. Text on back of post card reads: "Post Card This Side For The Address Place Postage (CSKO) Stamp Here".
Photograph of a group of 47 men, women, and children standing on the steps that lead to the Redondo Hotel in Redondo, California. Balustrade that is part of the building roof at top center of photo. Tropical plant (on covered porch area of main building) to far left of photo. Written in white in bottom left corner: "5L9". Back of photograph in blue type reads: "BALLOON ROUTE EXCURSION Los Angeles The Finest $1.00 Trolley Trip in the World Over the Scenic Lines of the Los Angeles-Pacific Co. [poem enclosed in thin blue line] Away in the merry Southland, Far down where the oranges grow = = In the land of the great busy city, Where the angels were lost long ago, There's a way to forget your troubles, For a day to be brimful of fun, And the jolly Balloon Route Excursion Will show you how it is done. [second stanza] "Not up in the air" he takes you, Though you'd think you had left there For weariness, trouble, sorrow or care Have no place in this car=load of (?) Then away and away he will speed you Through Fairy Land, down to the shore Then back to real life, he will leave you (?) With a feeling = = yes a longing, for more. [end of poem] Photograph of Balloon Route Excursion Party Taken At Redondo Hotel, Redondo, Cal. Duplicates furnished by C. E. McCarthy, Excursion Photographer, 429 So. Hill ST., Los Angeles, Cal. Order by Number on Print." Areas where words are not legible have a 7 cm x 9.4 cm piece of paper adhered to the cardboard. The photograph is mounted on a black cardboard substrate with tan patterned trim around perimeter of the photograph. Image dimensions are: 20.5 cm x 15.4 cm.
Photograph of the J.H.P. Davis house. This is the exterior north facade of the two story white wooden house with dark painted shutters, gate post, urns, and fence baseboard. A brick fireplace is to the left of the porch. There is a stained glass window over the portico. Standing on the porch is J.H.P. Davis and two women. The house is enclosed by a white picket fence with open gate. Reference used for description: "Internship Report Davis Complex Research/Planning" written by Michael Moore. The photograph is mounted on a cardboard substrate. Written on back of photo in black: "Judge Davis Home in 1920 The Judge - Mrs. Davis, Mamie Davis". Also written on back with reference to the identification of Mrs. Davis and Mamie Davis in pencil was "Error". Image dimensions are: 19.5 cm x 11.8 cm.
Photograph (with color added) of a white wooden two story house. The house is the J.H.P. Davis house with J.H.P. Davis standing on the shrub lined sidewalk that leads to the front steps of the house. The house has a first and second floor porch with white columns and railing. Dark painted shutters are found on most of the windows. Three fireplace chimneys are visible above the roof line of the house. The front door of the house is opened and a fence and wooden building can be seen through the hallway. There are trees and shrubs on the right and left of the photo; large bare tree in right foreground. Written in black ink at bottom of photograph: "Nurses' Home". When the Davis home was no longer occupied by the Davis family, it became a home for nurses of Polly Ryon Memorial Hospital and was used as such until about 1975. Reference material used for the description information was provided by "Internship Report Davis Complex Research/Planning George ranch Historical Park" by Michael R. Moore.
Studio portrait of Jennie Jones (Wessendorff). Jennie is the great granddaughter of Henry Jones. In this bust portrait, Jennie is wearing a white dress with puffed sleeves and tulle stand-up collar. She has a chain with a round pendant and ear drop earrings. She has a floral corsage pinned to her left shoulder. Jennie has her dark hair pulled back with a white ribbon. The photograph is mounted on a black cardboard substrate. The cardboard has scallop trim. Written on back of photograph in pencil: "For Brother".
Mamie Davis George and T.W. "Bud" Davis in studio portrait, hand tinted watercolor. Frame is shadow box style with frame on frame appearance; inner frame dark finish with white floral etching; middle frame of dark gold; outer frame medium wood tone. 1882 Old Object Term: Photograph and Frame
Photograph of a man on horseback. The man, who is wearing light colored pants, dark jacket, white shirt, and felt cowboy hat, is seated on a dark horse. The man's face and the background are not distinguishable because of extensive fading. The photograph is cropped into a circle with a white rectangular border. There is a thick trim with gold edge around perimeter of the white rectangle. The photo is mounted on a cardboard substrate with backing that has a floral vining pattern. In a rectangle at center of pattern text reads: "[drawing in circle of a man's arms holding a camera] Manufacturers of The Kodak Camera Eastman Kodak Co. 115 Oxford St. London Rochester N.Y."
Studio portrait of a man. The man is wearing a dark three piece suit, white shirt, and dark bow tie. The chain for his watch is seen near the buttons of the vest. The man has dark hair, parted on his left side, and a thick graying mustache. The photograph was trimmed to oval shape and placed on a gray cardboard matte (tan area shows between photo and matte) with oval embossed line around perimeter of photo. Image dimensions are: 4.4 cm x 6.5 cm.
The photograph shows a poorly dressed man sitting on a bench in front of a wooden building. He has a bottle in his left hand. Text below the photo reads: "This is the most famous beggar in Havana - Sam Raco, by name - and he comes from the interior. He has 12 fingers and 11 toes - - count them."
