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  Partner: Witte Museum
[Federica and Brothers at the Majestic Theatre]
Photograph of Federica and her brothers at the Majestic Theatre in Chicago, Illinois. The portrait consists of Federica standing between her four brothers, facing right but looking at the camera. The men wear dark tuxedos with white shirts and bow ties. Federica wears a light-colored dress consisting of a three tiered ruffled skirt. Fine beading is present on the straps and low neckline of the dress. She wears a beaded headband and ballet shoes. texashistory.unt.edu/ark:/67531/metapth200962/
[Abreu Troupe in Costume]
Postcard depicting the Abreu Troupe in full costume. The troupe consists of three men, a young boy, and a woman, facing left and turning their heads toward the camera. The males in the group are all wearing the same costume consisting of a Spanish-style bolero jacket and pants decorated with light-colored trim and embroidery. Underneath the jacket each man wears a white collared shirt with a tie, sombrero, and black shoes. The woman wears a white blouse with a heavily-embroidered dark skirt. She wears her hair in two braided down her shoulders, tied with large ribbons, and large heavy necklaces around her neck. texashistory.unt.edu/ark:/67531/metapth200961/
Circus Performer in Frog Costume
Photograph of a man dressed in a frog costume climbing a tree. The costume consists of a one piece, dark-colored suiting covering his hands and feet. The man's head and neck are covered with a three-dimensional form of a frog's head. texashistory.unt.edu/ark:/67531/metapth200967/
[Abreu Troupe Rehearsing Performance]
Postcard depicting the Abreu Troupe performing a basket toss. Two men join arms to throw a third man into the air. The third man is performing a somersault in mid-air, while two other men reach out to catch him. The troupe is practicing in front of a wooden structure. texashistory.unt.edu/ark:/67531/metapth200960/
[Carpe Cubana's Flooded Camp]
Photograph of Carpe Cubana's flooded camp in La Feria, Texas. Several members of the crew stand in front of a tent posing for the camera. The flood waters reach up to the crew member's knees. One man balances on a barrel floating in the water. texashistory.unt.edu/ark:/67531/metapth200968/
[Portrait of Abelardo Saenz]
Photograph of Abelardo Saenz, the main dancer for Carpe Cubana Circus. Abelardo wears a long-sleeve collared shirt with the two top buttons unbuttoned, a tie and cummerbund. The sleeves of the shirt are very broad, and gather into cuffs around Abelardo's wrists. texashistory.unt.edu/ark:/67531/metapth200964/
[La Feria Inundated with Flood Water]
Photograph of La Feria, Texas, flooded with rainwater. A horse-drawn wagon is parked in front of several buildings. The wagon is filled with men and small children. The flood waters reach half the height of the wagon wheels. texashistory.unt.edu/ark:/67531/metapth200969/
[Carpe Cubaba's Show Truck in Flood Water]
Photograph of Carpe Cubana's show truck in La Feria, Texas. The camp had been flooded, and five members of the circus stand around the truck, trying to move it out of the knee-high water. The men wear loose-fitting sleeveless shirts and shorts. A horse is also attached to the truck in an attempt to free the truck from the flood waters. A hand-written inscription in white reads "CUBAN SHOW. TRUCK NO. 2, LA FERIA TEX. 5/29/29." texashistory.unt.edu/ark:/67531/metapth200966/
[Abreu Troupe Rehearsing Performance]
Postcard of the Abreu Troupe practicing a stunt for their circus act. A man and woman on the left side of the postcard extend their arms as they throw a third man into the arms of another performer. The man being thrown is in mid-air between the couple and the performer to the right, prepared to catch him. texashistory.unt.edu/ark:/67531/metapth200963/
[Portrait of Baby Celia]
Postcard of baby Celia, sent to Federica Abreu. Celia is seated on an embroidered quilt. She is wearing a bonnet with lace trim and large flowers attached to each side. The bonnet is tied in a bow underneath her chin. The dress she is wearing is white and short-sleeved, with matching lace trim. She also wears socks and white shoes. texashistory.unt.edu/ark:/67531/metapth200975/
[Flood in La Feria, Texas]
Photograph of the flood in La Feria, Texas. The photograph depicts a street of single story houses to the right, and a two-story storefront to the left. The street in between the structures is filled with flood water. An inscription written in white reads "LA FERIA TEX. 5/29/1929." texashistory.unt.edu/ark:/67531/metapth200972/
Cuban Show, Panaderia La India
