Postcard that advertises an exhibition that was presented by the Mexic-Arte Museum entitled, "Totally Cool Totally Art". The front of the postcard depicts a graphically-rendered gallery wall with three picture frames hanging on it. The first and largest frame contains the exhibition title in blue lowercase type. The frame at the very top next to it is the smallest and contains an "@" symbol. The frame below this contains the logo to the Mexic-Arte Museum. There are black silhouettes of people standing around the front as well as the background behind the wall. The date of the opening reception is included at the bottom of the postcard. The opposite side of the postcard includes the exhibition and museum names, the address of the museum, and the date and times of the opening reception.
Postcard that advertises an exhibition that was presented by the Mexic-Arte Museum entitled "The 23rd Annual Día de los Muertos [Day of the Dead] Exhibition and Celebration". The front of the postcard features the photograph of a young girl with a painted face and wearing traditional Mexican costume along with a list of event highlights, featured artists, the title, and dates. Several sponsor logos are pictured along the bottom of the postcard. The back of the postcard includes postage information on the right-hand side, and details about the exhibition on the left. This information includes details about registration and participation the parade, admissions, workshops, and an artist tribute.
Postcard that advertises an exhibition that was presented by the Mexic-Arte Museum entitled, "Everything's Going to Be Okay, Young Latino Artists Exhibition # 13". The front of the postcard features a typographic illustrated art print by Luis David Contreras II along with the logo of the Mexic-Arte Museum. The reverse side of the postcard includes a paragraph about the exhibition, a list of participating artists, and information about receptions, a members' preview, and a performance. Sponsor and postage information is also included.
Postcard that advertises an annual exhibition that was presented by the Mexic-Arte Museum entitled, "25th Annual Día de los Muertos." The front of the postcard features the title of the exhibition, photographs from previous celebrations, and the logo of the Mexic-Arte Museum. The reverse side of the postcard includes information about the celebration, a procession, and a community altar exhibition. The dates, times, registration, and admissions information are included for these events. Postage and sponsor information is also included.
Exhibition flyer for Sterilized for Your Protection, a collection of work by Adrian Parra. The exhibition was held at the Mexic-Arte Museum in Austin, Texas from January 12th, 2001 to February 24th, 2001. An opening reception was held on January 12th, 2001. This exhibition was part of the museum's Diversity and Emergence Series. Flyer is printed on white and pink patterned tissue paper.
Postcard that advertises "The 20th Annual Día de los Muertos Family Event" Celebration, which was presented by the Official Mexican and Mexican American Fine Art Museum of Texas and the Mexic-Arte Museum. The front of the photograph features a black and white photograph of an outdoor Mexican altar with photo credits included at the bottom of the image. On the right-hand side of the postcard, there is a list of events that will be at the celebration as well as the date of the event, the logo of the Mexic-Arte Museum, and museum contact information. The flip side of the postcard features a more detailed itinerary of the major events that will be at the celebration. There is also sponsor and admission information.
Postcard advertising an exhibit entitled "Brazilian Visual Poetry", which is curated by Regina Vater. The front of the postcard features the title of the exhibition in large red and blue letters. Some of the counter spaces of the letters are filled in with gray, and the word "Visual" is connected to the word "Poetry" through artistic rendering. The front of the postcard also contains a list of fifty-three Hispanic poets that are participating in the exhibition. The names of the better-known poets are larger, and placed as a border around the Mexic-Arte Museum logo and exhibit information. The back of the postcard outlines the details of the exhibit, including the date and time of the reception and information on other exhibits that are happening at the same time.
Postcard advertising a photography exhibition presented by the Consulate General of Mexico, the Mexican Community Center, and the Mexic-Arte Museum entitled "Cofradía de Luz [Brotherhood of Light], An Exhibition from El Centro de la Imagen, Mexico City". The postcard, which is printed on white transparent paper, features exhibit information including the title, sponsors and their logos, the participants, and the date and time of the event.
Postcard inviting the recipient to visit the Rosario Cabrera and Swallow exhibits at the Mexic-Arte Museum in Austin, Texas. The Rosario Cabrera exhibit ran from March 13th, 1998 to April 18th, 1998. The front of the postcard features two images set side by side. The leftmost image is a photograph of a young woman. The woman's hair reaches just below her ears and is pinned to one side. Her smile is enigmatic and she looks directly at the camera. The rightmost image appears to be a sketch of the same woman, though some changes have been made. In this image the woman looks slightly to her right and much attention is paid to her hair. The drawing has an unfinished quality to it.