Photographic copy of a painting of Mamie Davis and Thomas Walter Davis. The original paintings were separate portraits of the two children and were later put together to form one image. Mamie, who has her dark hair parted down the center and pulled back, is wearing a below knee length long sleeved dress with large rounded lace collar. Lace trim is seen at sleeves and v- shaped inset in the tier effect near bottom hemline and then again as part of under skirting. The bottom tier of skirt is pleated. Three buttons trim the "v" at the tiered hemline. Mamie is wearing ear drop earrings and a chain and pendant. She is holding a round hoop in her right hand and she has her left hand on the back of the chair (in which Thomas is seated). She has her left ankle crossed over her right. Thomas is seated in an upholstered chair (with tasseled bottom and armrest). Thomas is wearing a dark short pant suit, striped stockings, and dark lace-up boots. He has his left arm on the chair armrest.
Photograph of five people on horseback in a pasture. The photograph is cropped into a circle with white border around image. The photo is mounted on a black cardboard matte with gold trim. The back of the photograph has floral vine pattern in brown.
Photograph of Josey (Dagnell) Ryon, wife of James E. (Jim) Ryon. In this bust studio portrait, Ryon is wearing a dark colored dress with shirred bodice and ruffled edging that extends from bodice and caps over full sleeves. Ryon has a Victoria chain with attached pin (attached at collar with chain extending down bodice). A ruffled trim is visible just above the banded collar. Ryon's dark hair is pulled back and into a bun. The photograph is mounted on a tan cardboard substrate. Text at bottom of cardboard reads: "Blue Gallery, Conner, McKinney, Fine Photos,". Written above photographer text in blue ink: "(Jim Ryon) Josey, Ryon. (Dallas)".
Photograph of Mamie Davis as a child. In this studio portrait, Mamie is wearing a below knee length long sleeved dress with large rounded lace collar. Lace trim is seen at sleeves and "v" shaped inset in the tier effect near bottom hemline and then again as part of under skirting. The bottom tier of skirt is pleated. Three buttons trim the "v" at the tiered hemline. She has on striped stockings and lace up ankle boots. Mamie is wearing ear drop earrings and a chain and pendant. She is holding a round hoop in her right hand and a riding crop in her left hand. There is a straw hat decorated with flowers and ribbons on the floor at Mamie's feet. Mamie's dark hair is parted down the center and pulled back. Mamie is resting her left elbow on a cement ledge in the background (with cupid image on column). Painting of foliage as backdrop. Photograph is mounted on a tan cardboard substrate. Written on back of photograph in pencil: "Mamie Davis George" and in blue ink: "father H. HP Davis Mother Susan Ryon Davis Richmond, Texas." Photograph was given to the George Foundation by the Fort Bend Museum.
Photograph (copy from page of a book) of Mary "Polly" Ryon. In this bust portrait, Ryon is wearing a dark colored dress with shirred bodice, doubled lace collar with ribbon at center, and puffed sleeves. She has her graying hair parted down the center and pulled back into a tight bun. The picture is framed by a thin black line. Photograph was at the bottom of page 1 in the Mamie George photo album.
Photograph of Ryon House (pre-1889?) from a distance. White picket fence surrounds the house, complete with white archway on front fence. Small trees line the right side of the fence. Windmill present above and beyond the house. Upstairs master bedroom window and downstairs formal parlor window open. A woman is sitting on front porch. On bottom of picture, hand-written: "RYON HOUSE"
Photograph of the 1887 class of the Richmond Public School. The students are lined up in six rows in front of the wooden school building. They are identified as: Back row: 1. Fanny Lamar 2. Mary Preister 3. ? 4. Mattie Bell 5. Reg. Dyer 6. ? 7. Cecil Dyer 8. ? 9. ? 10. Albert George 11. Bassett BlakelySecond row: 1. Minnie Preister 2. ? 3. Bell Dyer 4. Julia Norwood 5. ? Norwood 6. Professor Norwood 7. Tony Wessendorff 8. John Baker 9. ? 10. George BakerThird row: 1. Bessie McCloy 2. Lillie Winston 3. ? 4. Nina Bell 5. Kate Eckman 6. Heard Dyer 7. ? 8. ? Fourth row: 1. Lizzie McGee 2. Pearl Winston 3. Jennie Jones 4. Annie Somerville 5. Lyda Baker 6. Bertie Winston 7. Lola Jones 8. Alex Davis 9. Charlie Andrews 10. Will Robinson Fifth row: 1. Maybell Davis 2. Winnie McGee 3. Lillie Rambolt 4. Mamie Davis 5. Minnie Waffles 6. Allie Ogilby 7. Freddie Kochan 8. Earl McFarlane 9. Bush Pleasants 10. Len McFarlane 11. ?The photograph is mounted on a tan cardboard substrate.
