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Carpet Fastening
Patent for carpet fastening. Illustrations included.
Perini Home Interior
Copy photograph of the interior of the Perini home. This views shows a carved wooden mirror atop a chest of drawers. On the floor are two rugs and visible beyond the doorway is a flight of stairs.
Portrait of Girl
Copy photograph of a portrait of Lula Perkins. She is posed standing with her right hand on a prop gate. She is standing on a fur rug and there are flowers nearby. Below the photograph is a typed note that says, "Lula Perkins (Uncle Billy's daughter)."
[Photograph of a Naked Infant on a Rug, 1895]
Photograph of a naked infant lying on a rug. Text on the back only partially reveals the infant's name because the card is damaged. The infant's surname was Madden and its age was four and a half months at the time of the photograph.
[News Script: Stolen art trial]
Script from the WBAP-TV/NBC station in Fort Worth, Texas, relating a news story.
[Rug Hooking Demonstration]
Photograph of a rug-hooking demo at the Texas Folklife Festival in San Antonio, Texas. In the photograph, a woman is leaning over a wooden frame covered in red mesh. A boy sits on the table to her left, guiding a rug-latch in and out of the mesh to make the rug.
[Kathy Jones and the Alamo Bluebonnet Rug Hookers]
Photograph of Kathy Jones at the Alamo Bluebonnet Rug Hookers booth at the Texas Folklife Festival in San Antonio, Texas. A girl is standing next to her holding a completed rug.
Wool carpet
3 rectangular ingrain wool rug strips (a,b,c); handwoven, reversible, floral and leaf patterns; "Carpet from Judge Theron Lance home, Cabot,VT. Made by Kate Lance, home dyed and woven, about 1865."
[Bissell floor cleaning products display 1]
Photograph of a store display for a variety of Bissell rug and floor cleaning products.
[Bissell floor cleaning products display 2]
Photograph of a store display for a variety of Bissell rug and floor cleaning products.
Couple in Nice Clothes with Podium
Studio photograph of J.D. Harl and Ida June Foster Harl. He wears a dark suit and boots. He has a mustache and his dark hair is parted on the side. She is wearing a dark dress with fur trim on the skirt and ruffled bustle. The top has many buttons going up the center. There is a white bow on her left shoulder and there is a high lace collar. Her hair is pulled up and curled. Between the couple is a wooden podium upon which his left arm and her right is resting. They are standing on top of a rug and behind them is a backdrop with a fireplace and mantle, window and a flower vase.
[Dining Room at Brown Home in Orange]
Photograph of the dining room inside of the E.W. Brown home on Green Avenue in Orange, Texas. The room has a central table with lace tablecloth, heavy velvet draperies, a hanging lamp decorated with greenery, with cornucopias placed in the center of and around the table. There are two fire places in the room.
[Dining Room at Brown Home in Orange]
Photograph of the drawing room inside of the E.W. Brown home on Green Avenue in Orange, Texas. The room has antique furnitire, plants, a piano, a fireplace, oriental rugs, a hanging lamp and artwork on the walls.
Boy in Knicker Suit and Tie
Photograph of a young man wearing a suit with knickers, jacket, necktie and collared shirt. His hair is parted on the side and slicked back. He is standing on a rug in front of a fake backdrop.
[Old man with a dog]
This is a photograph of a room filled with items. In the center of the room, there is an older man (Nick Merfelder, the Justice of the Peace at Fort Davis) with a moustache sitting in a chair smoking a pipe and reading something on a short table in front of him. A large dog is sitting next to him with its head in the Merfelder's lap. There are several chairs and tables covered in books, papers, and lambs near the man. The room is relatively large with wood paneling across the floor, far wall, and ceiling and a stove in the back. There are windows to the left and right. Various paintings and photographs are hung on the wall. To the right, there is a table with several musical instruments including a violin (or viola) in a case, trombone, and clarinet as well as sheet music on a stand; behind the instruments are a wardrobe, a desk covered in papers, and three coats hanging on the wall. A door in the far wall of the room is open, showing a glimpse of other rooms.
[News Clip: Furniture stores]
B-roll video footage from the KXAS-TV/NBC station in Fort Worth, Texas, to accompany a news story.
[Rolls of carpets in a store]
Photograph of a carpet store with rolls of carpets sitting on tables in the center and carpets hanging on racks along the walls. There are a lot of signs hanging from the ceiling, five of which say "Thrift Days". One of the other signs says "Bigelorama". There are beams on the ceiling and on one of the beams to the right of the image are the words "Carpet on the Floor" in a cursive font.
[Halloween costume pair in entrance]
Photograph of two guests in the entrance at a Halloween party. They are wearing matching outfits that include shoes, shorts, wings, chokers, and makeup that is split between black and white for a demon and an angel costume.
