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  Partner: Witte Museum
[Aboard the Louoma]
Postcard photograph of a man and woman standing on the deck of a ship. The woman stands in front of the man, holding onto the guard rail with her left arm. She wears a long dress with a large white collar and a tasseled belt. The man leans the guard rail, wearing a suit with a bow tie and hat. A large body of water is visible behind the couple. "Abordo del Louoma" is hand-written on the image. A letter addressed to J. B. Aguilera is written in Spanish on the back. texashistory.unt.edu/ark:/67531/metapth200985/
First Communion in Laredo
Postcard depicting the first Communion of Gsabel Gonsalez of Laredo. The girl is pictured wearing a sheer veil and white dress. She is holding a candle, prayer book, and a rosary. A statue of Jesus is placed on a pedestal to the right of Gsabel. Two faces of flowers are placed in front of the pedestal. texashistory.unt.edu/ark:/67531/metapth200982/
Panorama Point - San Bernardino Mountains
Postcard of San Bernardino Mountains featuring several roads roping through the valley. Small houses spot the mountain side along with dense foliage and pine trees. A letter to Victoria Abreu from Nina and Charlie is inscribed in Spanish on the back, dated August 15, 1939. texashistory.unt.edu/ark:/67531/metapth200981/
[Six Women in Pink]
Photograph of six women in white dresses. They are all posing the same way, holding the hem of their dress with their right hand, and touching their chin with the left hand. The photograph is tinted so the dresses appear pink. The sky and grass are also tinted. texashistory.unt.edu/ark:/67531/metapth200987/
Basilica Maya
Postcard depicting Basilica Maya, a church in Peru. The church is large and many storied, featuring classic Castillon architecture. Many buildings surround the church, featuring similar architecture. On the back of the postcard, a letter is written to Federica Abreu from Anita and Lalo. texashistory.unt.edu/ark:/67531/metapth200980/
[Six Women Dancing in Costume]
Photograph of six women dancing in a row. They have their arms wrapped around each other with their left legs extended to the same height. The dresses look like flowers, and are tinted green and pink. They all wear matching hats that look like flower petals. texashistory.unt.edu/ark:/67531/metapth200988/
[Atardecer Lake]
Postcard photograph of Patzcuaro Lake, also known as Atardecer Lake in Guadalajara, Mexico. The photograph is cast in relief from the setting sun disappearing behind a line of mountains that stretch across the photograph. Several clouds filter sunlight onto to the lake in an irregular pattern. A dock is just visible to the right of the photograph, slightly below where the mountain line meets the lake waters. A hand-written inscription on the front of the postcard reads "Atardecer Lago de Patzcuaro No. 19. A letter to Federica Abreu is addressed on the back. texashistory.unt.edu/ark:/67531/metapth200984/
[Six Women Dressed as Maids]
Photograph of six women dressed in maid uniforms. The circus performers stand in a row, wearing black dresses and white aprons with white doilies on their heads. texashistory.unt.edu/ark:/67531/metapth200989/
[Observation Point at the Pecos Rover Canyon]
Postcard photograph of an observation point at the Pecos River Canyon. The photograph depicts a concrete road dividing the mountain in the foreground from the rest stop. The rest stop features a brick awning topped with large leaves and a gravel floor. A car is parking outside of the awning. Below, the canyon is visible, as well as a large train trestle stretching across two mountains. An inscription on the front of the postcard reads "Observation Point - Pecos River Canyon U.S. 90 Between Del Rio and Langtry, Texas. A letter is written in Spanish on the back, from Alfredo to Federica Abreu. texashistory.unt.edu/ark:/67531/metapth200986/
[Coderra Family Portrait]
