Card from Lorraine Aprill to Sterling Houston, prominent San Antonio playwright. The card was sent on the occasion of the death of Houston's mother. The card expresses sympathy and comfort for the event. The front of the card has been printed with a painterly image of a bowl of green apples.
Greeting card from Richard and Jennifer Armstrong to Sterling Houston, prominent San Antonio playwright. They hope to see him again when they travel back to Texas. A second card has been placed inside it: an announcement for the birth of Simon Alexander Ghebreyesus. It was sent much later, however, according to the child's birth date.
Thank you card from Roger A. Brown. Inside the card, he writes: "We couldn't have done it without you (smile)." The front of the card has been printed with "Thank You" in gold capital letters.
Six graphic advertisements for HemisFair '68. The two largest show a group of Latin dancers and a Punch and Judy puppet show. The text on all of the advertisements says "Visit HemisFair 1968 World's Fair, San Antonio, Tex. Apr 6-Oct 6, '68".
Card from Tony Hargrove of the Ella Austin Community Center to Sterling Houston, prominent San Antonio playwright. He writes fondly about meeting him, and hopes to see him again in the fall. The front of the card has been printed with the Ella Austin logo.
Greeting card from John Igo to Sterling Houston, prominent San Antonio playwright. A hand-written note inside the card appears to be discussing the acquisition of documentation or archive of some kind. However, it remains difficult to read. The front of the card has been printed with a front view of the White House in daylight.
Greeting card from Candie Johnson to Sterling Houston, prominent San Antonio playwright. She has written a short note saying thanks for allowing her to show her dream and talent. The front of the card shows an illustration of a man standing precariously on a ladder while painting the word "Thanks" on a billboard.
Greeting card from Dan H. Laurence to Sterling Houston, prominent San Antonio playwright. He mentions a reunion with old friends and a stage performance where he received a standing ovation. The front of the card has been printed with a view of the Milwaukee Chamber Theatre stage, empty and with closed curtains.
Greeting card from Louis Leroy, founder of The Association of American Cultures (TAAC), to Sterling Houston, prominent San Antonio playwright. Inside the card, Louis has written a personal note thanking Sterling for being the report editor for "Theaters of Color: Conversations on American Pluralism and Identity," a project by TAAC.
Greeting card from David Nelson to Sterling Houston, prominent San Antonio playwright. The card was sent during the December holiday season. David writes a short note inside telling Houston that it was great seeing him in the past year.
Greeting card from Bianca Roberts to Sterling Houston, prominent San Antonio playwright. Inside the card, she has written a short note about how wonderful of an experience it was to work with him. She offers her help in the future. Two small paper receipts have been included, but no reason for them is given in Bianca's note.
Illustration of Agriculture Pavilion at the 1968 World's Fair known as HemisFair '68, held from April to October 1968 in San Antonio, Texas. The text reads, "Agricultura".
Card invitation to the birthday of Brian Prague sent to Jump-Start Performance Company, a threatre and performing arts company based in San Antonio, Texas. Date, time, and place is provided inside. The front of the card shows a stylized yellow sun with a face. Gold accents cover the sun rays as well as the outer trim of the card.
Greeting card from Bianca to Sterling Houston, prominent San Antonio playwright. She thanks him for sending over his plays, but regrets to inform him that she has been unable to read them yet. She hopes to see him again in the future.
Greeting card from John. The hand-written note inside it is difficult to read, and only a few dates and times are completely discernible. The front cover of the card shows a well-kept garden and hedge. A series of crisscrossed pieces of wood act as a small wall.
Greeting card from Nancy B. to Sterling Houston, prominent San Antonio playwright. It appears the note was sent after Nancy attended one of Sterling's plays. She writes admirably about what she experienced, his talent, and vision, and hopes that others can experience it as well. The front cover of the card shows a watercolor painting of a rooster.
Greeting card from Rose to Sterling Houston, prominent San Antonio playwright. She is happy about a visit paid to her by one of Houston's friends. She is sick but sure that she will be back in good health within about four weeks. The front of the card has been printed with a photograph of an elaborate floral arrangement inside a wicker basket.
Greeting card from Stephanie to Sterling Houston, prominent San Antonio playwright. On the inside, she has written a personal message thanking him for sharing his spirit, and hopes that they can work together again. The front cover shows an illustration of a pink flower.
Greeting card from Steve to an unknown recipient. The card has been sent on the occasion of a birthday to a friend and colleague of Steve. "Happy Birthday" has been printed in Spanish on the front of the card along with a six-pointed star.
6 graphic advertisements for HemisFair '68. The two largest ones show the Tower of the Americas, amusement rides and people visiting some of the cultural exhibits. The text on all of the advertisements says "Visit HemisFair 1968 World's Fair, San Antonio, Tex. Apr 6-Oct 6, '68".
Thank you card from Ms. Erna to Sterling Houston, prominent San Antonio playwright. She thanks him for all his help and wishes the world were made up of people like him. The front of the card shows a wooden wheelbarrow brimming with flowers and two overgrown butterflies.
Illustrated comic strip made by the Black Coalition on Mass Media, a civil rights organization in San Antonio concerned with how media outlets interact and affect the African-American community. The eight panel strip works as a political cartoon parodying an ongoing dispute between the BCMM and KAPE radio management.
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