Photograph of Carpe Cubana's storage building in La Feria, Texas. Several men stand outside of a warehouse structure with a sign reading "Panaderia La India." Machinery is strewn messily outside of the building. A hand-written inscription on the photograph in white reads "Cuban Show." texashistory.unt.edu/ark:/67531/metapth200971/
[Portrait of Carmen Calvo]
Postcard of Carmen Calvo, addressed to Federica and Virgilio Abreu. Carmen is standing and facing left, with her right arm tucked behind her. The photograph is embroidered with blue, cream, and pink stitches in the form of a dress. texashistory.unt.edu/ark:/67531/metapth200977/
Cuban Show Lot in La Feria
Photograph of Carpe Cubana's show lot in La Feria, Texas. The ground is flooded with water and surrounded by trees and shrubs. Five men pose for the camera while standing in the flood water. Two tall poles extend from the center of the show lot, secured by heavy hires. A hand-written inscription reads "CUBAN SHOW. LOT LA FRIA TEX 5/29/29." texashistory.unt.edu/ark:/67531/metapth200970/
[Family Portrait with Dog]
Postcard of a family portrait sent to J.B. Aguilera from Victoria. The photograph features four women and a boy seated around a dog. A baby is positioned against the belly of dog. The group is sitting in grass in front of a short fence, surrounded by foliage. texashistory.unt.edu/ark:/67531/metapth200978/
[Postcard Depicting Madero, Mexico]
Postcard depicting the city of Madero, Mexico. The photograph shows a downtown street lined with business store fronts. In the distance, several people walk down the street, facing away from the camera. A fountain to the right of the photograph marks the beginning of the street. An automobile is parked in the distance on the right side of the street. On the back of the postcard is a letter written in Spanish, addressed to Mr. Jose B. Aguilar in San Antonio, Texas, from a Victoria in Madero, Mexico. texashistory.unt.edu/ark:/67531/metapth200974/
[Photograph of Cerra de Guadalupe]
Postcard of the landscape of Cerro de Guadalupe. The postcard depicts two houses in front of a small hillside. The houses are small, one-story made of wooden slats. The closest house features a front porch and fence. A road runs to the right of both houses and toward the base of the hill. Several people are standing outside of the second house. A hand-written inscription reads "Cerro de Guadalupe H. Zuacuaro Mich. No 2." On the back, a letter is inscribed from Federica Abreu to Victoria, dated February 12. texashistory.unt.edu/ark:/67531/metapth200979/
[Seated Woman Reading]
Postcard of a girl seated in a windowsill. The girl is facing left, reading a book. She wears a long-sleeve dress with a wide collar and layered skirt. Her hair is worn up, and curled onto one shoulder. Her hair is decorated with flowers. A curtain is draped across the window. texashistory.unt.edu/ark:/67531/metapth200976/
[Portrait of Ramona Ortiz]
Photograph of Romana Ortiz, sent to Frederica Abreu in Chicago, Illinois. Romana is sitting and holding a bouquet of roses in her right hand. She is wearing a collared, long-sleeve shirt and long dark skirt. She wears a dark hat with a brim of flowers and a bow tie around her neck. A letter to Romana from Federica is inscribed on the back of the postcard. texashistory.unt.edu/ark:/67531/metapth200973/
[Palm Spring's Desert Lilly]
Postcard of the desert lily from Palm Springs, California. A letter written in Spanish from Victoria to Federica Abreu is written on the opposite side. texashistory.unt.edu/ark:/67531/metapth200995/
[Cuban Show Flooded in La Feria]
Photograph of Carpe Cubana's headquarters in La Feria Texas. In this photograph, the flood waters had receded, but the front of the building is strewn with debris. An inscription on the front of the photograph reads "Cuban Show Flood Quarters. La Feria Tex. 5/29/1929." texashistory.unt.edu/ark:/67531/metapth200992/
[Cuban Cookhouse Inundated with Flood Waters]
Photograph of Carpe Cubana's cookhouse in La Feria Texas. The street is flooded into the doorsteps of the houses up and down the street. A man stands in the middle of the street, facing the camera. An inscription on the front of the photograph reads "Cuban Show Cookhouse. La Feria Tex. 5/29/1929." texashistory.unt.edu/ark:/67531/metapth200991/
Two Women in Mexican Dresses
Tinted photograph of two women performing a dance outdoors. The women are holding hands and leaning towards the left and their right leg extended into the air. The women are dressed in Mexican costumes featuring black hats with pom-poms around the rim, long dresses with large floral borders, colored hose and matching necklaces. texashistory.unt.edu/ark:/67531/metapth200997/
[Flooded Streets in La Feria]