Postcard photograph of siblings Rosa, Eduardo, and Hortensia Coderra. The children are standing in a row, facing forward with their arms to their sides. The two girls, on the left and right of Eduardo, wear matching white dresses with polka-dot trim and large hair bows. Eduardo wears a long sleeve shirt with a large sailor's collar and two rows of button running down it. The shirt is secured with a belt. He also wears a cap on his head, and lace-up boots. A letter is inscribed on the back from Hortencia B. Coderra, addressed to Federica Abreu, in New York City. texashistory.unt.edu/ark:/67531/metapth200983/
[Palm Spring's Desert Lilly]
Postcard of the desert lily from Palm Springs, California. A letter written in Spanish from Victoria to Federica Abreu is written on the opposite side. texashistory.unt.edu/ark:/67531/metapth200995/
[Cuban Show Flooded in La Feria]
Photograph of Carpe Cubana's headquarters in La Feria Texas. In this photograph, the flood waters had receded, but the front of the building is strewn with debris. An inscription on the front of the photograph reads "Cuban Show Flood Quarters. La Feria Tex. 5/29/1929." texashistory.unt.edu/ark:/67531/metapth200992/
[Cuban Cookhouse Inundated with Flood Waters]
Photograph of Carpe Cubana's cookhouse in La Feria Texas. The street is flooded into the doorsteps of the houses up and down the street. A man stands in the middle of the street, facing the camera. An inscription on the front of the photograph reads "Cuban Show Cookhouse. La Feria Tex. 5/29/1929." texashistory.unt.edu/ark:/67531/metapth200991/
Two Women in Mexican Dresses
Tinted photograph of two women performing a dance outdoors. The women are holding hands and leaning towards the left and their right leg extended into the air. The women are dressed in Mexican costumes featuring black hats with pom-poms around the rim, long dresses with large floral borders, colored hose and matching necklaces. texashistory.unt.edu/ark:/67531/metapth200997/
[Flooded Streets in La Feria]
Photograph of La Feria Texas. The street is flooded into the doorsteps of the houses up and down the row. The man stands in the middle of the street, facing the camera. An inscription on the front of the photograph reads "La Feria Tex. 5/29/1929." texashistory.unt.edu/ark:/67531/metapth200990/
[Cuban Show in La Feria]
Photograph of Carpe Cubana's flooded camp ground in La Feria Texas. "Cuban Show La Feria Texas 5-29-29" is hand-written on the front of the photograph. texashistory.unt.edu/ark:/67531/metapth200998/
A House with the Caption Nuestro Hogar
Photograph of a two-story home. The home features a front porch supported by four Greek-Revival style columns. Flower baskets hang from the rafters, and two rocking chairs rest on the porch. The home has five visible windows on the bottom level, and four on the second level. The words at the bottom read, "Nuestro Hogar" in Spanish, or "Our Home." texashistory.unt.edu/ark:/67531/metapth200994/
[Amelia and Angela in Costume]
Photograph of Angela Cardenas and Amelia, dressed in performance costumes for the Carpe Cubana circus. Angela stands on the right wearing a yellow dress with a large yellow hat. Amelia holds hands with Angela, facing left and wearing a pink dress with purple trim. texashistory.unt.edu/ark:/67531/metapth200999/
[Portrait of Grandmother and Grandson]
Postcard written in Spanish, from Victoria Abreu to her grandmother. The front of the postcard depicts an older woman holding a small child. The woman is seated in a bed of grass looking down at the child, whom she holds by the waist. texashistory.unt.edu/ark:/67531/metapth200996/
[Portrait of Avalardo Saenz]
Photograph of Avalardo Saenz in his dancing uniform. Saenz was considered the most successful dancer in the Carpe Cubana Circus, and taught the other dancers in the Cuban Show "Matador." texashistory.unt.edu/ark:/67531/metapth200993/
[Abreu Troupe Performing a Stunt]
Postcard depicting the Abreu Troupe performing a stunt in front of a wooden structure. To the left of the photograph, a woman balances on the shoulders of a man. On the right of the photograph, two men stand several feet away from the couple with their arms outstretched. A boy is in midair between the two groups, appearing to have jumped from the woman's shoulders and preparing to land in the men's arms. texashistory.unt.edu/ark:/67531/metapth200959/
Abreu Troupe Practicing Stunts