Photograph enclosed behind Funeral Notice of R. J. Calder. In this studio portrait, two young men are present. The one on the left is sitting in a chair with fabric draped over it. His left leg is crossed over his left with his left hand resting on his thigh and his right arm resting on the top of the chair. He is wearing a dark three piece suit, large dark print tie and a white collared shirt. His dark hair is parted on the left side. The next gentleman is standing to the right of the seated man. His right arm is touching the back of the seated man while his left hand is placed behind his back. He is wearing a dark three piece suit with the first button of the long coat buttoned. A watch fob can be seen on his vest. He is also wearing a white collared shirt and a dark tie. His hair is parted on the left side. At bottom of matte, photographer's mark: "Rose GALVESTON" Attached to a cardboard substrate.
Photograph of a group of ten men (one man standing to left and partial view of man to right are not part of the focal group). Six of the men in the front row are seated on a rock ledge sidewalk that leads to a building (doors in right background). Four men are standing in the back row. The photograph may be of a group of veterans (possibly from the Mier Expedition?) or members of the Veterans Legion of Honor who have gathered together for a reunion. William Kinchen is, from left to right, the third man in the bottom row. He is wearing a dark three piece suit and has his hands folded across the top of his cane. He is holding his hat in his left hand. He has his right leg crossed over his left leg. The image is an oval and is on a cardboard substrate. On back of photo in pencil: "WKD/ph 3:2" Image dimensions are: 18.4 cm x 12.3 cm.
Photograph of Thomas Walter "Bud" Davis as a child. (Born in 1879). Davis is seated in an upholstered chair (tassels on bottom and armrest) with his left leg tucked under him. He has his left arm on the armrest of the chair. Davis is wearing a dark jacket and short pants, striped stockings and dark lace-up boots. The photograph is mounted on a tan cardboard substrate.
Photograph of Thomas Walter (Bud) Davis. In the portrait that ends above the knees, Davis is wearing a dark three piece suit with white shirt and light colored tie. He is holding a riding crop (?) in his hands. His right elbow is leaning on a large stone (?). Tree backdrop in left background; tropical plant leaves to the right. The photograph is mounted on a cardboard substrate that is slightly scalloped around the gold edging. Written on back of photo in pencil: "Bud Davis". Written on back in blue ink: "Thomas Walter Davis father J. H P Davis Richmond Texas died with TB 1922". This photograph was given to the George Foundation by the Fort Bend Museum in 1982.
Photograph of three men standing on a street sidewalk. Man on far right who has his hands folded across his chest, is wearing dark pants, white shirt, and hat. Man in center is wearing a dark three piece suit with tie and dark hat. The man on far right (in foreground) is wearing a dark suit, white shirt, tie, and hat. There is an advertisement painted on the brick wall of the building on left that is only partially visible but possibly reads: "Darst Paints Oils Varnishes and Glass". There is a post on the left side of the man in white shirt, and businesses on the other side of the dirt street.
Photograph of three women, three children, an African-American boy, and a dog on a porch. The woman on far left, who is leaning on the balustrade, is wearing a light colored dress with dark trim and dark hat. Woman in center, who is dressed in a dark dress with white bib inset, is seated on a wooden bench. Woman on far right is wearing a plaid blouse with dark skirt. Child in center is standing, while the two other children are seated on the steps near an African-American boy dressed in a dark suit. He has his hands on the head of the large dog. The photo is mounted on a tan textured cardboard substrate. Written on back in ink "I". Text on back in brown reads: "Potash, Victoria, Texas".
Photograph of three young women and two young men, possibly members of the Wessendorff family. In this studio portrait, the women are seated and the two men are standing behind them. The women on left and right are holding their hats in their laps while the woman in center (wearing a hat) is holding her purse. The man on left has his hand on the shoulder of the man on right. There is moss in the foreground with interior wall as background. The photograph has an arched crop at the top and it is mounted on a cardboard substrate. Written on back in pencil: "1884".
Photograph of a man standing next to two horses pulling a wagon load of hay. The man is standing on the left side of the photograph with his hand on a gate. The wooden wagon is filled with hay and there is a person sitting atop the hay. There is a house in right background. Stamped on back in purple: "210 This Is A Genuine FoxTone Picture [outline of fox] Made By Fox Co. San Antonio, Texas."
Photographic copy of William Kinchen Davis. Davis, who has gray hair, is seated and has his right hand on the crook of a wooden cane with his left hand resting in his lap. Davis has his left leg over his right. He is wearing a dark three piece suit with white shirt and dark tie. A watch fob is visible at his vest. Portrait ends at his knees.
Photograph of a young African-American boy standing outside of a two story stucco building. The boy is wearing short pants, white shirt, jacket, and hat. The stucco building is shaped in a partial square forming a courtyard in the center. There are several wooden and metal structures within the courtyard. There is a picket fence around a small tree just beyond the boy. Partial view of the back of an automobile on far right with tree branches seen above the car. Written in pencil on back of photo: "4710".
Studio portrait of an unidentified young man. The man is wearing boots, a three piece suit and knee length jacket, light colored shirt, and bow tie. He is posed with his left hand on his left lapel and his right hand in his right jacket pocket. There is a backdrop mural of an interior wall with staircase (right). The photograph is mounted on a black cardboard matte. Written on back in pencil: "3457".
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