Photograph of La Feria Texas. The street is flooded into the doorsteps of the houses up and down the row. The man stands in the middle of the street, facing the camera. An inscription on the front of the photograph reads "La Feria Tex. 5/29/1929." texashistory.unt.edu/ark:/67531/metapth200990/
[Cuban Show in La Feria]
Photograph of Carpe Cubana's flooded camp ground in La Feria Texas. "Cuban Show La Feria Texas 5-29-29" is hand-written on the front of the photograph. texashistory.unt.edu/ark:/67531/metapth200998/
[Amelia and Angela in Costume]
Photograph of Angela Cardenas and Amelia, dressed in performance costumes for the Carpe Cubana circus. Angela stands on the right wearing a yellow dress with a large yellow hat. Amelia holds hands with Angela, facing left and wearing a pink dress with purple trim. texashistory.unt.edu/ark:/67531/metapth200999/
[Portrait of Grandmother and Grandson]
Postcard written in Spanish, from Victoria Abreu to her grandmother. The front of the postcard depicts an older woman holding a small child. The woman is seated in a bed of grass looking down at the child, whom she holds by the waist. texashistory.unt.edu/ark:/67531/metapth200996/
[Portrait of Avalardo Saenz]
Photograph of Avalardo Saenz in his dancing uniform. Saenz was considered the most successful dancer in the Carpe Cubana Circus, and taught the other dancers in the Cuban Show "Matador." texashistory.unt.edu/ark:/67531/metapth200993/
[Abreu Troupe Performing a Stunt]
Postcard depicting the Abreu Troupe performing a stunt in front of a wooden structure. To the left of the photograph, a woman balances on the shoulders of a man. On the right of the photograph, two men stand several feet away from the couple with their arms outstretched. A boy is in midair between the two groups, appearing to have jumped from the woman's shoulders and preparing to land in the men's arms. texashistory.unt.edu/ark:/67531/metapth200959/
[Aboard the Louoma]
Postcard photograph of a man and woman standing on the deck of a ship. The woman stands in front of the man, holding onto the guard rail with her left arm. She wears a long dress with a large white collar and a tasseled belt. The man leans the guard rail, wearing a suit with a bow tie and hat. A large body of water is visible behind the couple. "Abordo del Louoma" is hand-written on the image. A letter addressed to J. B. Aguilera is written in Spanish on the back. texashistory.unt.edu/ark:/67531/metapth200985/
First Communion in Laredo
Postcard depicting the first Communion of Gsabel Gonsalez of Laredo. The girl is pictured wearing a sheer veil and white dress. She is holding a candle, prayer book, and a rosary. A statue of Jesus is placed on a pedestal to the right of Gsabel. Two faces of flowers are placed in front of the pedestal. texashistory.unt.edu/ark:/67531/metapth200982/
Panorama Point - San Bernardino Mountains
Postcard of San Bernardino Mountains featuring several roads roping through the valley. Small houses spot the mountain side along with dense foliage and pine trees. A letter to Victoria Abreu from Nina and Charlie is inscribed in Spanish on the back, dated August 15, 1939. texashistory.unt.edu/ark:/67531/metapth200981/
[Six Women in Pink]
Photograph of six women in white dresses. They are all posing the same way, holding the hem of their dress with their right hand, and touching their chin with the left hand. The photograph is tinted so the dresses appear pink. The sky and grass are also tinted. texashistory.unt.edu/ark:/67531/metapth200987/
Basilica Maya
Postcard depicting Basilica Maya, a church in Peru. The church is large and many storied, featuring classic Castillon architecture. Many buildings surround the church, featuring similar architecture. On the back of the postcard, a letter is written to Federica Abreu from Anita and Lalo. texashistory.unt.edu/ark:/67531/metapth200980/
[Six Women Dancing in Costume]
Photograph of six women dancing in a row. They have their arms wrapped around each other with their left legs extended to the same height. The dresses look like flowers, and are tinted green and pink. They all wear matching hats that look like flower petals. texashistory.unt.edu/ark:/67531/metapth200988/
[Atardecer Lake]
Postcard photograph of Patzcuaro Lake, also known as Atardecer Lake in Guadalajara, Mexico. The photograph is cast in relief from the setting sun disappearing behind a line of mountains that stretch across the photograph. Several clouds filter sunlight onto to the lake in an irregular pattern. A dock is just visible to the right of the photograph, slightly below where the mountain line meets the lake waters. A hand-written inscription on the front of the postcard reads "Atardecer Lago de Patzcuaro No. 19. A letter to Federica Abreu is addressed on the back. texashistory.unt.edu/ark:/67531/metapth200984/