Photograph of the Abreu Troupe practicing in front of a barn. A man and a woman are in the motion of tossing a third member into the air when the photograph was taken. A man stands to the right, prepared to catch the third member. texashistory.unt.edu/ark:/67531/metapth201105/
Abreu Family Trapeze Performance
Photograph of the Abreu family acrobats performing on a tall trapeze in front of a large pavilion. Many people fill the pavilion while the five members of the Abreu troupe perform. texashistory.unt.edu/ark:/67531/metapth201102/
Abreu Family Acrobats
Photograph of the Abreu family acrobats and Sabino Gomez performing in the middle of a town square. Many people stand around the roped-off area between two buildings. texashistory.unt.edu/ark:/67531/metapth201101/
Circus Parade Unrolling Canvas
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. Circus workers are unrolling yards of canvas from the train, pictured left. The railroad station is crowded with onlookers watching the circus unload. texashistory.unt.edu/ark:/67531/metapth201107/
Abreu Family Acrobat
Photograph of an acrobat from the Abreu Family. The acrobat is wearing a matching vest and pants embroidered with flowers. He wears a collared shirt underneath the vest and lace-up boots. texashistory.unt.edu/ark:/67531/metapth201100/
Ringling Brothers Parade
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. A wagon pulled by six horses is followed by several other wagons and vehicles along a wide river. Onlookers watch as circus members perform for the crowd. texashistory.unt.edu/ark:/67531/metapth201108/
Potrait of the Sabino Family
Photograph of Sabino Gomez and three members of the Gomez family. Sabino is pictured second to the right, wearing a round top hat, dark suit and bow tie. The other three men are also wearing suits and hat.. texashistory.unt.edu/ark:/67531/metapth201104/
Ringling Brothers Wagon
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. A wagon pulled by six horses is followed by various vehicles along a wide river. Onlookers watch as circus members perform for the crowd. texashistory.unt.edu/ark:/67531/metapth201109/
Ringling Brothers in Asheville, North Carolina
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. Many people line the left side of the street as a wagon train pulled by white horses with decorated harnesses. Several train cars are visible to the left of the photograph. The crowd consists of mostly men. texashistory.unt.edu/ark:/67531/metapth201106/
Abreu Troupe Performing at the Mendota Carnival
Photograph of the Abreu family acrobats performing on a stage situated between large storefronts at the Mendota Carnival. One member of the troupe is balancing two more members on his shoulders while a large crowd surrounds the stage. texashistory.unt.edu/ark:/67531/metapth201103/
[Cuban Show Letterhead]
Paper letterhead for the Carpe Cubana Circus. The letterhead reads "Cuban Shows, V. Abreu, Mgr. Permanent Address: 302 Keller St. San Antonio, Tex." texashistory.unt.edu/ark:/67531/metapth201015/
[Carpe Cubana Tent]
Photograph of a Carpe Cubana circus tent. The large tent is set up in a wooded area. Several people are visible sitting inside the tent. texashistory.unt.edu/ark:/67531/metapth201012/
[Portrait of Carpe Cubana Dancers]
Photograph of two dancers from the Carpe Cubana Circus. The dancers are dressed in pink and blue Dutch costumes with matching hats. texashistory.unt.edu/ark:/67531/metapth201011/
[Clowns of the Carpe Cubana Circus]
Photograph of two clowns at the Carpe Cubana Circus. The clown on the left is dressed in over-sized clothing and a striped bow tie. He has a fake mustache on his upper lip, and his face is painted. His eyes are closed as he points toward the clown on the left, who is wearing the same costume. texashistory.unt.edu/ark:/67531/metapth201017/
[Portrait of Carpe Cubana Performers in Kimonos]
Photograph of clowns from the Carpe Cubana Circus. The six performers are wearing kimonos and carrying large parasols. Four performers stand behind two sitting performers. texashistory.unt.edu/ark:/67531/metapth201010/
[Clowns of the Carpe Cubana Circus]
Photograph of two clowns at the Carpe Cubana Circus. The two clowns are dressed in a variety of mismatched clothing. texashistory.unt.edu/ark:/67531/metapth201018/
