Postcard depicting the Abreu Troupe performing a stunt in front of a wooden structure. To the left of the photograph, a woman balances on the shoulders of a man. On the right of the photograph, two men stand several feet away from the couple with their arms outstretched. A boy is in midair between the two groups, appearing to have jumped from the woman's shoulders and preparing to land in the men's arms.
Photograph of the Abreu family acrobats performing on a stage situated between large storefronts at the Mendota Carnival. One member of the troupe is balancing two more members on his shoulders while a large crowd surrounds the stage.
Photograph of the Abreu Troupe practicing in front of a barn. A man and a woman are in the motion of tossing a third member into the air when the photograph was taken. A man stands to the right, prepared to catch the third member.
Postcard depicting the Abreu Troupe performing a basket toss. Two men join arms to throw a third man into the air. The third man is performing a somersault in mid-air, while two other men reach out to catch him. The troupe is practicing in front of a wooden structure.
Postcard of the Abreu Troupe practicing a stunt for their circus act. A man and woman on the left side of the postcard extend their arms as they throw a third man into the arms of another performer. The man being thrown is in mid-air between the couple and the performer to the right, prepared to catch him.
Photograph of the Adolph children, Victoria Abreu's grandchildren, on Christmas morning. Both of the boys are sitting on the hearth facing away from the camera, leaning into the fireplace and wearing one piece pajamas with built-in feet. Two stockings hang above the fireplace and have the two children's names, Billy and Alan, written across them. A chalkboard with the words "Merry Christmas the Adolphs" lies on the back of a chair.
Photograph of baby Adolph wearing a shirt-sleeved sweater. The portrait is taken from the waist up. The smiling baby facing left. The photograph is encased in a Christmas card with a green cover and back. The cover reads "Merry Christmas" in silver lettering, and features a small drawing of a pine tree.
Photograph of Angela Cardenas and Amelia, dressed in performance costumes for the Carpe Cubana circus. Angela stands on the right wearing a yellow dress with a large yellow hat. Amelia holds hands with Angela, facing left and wearing a pink dress with purple trim.
Postcard photograph of Patzcuaro Lake, also known as Atardecer Lake in Guadalajara, Mexico. The photograph is cast in relief from the setting sun disappearing behind a line of mountains that stretch across the photograph. Several clouds filter sunlight onto to the lake in an irregular pattern. A dock is just visible to the right of the photograph, slightly below where the mountain line meets the lake waters. A hand-written inscription on the front of the postcard reads "Atardecer Lago de Patzcuaro No. 19. A letter to Federica Abreu is addressed on the back.
Photograph of aerialists performing a trick on stage for a large crowd of onlookers. One aerialist balances on a large ball on top of another man's shoulders. Two other performers stand behind the balancing act.
Photograph of a band performing for a large crowd. A conductor in a white suit directs the band, who is seated in bleachers. The band is wearing matching uniforms consisting of a cap and suit embroidered with gilt trim.
Photograph of a clown wearing a large hat and over-sized clothing, including a large bow around his neck, a white overcoat, and large shoes. The clown points his right finger in the air, as if gesturing to something beyond the camera's scope.
Photograph of two clowns at a performance of the Barnum and Bailey Circus. The clown in the front of the photograph holds his hat in his hands and bows to the photographer. The clown behind him holds a chicken in his hands as the crowd of spectators looks on.
Postcard containing one large photograph of the Barnum and Bailey circus tents and five small photographs underneath it. Several captions are written in French on the front of the postcard. The postcard is addressed to Alfredo Gomez in Monterrey, Mexico.
Postcard depicting Basilica Maya, a church in Peru. The church is large and many storied, featuring classic Castillon architecture. Many buildings surround the church, featuring similar architecture. On the back of the postcard, a letter is written to Federica Abreu from Anita and Lalo.
Photograph of the Hermanas Bell (Bell Sisters), a sing-and-dance act that was a part of the Barnum and Bailey circus. The women are dressed in matching costumes consisting of shirts with tiered layers underneath floral vests. The shirts are tucked into floor length floral skirts and high-heeled shoes. Flowers are woven into their curled hair.
Photograph of Bilito and Victoria posing with an unidentified woman the day of Bilito's graduation. Bilito is dressed in a commencement cap and gown, and has his arms linked with Victoria, who stands to his left.
Photograph of a Boy Scout in full uniform. He rests on a stool against a floral patterned wall, wearing a single breasted jacket with several medals pinned to it, cap, pants, and lace-up boots. One foot rests on a piled rug while the other hangs in mid-air. A letter is inscribed in Spanish on the opposite side.
