Description:
Photocopy of a clipping from Parade Magazine, featuring an article titled, "10 Things You Can Do To Make Our Schools Better," by Vartan Gregorian. Gregorian will become the President of the Carnegie Corporation of New York in June, 1997. Gregorian is one of the leading authorities on education in America and has written a list about some things concerned individuals can do right now to better the schools and education in the area. The 10th thing on Gregorian's list is to restore the arts as a m…
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Description:
Newspaper clipping with a captioned photograph of Shirley Slade Teer signing an oversized copy of the Life Magazine cover about the WASP. The clipping also includes the obituaries of Mamie Moulton, Louie Geldart, Alfred F. Henricks, and Lula Mae Lincoln.
Description:
Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, no. 52, a blonde woman sits cross-legged on the floor surrounded by tea and sewing supplies. She is following a magazine to embellish a straw garden hat with flowers, which she is holding up to examine intently. On the facing page, a dialogue between a model wearing a swimsuit and a man wearing a tan suit is taking place on a photo shoot set. The two individuals are surrounded by lights, chairs,…
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Description:
A spread from Esquire magazine featuring an illustration of a blonde Varga Girl posing wearing a modified baseball uniform and cleats paired with the verse "All-American Babe!" by Phil Stack. On the following side of the spread is a reproduction print of the 1940 painting "Out at Home" by Fletcher Martin used especially for the September edition of Esquire Magazine in 1944. The painting depicts a scene of a baseball player sliding into home plate surrounded by the referee and catcher.
Date:
September 1944
Creator:
Vargas, Alberto; Stack, Phil & Martin, Fletcher
Description:
A spread from Esquire magazine featuring an illustration of a ginger Varga Girl wearing a white dress with coordinating sandals and headband paired with the verse "Warning Signal" by Phil Stack. On the following page is a reproduction print of the painting Bobby Jones' Trying to Putt in the '29 Open done for the June 1945 edition.
Date:
June 1945
Creator:
Vargas, Alberto; Stack, Phil & Fawcett, Robert
Description:
Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, a black-haired woman lays seductively on a leopard-skin wearing a matching top and bottom with red lipstick and nail polish. The description discusses the leopard in regards to women's fashion and behavior throughout history. On the facing page, a woman in a black riding habit and boots lays sprawled on the ground in shock holding her riding crop in her right hand.
Description:
A spread from Esquire magazine featuring an illustration of a Varga Girl paired with a verse by Phil Stack followed by a reproductive print of the painting Climb to the Clouds by Peter Helck.
Description:
A spread from Esquire magazine featuring an illustration of a blonde Varga Girl wearing a low-back blue and white floral bodysuit paired with the verse "Song for a Lonely Girl" by Phil Stack. On the following side of the spread is a reproduction print of the painting "Bayonet Fighter with Wings" by Alexander Leydenfrost especially for the July edition of Esquire Magazine in 1944. The painting depicts a squad of nine soldiers unloading from a fighter plane that has landed in a field, carrying wi…
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Date:
July 1944
Creator:
Vargas, Alberto; Stack, Phil & Leydenfrost, Alexander
Description:
A page spread from True magazine featuring a Petty Girl illustration paired with the descriptive text " My lawyer wants me to change the charge from desertion to insanity" followed by a spread featuring illustrations by Pachner and descriptive text on chromatic color in men's fashion. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in …
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Description:
A spread from Esquire magazine featuring an illustration of a blonde Varga Girl paired with Sleepytime Gal by Phil Stack followed by a reproduction print of the painting "The Biggest Game Fish Ever Landed" by Melbourne Brindle done especially for Esquire Magazine in 1946 for the September edition. The painting celebrates the story of one of the pioneers of large game angling and author Zane Grey who traveled to Tahiti in the spring of 1930 to catch Tahitian striped marlin [Blue Marlin] and on M…
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Date:
September 1945
Creator:
Vargas, Alberto; Stack, Phil & Brindle, Melbourne
Description:
Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, No.39, a curvaceous blonde Christmas chorus girl poses in a peppermint stripe costume. The outfit includes a large red hat, ruffled bustle, tights, and prop umbrella. On the facing page, a petite blonde poses in a short sheer and lace black dress with pink accents and coordinating pink slippers.
Description:
Page from Esquire magazine featuring illustrations of women and descriptive text. On the first page, by Coby Whitmore, a brunette woman admires her reflection in a tall black standing mirror and considers the ties to her hat while in a state of topless undress. On the facing page, by Ben Stahl, a Spanish ballerina removes her costume stockings. Both illustrations/ paintings were done specifically for the December 1947 issue.
Description:
A spread from Esquire magazine featuring an illustration of a blonde Varga Girl wearing a sheer black backless dress paired with the verse "Lament for a Pin-Up Pip!" by Phil Stack. On the following side of the spread is a reproduction print of the painting "Red Grange: Houdini of the Gridiron" by Rico Lebrun especially for the November edition of Esquire Magazine in 1944. The painting depicts Hall of Fame Chicago Bears running back "Red" Grange mid-play.
Date:
November 1944
Creator:
Vargas, Alberto; Stack, Phil & Lebrun, Rico
Description:
Page from True Magazine featuring an illustration of a Petty Girl and descriptive text reading " There's something wrong with this line... a man called and didn't try to date me!" followed by a reproductive print of a painting depicting a man fishing a mountain lake. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirta…
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Description:
Page from True magazine featuring an illustration of a Petty Girl followed by a reproduction print of a painting of the Chigaco Cubs winning a baseball game. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.
Description:
Page from True Magazine featuring an illustration of a Petty Girl followed by a reproductive print of 3 men and a woman on a white sailboat. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.
Description:
Page from True Magazine featuring an illustration of a Petty Girl followed by a reproduction of an Audubon bird print [Osprey/ Fish Hawk, plate 81]. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.
Description:
Page from True magazine featuring an illustration of an auburn-haired Petty Girl followed by a reproduction print of an unsigned painting depicting a young male deer hunter carrying pelts and his rifle followed by his 2 dogs. Pin-ups by artist George Petty or "Petty Girls" first made their appearance in 1933 and into the 1950s set the standard for American female beauty. The hallmarks of Petty pin-ups are elongated limbs most noted in the legs, a flirtatious smile, and telephones.
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