[Photograph of Ann Alden seated on a patterned couch]
Photograph of Ann Alden wearing a dark-colored shirt with floral prints, a satin skirt, lightly colored earrings, and dark heels. Her hair is curled into an updo. She is sitting on a patterned couch and facing sideways to the left of the photograph. She has her right hand behind her head and her left hand in her pocket. She can be seen looking at the camera with a slight smirk. Behind her is a dark curtain patterned with flowers. There is a lamp on a side table to the left of the photograph and blinds over the windows to the right of the photograph. There are tiles and a dark-colored rug on the floor. Ann Alden was a stage name for Ann Barham Pugh.
[Ann Alden posing by window photo]
Photograph of Ann Alden posing with one leg lifted and standing in front of tall curtains with blinds over the windows. She is wearing a dark-colored shirt, pants, earrings, and heels. She has one hand on her hips and the other raised in front of the curtains. She is smiling and looking at the camera. She can be seen standing on a dark-colored rug. Ann Alden was a stage name for Ann Barham Pugh.
[Photo of Margaret McDonald holding pineapple ham]
Photograph of Margaret McDonald holding a tray of ham with pineapple. She is dressed in a light-colored shirt, a dark-colored skirt, heels, accessories, and a patterned apron. Her hair is curled into an updo. She is standing indoors on a rug and smiling at the camera. Behind her is a plain background.
[Photograph of Ann Alden standing on rug]
Photograph of Ann Alden posing with her right leg lifted on a wooden bench. She is standing in front of tall curtains with blinds over the windows. She is wearing a dark-colored shirt, pants, earrings, and heels. She has her left hand on her hips and her right raised on her knee. She is smiling and looking at the camera. She can be seen standing on a dark-colored rug. Ann Alden was a stage name for Ann Barham Pugh.
[Photograph of Ann Alden standing on a dark rug]
Photograph of Ann Alden posing with her right leg lifted on a chair. She is standing in front of tall, lightly colored curtains with blinds over the windows. She is wearing a dark-colored shirt, pants, earrings, and heels. She has her left hand on her hips and her right on her knee. She is looking at the camera with a serious expression. She can be seen standing on a dark-colored rug. She is wearing makeup and her curly hair is styled in an updo. Ann Alden was a stage name for Ann Barham Pugh.
[Photo of Ann Alden seated on a chair]
Photograph of Ann Alden seated on set and slightly turn to the right. Her hair is curled into an updo. She is wearing a dark-colored shirt with floral prints, a skirt, and earrings. She is smiling and looking at the camera. Behind her are curtains with blinds over the windows. She can be seen standing on a dark-colored rug. There is a lamp on a side table and a couch to the right. There are tiles on the floor. Ann Alden was a stage name for Ann Barham Pugh.
[Photograph of Ann Alden seated on a chair]
Photograph of Ann Alden seated on set and slightly turned to the right. Her hair is curled into an updo. She is wearing a dark-colored shirt with floral prints, a satin skirt, and lightly colored earrings. She is holding a glass of water. She is smiling and looking at the camera. Behind her are curtains with blinds over the windows. She can be seen sitting on a wooden bench, on top of a dark-colored rug. There is a lamp on a side table and a couch to the right. There are tiles on the floor. Ann Alden was a stage name for Ann Barham Pugh.
[Photograph of Ann Alden posing by window]
Photograph of Ann Alden posing in front of tall curtains with blinds over the windows. She is wearing a dark-colored shirt, pants, earrings, and heels. She has her left hand on her hips and her right raised in front of the lightly colored curtains. She is looking at the camera with a bland expression. She can be seen standing on a dark-colored rug. Ann Alden was a stage name for Ann Barham Pugh.
[Portrait of the Pelley Kids]
Photograph of the Pelley Kids posing together in front of a light colored backdrop on top of a plush rug. One of the girls is wearing a dress with small design prints on it with a lace accent on the front and the other is wearing a white dress and is barefoot. On the back of the card written in handwriting is "Pelley Kids, Mothers Ren"
[Rug on Floor]
Photograph of a patterned rug on the wooden floor inside the Wharton County courthouse in Wharton, Texas. There is a wooden column and several benches to the left, and a desk to the right.
[Two Pitchers on Table]
Photograph of two pitchers on a table in front of a rug in Decatur, Texas. Chairs are visible in the background.
[Rug on Floor]
Photograph of an animal skin rug on the stone floor of a building somewhere in Texas.
[Animal Skin Rug]
Photograph of an animal skin rug on the stone floor of a building somewhere in Texas.
[Young Boy and Girl in Traditional Mexican Costumes]
Postcard of a young boy and girl dressed in traditional Mexican costumes. The children are standing on a woven rug with a traditional Mexican motif woven into it; two more hang side by side behind them. The boy, who is standing on the left-hand side of the image and facing the girl on the right, is wearing shiny black shoes, a billowy white shirt, and fitted black pants with a scroll design piped up each leg. He is also wearing a wide satin sash, a fitted vest that is decorated with traditional motifs, a scarf around his neck, and a wide brimmed hat. The girl is wearing a full high-waist skirt that has sparkly designs sewn onto it, a small white shirt with a motif design on the front, and a scarf that forms a sash and a vest. The girl is also wearing a flower headband in her hair, which is bobbed. Along with postcard stamps, there is a handwritten note on the back of the image.