Photograph of a woman building a fence of chicken wire around several posts in a back yard. The woman wears a jacket over a long dress and bonnet, in front of a two-story home surrounded by thin vegetation and sand. A hand-written note in Spanish on the back of the photograph reads "Mama is fixing a place for Chino, Bilito's Dog."
Photograph of Carpe Cubana's show truck in La Feria, Texas. The camp had been flooded, and five members of the circus stand around the truck, trying to move it out of the knee-high water. The men wear loose-fitting sleeveless shirts and shorts. A horse is also attached to the truck in an attempt to free the truck from the flood waters. A hand-written inscription in white reads "CUBAN SHOW. TRUCK NO. 2, LA FERIA TEX. 5/29/29."
Photograph of two Carpe Cubana dancers. Both dancers are dressed in traditional Spanish attire. The woman stands in front of the man with her head against his shoulder. A large tent is visible behind them.
Photograph of Edwardo Sanchez, the ringmaster of Carpe Cubana circus, standing between two vehicles with Don Vejelio, Mr. and Mrs. Abreu, and Sr. Agilera. Edwardo stands to the left of Federica Abreu. The group of people are wearing long overcoats and hats.
Photograph of a Carpe Cubana wire walker. The man is balancing with his arms stretched outward with a look of intense concentration on his face. He is wearing a white shirt and pants, with a dark-colored tie around his neck and matching cummerbund.
Photograph of Carpe Cubana's flooded camp in La Feria, Texas. Several members of the crew stand in front of a tent posing for the camera. The flood waters reach up to the crew member's knees. One man balances on a barrel floating in the water.
Photograph of Carpe Cubana's circus camp in La Feria, Texas. The camp had been flooded, and members of the circus stand together in knee-high water. Some members of the circus carry household goods such as pots, bags of food, and fold-up chairs. Several men sit in the water, and one man even balances a teacup on his head. Plain tents are visible behind the circus members. A hand-written inscription written in white reads "CUBAN SHOW CAMP," and "LA FERIA TEX. 5/29/29."
Photograph of two clowns shaking hands in front of a circus tent. The clown on the right is imitating Charlie Chaplin. He chews on the end of a cigar and leans on a cane while wearing a bowler hat and suit. The clown on the left wears a similar suit and a crumpled cap.
Postcard depicting a bough of a fir tree covered with snow and draped in Christmas bells. A second image imposed on the fir bough depicts a small home surrounded by snowy mountains and fir trees. "Christmas Greetings" is written on the front of the card. A letter addressed to Sabino Gomez is written in Spanish on the back of the card, dated December 24, 1914.
Postcard of a village nestled in a mountainous region. The tall steeple of a church is visible above the cluster of small buildings. Two cows graze in the pasture in front of the village. A letter addressed to Sabino Abreu at the Ringling Brothers Circus in Grand Rapids, Michigan is written in Spanish on the back of the postcard.
Photograph of Barnum and Bailey outdoor circus. Crowds of civilians mill around outside of the tents. An inscription on the photograph reads "#4 copyright 1910 by Wischuster, Barnum & Bailey's Circus, May 21, 1910. New York." A letter addressed to Sabino Abreu is written in Spanish on the back of the photograph.
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. Circus workers are unrolling yards of canvas from the train, pictured left. The railroad station is crowded with onlookers watching the circus unload.
Photograph of a man dressed in a frog costume climbing a tree. The costume consists of a one piece, dark-colored suiting covering his hands and feet. The man's head and neck are covered with a three-dimensional form of a frog's head.
Photograph of circus performers in front of a decorated sidecar. The twelve male performers and four female performers are dressed in highly-decorate costumes. The sidecar is decorated with flowers and birds.
Photograph of performers and personnel of the Ringling Brothers Circus. The photograph was taken inside of a large tent. The group of men consist of some members dressed in full costume while others are dressed in plain clothes.
Photograph of three men, a woman and a young boy in circus uniform. The men are wearing decorative suspenders and bow ties on top of white collared shirts and pants. The woman wears a dress with an embroidered bodice and long skirt, lace up boots, and ruffled bonnet.
Photograph of a clown dressed in a white two piece ensemble with long gathers at the wrists and ankles. He has a large ruffle around his neck and over-sized shoes on his feet. The clown's face is painted white with dark shapes on his nose, mouth, and eyes. To the left of the clown, a dog balances on its' hind legs on a block.
Photograph of a clown and dwarf in full costume. The clown is carrying a long stick resting on his shoulder and standing behind a low bench. The dwarf stands to the left on the clown, wearing a suit with flowers pinned to his label.
Photograph of clowns from the Carpe Cubana Circus. The six women are dressed in matching yellow dresses with large red polka dots. From left to right, the clowns are Berta Posada, Amelia Abreu, unknown, Angela Aguirre Cardenas, unknown, and Arora Dominguez.
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