[Cuban Show]
Photograph of the Carpe Cubana circus headquarters. Several people stand in front of the metal buildings. Debris and piles of raw materials are strewn across the front of the buildings. texashistory.unt.edu/ark:/67531/metapth201014/
[Dancers of the Carpe Cubana Circus]
Photograph of Carpe Cubana dancers. The four women are dressed in short patterned tops and long skirts. Each girl is carrying a tambourine. texashistory.unt.edu/ark:/67531/metapth201019/
[Carpe Cubana Wire Walker]
Photograph of a Carpe Cubana wire walker. The man is balancing with his arms stretched outward with a look of intense concentration on his face. He is wearing a white shirt and pants, with a dark-colored tie around his neck and matching cummerbund. texashistory.unt.edu/ark:/67531/metapth201016/
[Carpe Cubana Performers in Costume]
Photograph of Carpe Cubana performers wearing Native American dress. Each performer is standing in a different pose. texashistory.unt.edu/ark:/67531/metapth201013/
Circus Performers in Costume
Photograph of three men, a woman and a young boy in circus uniform. The men are wearing decorative suspenders and bow ties on top of white collared shirts and pants. The woman wears a dress with an embroidered bodice and long skirt, lace up boots, and ruffled bonnet. texashistory.unt.edu/ark:/67531/metapth201085/
Three Men in Circus Costume
Photograph of Sabino Gomez and his fellow performers. Sabino stands to the right of the two other performers, wearing matching one piece, long sleeve leotards with striped collars, sashes, and lace-up boots. texashistory.unt.edu/ark:/67531/metapth201082/
Three Men in Tuxedos
Photograph of Sabino Gomez and two of his friends. Sabino sits to the left of the two other men, all of whom are wearing dark tuxedos and white bow ties. texashistory.unt.edu/ark:/67531/metapth201081/
Abreu Family Portrait
Photograph of the Abreu family with Sabino Gomez seated to the right of Federica. The men are wearing matching suspenders on top of pleated shirts. Federica, seated in the front center, is wearing a long dress with gathered sleeves and a pleated skirt. The waist and seams are embroidered with flowers. An embroidered lace doily is draped across the front of the bodice. texashistory.unt.edu/ark:/67531/metapth201087/
Portrait of Sabino Gomez and Friends
Photograph of Sabino Gomez and two of his friends. Sabino stands to the far right. All three men are facing right and standing with their hands behind their backs, wearing tuxedos. texashistory.unt.edu/ark:/67531/metapth201080/
Abreu Family Portrait
Photograph of the Abreu family with Sabino Gomez seated to the right of Federica. The men are wearing matching suspenders on top of pleated shirts. Federica, seated front center, is wearing a long dress with gathered sleeves and a pleated skirt. The waist and seams of her dress are embroidered with flowers. An embroidered lace doily is draped across the front of her bodice. texashistory.unt.edu/ark:/67531/metapth201088/
Sabino and Two Men in Tights
Photograph of Sabino Gomez and his fellow performers. Sabino stands to the right of the other two men, wearing tights, long sleeve shirts with striped collars, sashes, and lace-up boots. texashistory.unt.edu/ark:/67531/metapth201084/
[Abreu Family Portrait]
Photograph of the Abreu family with Sabino Gomez on the second row to the left. Federica sits in the center of the Abreu men, wearing an embroidered dress and a cross necklace. The men are wearing dark suits with ties and collared white shirts. texashistory.unt.edu/ark:/67531/metapth201089/
Abreu Family in Costume
Photograph of the Abreu family with Sabino Gomez seated far left in the front row. The men are wearing matching suspenders embroidered with ric rac on top of pleated shirts and satin pants. Federica, seated in the front center, is wearing a long dress with gathered sleeves and a pleated skirt. The waist and seams are embroidered with flowers. An embroidered lace doily is draped across the front of the bodice. Federica wears a small crown and many rings on her fingers, while holding a bouquet of roses. texashistory.unt.edu/ark:/67531/metapth201086/