Postcard invitation that advertises and exhibition that exhibits the work by Malaquías Montoya, a renowned Chicano artist, at the Mexic-Arte Museum in Austin, Texas. The exhibit ran from July 31, 1998 to August 29th, 1998. The front of the postcard features a painting titled "The Beating," which was created using acrylic wash pencil and pastel on paper. The painting is of a bald man who holds his right hand at his brow in an expression of pain.
Postcard advertising for two exhibitions at the Mexic-Arte Museum in Austin, Texas. The first exhibition, Kisses, opened on February 14th, 1990 and closed on March 10th, 1990. The second exhibition, Erotic Art, opened on February 14th, 1990 and closed on February 23rd, 1990. The front of the postcard depicts a series of "kiss marks," all but two of which are trapped behind bars. The text reads "Let the kiss free!"
Postcard invitation to the Austin Annual 1985. It included information about the location and when the open reception will be, how long the art exhibition will run through and information about the sponsors. This was sent to Betty Horton.
Postcard that advertises an event for Cinco de Mayo. On one side, artwork by Pio Pulido fills the paper. The phrase "5 May" is drawn in the middle of the paper. The art also features a snake, a person's profile and other items. On the flip side, there is mailing information.
Postcard that advertises an exhibition entitled "Fragments: Visual Evidence of a Decaying Culture", which is an art exhibition of photographs that explore icons of an alienating and fragmented society. On one side, there is a photograph with a man and fragmented pieces of paper in the background. On the other side there is information on the when and where of the exhibit, and the artist.
Postcard of an advertisement for Derek Boshier's art exhibit and lecture. On one side, it is mostly black. The flyer give information about the lecture and exhibit, but also features the images of a hammer and sickle, a crescent moon, a cross and others. On the other side is postal information.
Postcard advertising an exhibition entitled "Positions", a reception sponsored by the University of Texas in conjunction with Mexic-Arte. On the left in large letters, there is a list of people's names. On the bottom, there is the date and location of the event.
Postcard of two exhibitions entitled, "Animate Inanimate" and "Quietism". "Animate Inanimate" is an exhibit of object, machines and robots that was constructed using low technology techniques. "Quietism" is an exhibition that addresses the issue of man's non-harmonious relationship with the earth. On the other is information about the location and date of the event and other information.
Postcard invitation to Austin Annual. The exhibition was held from September 15th, 1989 to October 21st, 1989 at the Mexic-Arte Museum in Austin, Texas. A reception was held on September 15th, 1989 at 7 pm.
Postcard inviting the recipient to visit the Mascaranas Mexicanas exhibit at the Mexic-Arte Museum in Austin, Texas. The exhibit ran from May 3rd, 1996 to June 15th, 1996 and a reception was held on May 3rd, 1996. The front of the postcard features a photograph of an ornate mask. An almost human face with a mustache, two sets of horns, and an open mouth is surrounded be creatures. A bird sits atop the head as a snake wraps around it and three lizards crawl up the neck. The mask is painted in dark green, gold, and red colors.
Postcard inviting the recipient to visit an exhibition of divine art to be auctioned at the Mexic-Arte Museum in Austin, Texas. The Auction Party was held on December 14th, 1996. Divine art to be auctioned included "contemporary & traditional Retablos and Ex-votos," or votive paintings. The front of the postcard, which is blue in color, features a drawing of the Virgin Mary clasping her hands in prayer.
Postcard advertising an exhibit of selections from the Mexican Print Collection. The exhibit was held at the Mexic-Arte Museum in Austin, Texas and ran from September 13th, 1996 to October 12th, 1996. The front of the postcard features a drawing of a woman with long hair and slightly squinted eyes. The drawing is labeled: "Lacandon Woman by Raúl Anguiano."
Postcard inviting the recipient to attend the album release of Buena Suerte, Señorita by Flaco Jimenez. The concert benefited the Mexic-Arte Museum in Austin, Texas and was held on May 23rd, 1996. The front of the postcard includes a photograph of a man playing an accordion while standing in front of a train. The man looks up at the sky while a woman leans against the train.
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