Photograph of Richard Avedon inside the Reynolds Bend schoolhouse. He stands to the right of a wooden desk with one hand resting on the desk. On the wall behind him are two chalkboards positioned between wooden shelves. There are chalk drawings of buffalo skulls and animals by Bill Cauble on the left chalkboard. "Bryant" is written next to a heart on the right chalkboard. In the foreground is a pipe stove. The room has wood floors and wood benches on either side.
Photograph of (left to right) photographer Richard Avedon, Watt Reynolds Matthews, Ethel Matthews Casey, and Lucile Matthews Brittingham in front of a brick wall and a window. Ethel Matthews Casey is sitting in a chair while the others stand. To their right is Avedon's 8"x10" Deardorff large format camera on a tripod. Avedon is wearing a hat given to him as a gift by Watt Matthews.
Photograph of Albany, Texas, taken from a hillside in the town's early days. A building, horse drawn buggy, and trees are visible in the foreground. Just behind these lies a ranch house and property surrounded by a wooden fence. A path leads from the house to an outhouse and a gate. A team of animals is being followed by a person in the field behind this fenced area. Houses and other buildings are in the periphery, and a long hill is visible in the background.
Photograph portrait of two young children. The child to the left stands and wears a slightly dark and buttoned top, a skirt, and shoes. The child to the right is seated on a small fringed chair and is wearing a white dress and shoes.
Photograph of a crowd of people seated before a large rock. The crowd, left, is made up of various ages and races of people, with some standing along the edge of the mass. To the right, a group of people are situated in a line to the sides of a rock that is half again the size of a person. The rock is broad and thin and has a hide on its front. A man in a pink shirt (Bob Green) leans against the rock to the right, while another man (Joe Blanton)stands in front of it. Cars can be seen parked in the background.
Photograph of four elderly people in a field. Three elderly sisters (Sallie, Lucile, and Ethel) are seated in the field with the elderly Watt Matthews standing behind them with his hands on the first and third lady. A prickly pear cactus grows to the right of the group.
Photograph of over twenty people at various stages in their adult lives who are gathered in front of a stone ranch house. Three elderly sisters (Sallie, Lucile, and Ethel) sit in chairs in front of the group.
Photograph of a two story ranch house with two chimneys that stands within a fenced yard. Many people can be seen in the yard and inside of the house through the windows.
Photograph of a family, consisting of Susan Emily Reynolds Newcomb (standing), Anne Maria Campbell Reynolds (sitting left), a young girl, and Gus Newcomb.
Photograph of seven children in a vignetted portrait. The children are, starting with the eldest girl at the top and going clockwise: May Matthews, Joe Matthews, Susette Matthews, Ethel Matthews, Lucile Matthews, Sallie Matthews, and John A. Matthews. Photo is labeled "A Very Merry Christmas."
Photograph of a family on a wooded riverbank. Several people are on the riverbank among the trees, while four people are in a rowboat with the word "GATORR" written along its side. A roofed structure and a wagon are visible up on the bank.
Photograph of a boy leaning on a half pillar with stone on its top. The boy has very short hair and wears a double breasted suit, a tie, trousers, stockings, and shoes.
Photograph portrait of a family of seven. Three boys stand behind their seated parents. A girl is standing to the right of the seated woman. The man has a young girl sitting in his lap. Hats lie on the ground before them.
Photograph of a boy named John Conrad posing for a portrait. He is wearing a double breasted suit and is leaning on a piece of wood painted to look like a gate. He is standing in front of a backdrop painted to resemble a stone wall with flowers in front of it. The reverse side of the photo is written with the following: "With love to my dear S.S. teacher - John Conrad on his 8th birthday, June 23rd, 1894."
Photograph of a woman leaning on a fringed pillar. Her dark hair is pulled up onto a bun. Also she is wearing a dark dress with darker stripes around the neck and cuffs and buttons along the left side of the chest.
Photograph of Joseph Beck Matthews, an elder, bearded man wearing an overcoat, vest, and pocket watch while holding a cigar in one hand and a hat in the other. He is standing next to a building that has a stone ground level and a wooden upper level with windows. A plant trellis with a bare plant rises behind him.