[Letters from Charles B. Moore to Mary Ann Moore, October 26-27, 1897]
This is a letter from the Charles B. Moore Collection. It is written by Charles B. Moore and is addressed to Mary Ann Moore. In this letter,Moore informs Mary of the goings- on since she has departed for Gallatin, Tennessee. He discusses the number of correspondences he has sent to Mary Ann, weather, the daily chores, community news about friends, updates about the milk cows going to pasture, and the amount of milk the cows are producing since going to pasture. Moore details the daily happenings for Mary Ann and notes that the new carpet was installed by Linnet and Jo in the front room. He discusses the loads of lumber collected for the day details the rainy weather, and notes that Abigail and her calves are well. Moore continues to mention the day's events for Mary Ann. In the latter part of the letter dated October 26, 1897, Moore states that they have yet to receive word from Mary Ann and will travel to Melissa to send a telegram if no correspondence is received by tomorrow morning. He discusses the rain and its affect on the crops in the community including their wheat crop. He ends this letter by noting that the rain will help their stock tanks to reach capacity. Moore begins a new letter on the back of the fourth page which is dated October 27, 1897. In this letter, Moore discusses the weather, daily chores, updates on the crops, and community news. He states that they have not received word from Mary Ann and mentions new updates on friends. he closes the letter by noting that he is on his way to the post office to mail the letters. On the first page, Moore has noted in pencil that he received a letter and a card …
[Letter from Edward Turner to Dr. Meyer Bodansky - January 13, 1935]
Letter from Edward Turner to Dr. Meyer Bodansky dated January 13th, 1935. Edward discusses moving his family from Syria to Texas, his academic interests, and the purchase of a Persian rug for his stepmother.
[Letter from Edward Turner to Dr. Meyer Bodansky - February 6, 1935]
Letter from Edward Turner to Dr. Meyer Bodansky, addressed February 6th, 1935, regarding the purchase of Persian rugs for Dr. Bodansky's home.
[Letter from Edward Turner to Dr. Meyer Bodansky - April 20, 1935]
Letter from Edward Turner to Dr. Meyer Bodansky, addressed April 20th, 1935, regarding the purchase of several rugs in Jerusalem for Dr. Bodansky, and information about Ed's travels with his wife, Katherine.
[Letter from Edward Turner to Dr. Meyer Bodansky - November 27, 1936]
Letter from Edward Turner to Dr. Meyer Bodansky on November 27th, 1936, regarding the cost of several Persian rugs that Edward purchased for the Bodansky family.
[Letter from Harris Leon Kempner to Howard Swann, October 18, 1946]
Letter from Harris Leon Kempner to Howard Swann mentioning that Lykes told him that he owes $80.50 for the rugs so he requests to send him a check at his convenience.
[Letter from Harris Leon Kempner to J. G. Tompkins, October 18, 1946]
Letter from Harris Leon Kempner to J. G. Tompkins enclosing a check for $80.50 paying for the rugs.
[Equipment in Room]
Photograph of boxes, rugs, and four foil tubes in a room in the Polk County courthouse in Livingston, Texas.
[Red Rug on Tiled Floor]
Photograph of a red rug on the tiled floor just inside the open doors of the Liberty County courthouse in Liberty, Texas. There are two candy dispensers on the landing above the stairs.
[Betty Buckley singing at Murchison Performing Arts]
Photograph of Betty Buckley singing on stage in the Winspear Hall of the Murchison Performing Arts Center on the UNT campus. Behind her is Kenny Werner playing the piano as an accompanist and she is standing on a rug.
[Letter from T. L. James to D. W. Kempner, May 25, 1950]
Letter from Thos. L. James to D. W. Kempner discussing prices on rugs for given sizes.
[List of Carpet Sizes]
A list made by D. W. Kempner listing the type and size of carpets he would like in specific rooms. Handwritten notes can be read on the bottom of the page.
[Letter from D. W. Kempner to Thos. L. James, July 11, 1950]
Letter from D. W. Kempner to Thos. L. James discussing the return of a sample rug from Alexander Smith and Sons after they canceled the order for reasons not mentioned.
[Letter from T. L. James to D. W. Kempner, July 10, 1950]
Letter from Thos. L. James to D. W. Kempner discussing a rug manufacturer dropping an order with a second solution now available.
[Speaker at La Vida 2012, 1]
A photograph of a speaker at La Vida 2012. He is standing on a stage behind a podium and people are seated in the audience in front of him. There are flags and a table with items on it set up behind them.
[Man speaking at La Vida 2012, 2]
A photograph of a man standing on stage and speaking at La Vida 2012. There are two flags, a table, a rug, and a podium set up on it.
[Speaker at La Vida 2012, 2]
A photograph of a speaker at La Vida 2012. He is standing on a stage behind a podium and people are seated in the audience in front of him. There are flags and a table with items on it set up behind them.
[Letter from D. W. Kempner to T. L. James, December 26, 1952]
Letter from D. W. Kempner to Thos. L. James discussing a rug or carpet to be purchased for I. H. Kempner.
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