[Six Women Dressed as Maids]
Photograph of six women dressed in maid uniforms. The circus performers stand in a row, wearing black dresses and white aprons with white doilies on their heads. texashistory.unt.edu/ark:/67531/metapth200989/
[Observation Point at the Pecos Rover Canyon]
Postcard photograph of an observation point at the Pecos River Canyon. The photograph depicts a concrete road dividing the mountain in the foreground from the rest stop. The rest stop features a brick awning topped with large leaves and a gravel floor. A car is parking outside of the awning. Below, the canyon is visible, as well as a large train trestle stretching across two mountains. An inscription on the front of the postcard reads "Observation Point - Pecos River Canyon U.S. 90 Between Del Rio and Langtry, Texas. A letter is written in Spanish on the back, from Alfredo to Federica Abreu. texashistory.unt.edu/ark:/67531/metapth200986/
[Coderra Family Portrait]
Postcard photograph of siblings Rosa, Eduardo, and Hortensia Coderra. The children are standing in a row, facing forward with their arms to their sides. The two girls, on the left and right of Eduardo, wear matching white dresses with polka-dot trim and large hair bows. Eduardo wears a long sleeve shirt with a large sailor's collar and two rows of button running down it. The shirt is secured with a belt. He also wears a cap on his head, and lace-up boots. A letter is inscribed on the back from Hortencia B. Coderra, addressed to Federica Abreu, in New York City. texashistory.unt.edu/ark:/67531/metapth200983/
Performers on the Highwire
Photograph of circus members performing a high wire act. Three separate high wires support three performers as onlookers surround the stage. texashistory.unt.edu/ark:/67531/metapth201125/
Ringling Brothers Rail Cars
Photograph of a Barnum and Bailey circus train in Asheville, North Carolina. Crowds of onlookers line the street as circus workers unload rail cars. texashistory.unt.edu/ark:/67531/metapth201122/
Ringling Brothers Parade Elephants
Photograph of a Barnum and Bailey circus parade in Asheville, North Carolina. Crowds of onlookers line the streets as circus performers in wagons pulled by large teams of horses walk through town. Between the wagons, a row of elephants faces the crowd. texashistory.unt.edu/ark:/67531/metapth201121/
Band Performance
Photograph of a band performing for a large crowd. A conductor in a white suit directs the band, who is seated in bleachers. The band is wearing matching uniforms consisting of a cap and suit embroidered with gilt trim. texashistory.unt.edu/ark:/67531/metapth201127/
Ringling Brothers Parade
Photograph of a Barnum and Bailey circus parade in Asheville, North Carolina. Crowds of onlookers line the streets as circus performers in wagons pulled by large teams of horses walk through town. texashistory.unt.edu/ark:/67531/metapth201120/
Erecting the Tent
Photograph of the Barnum and Bailey circus crew erecting a large tent. Five tall poles are held in place by heavy cables in the center of a field. Teams of men are setting up the exterior frame of the tent and rows of bleachers. texashistory.unt.edu/ark:/67531/metapth201128/
Sabino Performs with Abreu Family
Photograph of Sabino Gomez performing with the Abreu family at the Mendota Carnival. Sabino Gomez stands on the stage with three men and one woman. A crowd of onlookers watch as the troupe performs in the middle of the town square. texashistory.unt.edu/ark:/67531/metapth201124/
Circus Showhorses
Photograph of a circus act consisting of a man conducting four horses in a ring. Each horses is up on its' hind legs. A crowd of onlookers surround the ring, seated in bleachers. texashistory.unt.edu/ark:/67531/metapth201129/
Balancing Act
Photograph of aerialists performing a trick on stage for a large crowd of onlookers. One aerialist balances on a large ball on top of another man's shoulders. Two other performers stand behind the balancing act. texashistory.unt.edu/ark:/67531/metapth201126/
Medota Carnival
Photograph of Sabino Gomez performing with the Abreu family at the Mendota Carnival. Sabino Gomez carries two members of the Abreu family on his shoulders on a stage in the middle of the town square. Onlookers surround the stage and watch the performance. texashistory.unt.edu/ark:/67531/metapth201123/
[Cuban Show Letterhead]
Paper letterhead for the Carpe Cubana Circus. The letterhead reads "Cuban Shows, V. Abreu, Mgr. Permanent Address: 302 Keller St. San Antonio, Tex." texashistory.unt.edu/ark:/67531/metapth201015/