Photograph of four men on Matthews Ranch land. A note written on the bottom left of the note mentions the location, the address, the date, and the photographer. The man, left, is an unidentified young man in a coat and a large hat. The man with the paper to the left is identified as Merry Howard. The older man in the three piece suit is identified as Judge J. H. Matthews. Most of the fourth man is obscured by blurred white space.
Photograph of Dora and Carrie Lee wearing striped dresses with white neck pieces. The picture has a vignette effect that reveals the girls from the chest up only. "For Susie Matthews, Dora and Carrie Lee" is written on the reverse side.
A page from a worn cowhide scrapbook regarding the Matthews Ranch. The newspaper clippings cover the ranch's purchase and showing of livestock, while the photographs offer views of the ranch and the Matthews family.
Photograph of a girl toddler and an infant. The girl, who is wearing a white gown, has her arms wrapped around the infant, who is seated wearing only a cloth diaper.
Photograph of ranch buildings in a field. A small building with a chimney is sitting to the left of a larger building that has a chimney on either side, two windows, and a door.
Photograph of two young girls (Mary Conrad, Lucile Matthews) in white dresses that are standing together for a portrait. Mary, left, has her arm on the girl on the shoulder of Lucile.
Photograph of senior Reynolds brothers arranged in front of a stone wall. Four men stand at the wall and two sit in front of them at a table covered with glassware and silverware. A wood stove stands to the right of the men. The photo was taken in the inside porch of the Reynolds Bend cookshack at the wedding of Sally Brittingham and Jack Wallace.
Photograph of three women in a room. The wall is made of vertical wood planks and adorned with a painting to the left of a door with a curtained window. A woman on the left (Ethel Matthews Casey) stands in front of this door and to the right of a stool. She is wearing a hat, dark dress, and a pearl necklace and is holding a drinking glass. An senior woman (Susan Alice Matthews) sits in a chair beneath her. This woman is wearing a black hat with a mesh veil, glasses, a pearl necklace, and black clothing. To her right is a desk topped with drinking glasses and a flower pot. At the right of the picture stands another senior woman (Mamie Moore) wearing a dark hat, dark clothes, and holds a drinking glass in her right hand and a coat over her left arm.
Black and white portrait of the three members of the Reynolds family: a man, a woman, and a young girl. The man is seated, cross-legged, in the center; the woman, seated much lower to the ground, is on his right. The young girl is standing on the left of the man with her hands folded on his knee. They are all wearing modest, Victorian-style clothing. The man is wearing a three-piece suit with a chain running from his button placket to his vest pocket. The woman and the young girl are wearing high-necked, long-sleeved dresses.
Photograph of three children in a portrait. Two girls with dark hair and white dresses are on either side of a shorter boy with short black hair. The girl on the left is Ella Reynolds, the boy in the center is Watt Matthews, and the girl on the right is Annie Merle Reynolds.
Photograph of a woman with dark, tied up hair. She is wearing a heart shaped pendant on a chain around her neck and a frilly white dress. The photograph has a vignette effect that makes the woman visible from the chest up.
Photograph of Lucinda Elizabeth Matthews taken as a portrait. She has hair tied up into a bun and wears a dark lace scarf and a black dress with horizontal stripes. A dark mark has been made across her nose.
Photograph of George T. Reynolds wearing a three piece suit. He has short hair and a mustache. A vignette effect has been applied to the photo so that Reynolds is only visible from the chest up.
Photograph of Mr. and Mrs. Glen Reynolds posing for a portrait. Glen Reynolds is wearing a three piece suit and is sitting on an ornate chair. Augusta "Gustie" Reynolds stands to the right with her right hand on his shoulder. She is wearing a black dress with a white lace piece around her neck. The background is painted with an ornate clock and candlestick.
Photograph of a dark haired woman wearing a dark dress with a high neck and buttons. The photograph is vignetted so that she is visible from the chest up.
Photograph of William D. Reynolds in a vignetted portrait. He is mustached and wears a wool jacket, tie, and high white collar. "W. D. Reynolds married mama's first cousin Susan Matthews" is written underneath him in pencil.
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