Postcard photograph of a man and woman standing on the deck of a ship. The woman stands in front of the man, holding onto the guard rail with her left arm. She wears a long dress with a large white collar and a tasseled belt. The man leans the guard rail, wearing a suit with a bow tie and hat. A large body of water is visible behind the couple. "Abordo del Louoma" is hand-written on the image. A letter addressed to J. B. Aguilera is written in Spanish on the back.
Postcard depicting the Abreu Troupe in full costume. The troupe consists of three men, a young boy, and a woman, facing left and turning their heads toward the camera. The males in the group are all wearing the same costume consisting of a Spanish-style bolero jacket and pants decorated with light-colored trim and embroidery. Underneath the jacket each man wears a white collared shirt with a tie, sombrero, and black shoes. The woman wears a white blouse with a heavily-embroidered dark skirt. She wears her hair in two braided down her shoulders, tied with large ribbons, and large heavy necklaces around her neck.
Postcard depicting the Abreu Troupe performing a stunt in front of a wooden structure. To the left of the photograph, a woman balances on the shoulders of a man. On the right of the photograph, two men stand several feet away from the couple with their arms outstretched. A boy is in midair between the two groups, appearing to have jumped from the woman's shoulders and preparing to land in the men's arms.
Postcard depicting the Abreu Troupe performing a basket toss. Two men join arms to throw a third man into the air. The third man is performing a somersault in mid-air, while two other men reach out to catch him. The troupe is practicing in front of a wooden structure.
Postcard of the Abreu Troupe practicing a stunt for their circus act. A man and woman on the left side of the postcard extend their arms as they throw a third man into the arms of another performer. The man being thrown is in mid-air between the couple and the performer to the right, prepared to catch him.
Postcard photograph of Patzcuaro Lake, also known as Atardecer Lake in Guadalajara, Mexico. The photograph is cast in relief from the setting sun disappearing behind a line of mountains that stretch across the photograph. Several clouds filter sunlight onto to the lake in an irregular pattern. A dock is just visible to the right of the photograph, slightly below where the mountain line meets the lake waters. A hand-written inscription on the front of the postcard reads "Atardecer Lago de Patzcuaro No. 19. A letter to Federica Abreu is addressed on the back.
Postcard containing one large photograph of the Barnum and Bailey circus tents and five small photographs underneath it. Several captions are written in French on the front of the postcard. The postcard is addressed to Alfredo Gomez in Monterrey, Mexico.
Postcard depicting Basilica Maya, a church in Peru. The church is large and many storied, featuring classic Castillon architecture. Many buildings surround the church, featuring similar architecture. On the back of the postcard, a letter is written to Federica Abreu from Anita and Lalo.
Postcard depicting a bough of a fir tree covered with snow and draped in Christmas bells. A second image imposed on the fir bough depicts a small home surrounded by snowy mountains and fir trees. "Christmas Greetings" is written on the front of the card. A letter addressed to Sabino Gomez is written in Spanish on the back of the card, dated December 24, 1914.
Postcard of a village nestled in a mountainous region. The tall steeple of a church is visible above the cluster of small buildings. Two cows graze in the pasture in front of the village. A letter addressed to Sabino Abreu at the Ringling Brothers Circus in Grand Rapids, Michigan is written in Spanish on the back of the postcard.
Postcard photograph of siblings Rosa, Eduardo, and Hortensia Coderra. The children are standing in a row, facing forward with their arms to their sides. The two girls, on the left and right of Eduardo, wear matching white dresses with polka-dot trim and large hair bows. Eduardo wears a long sleeve shirt with a large sailor's collar and two rows of button running down it. The shirt is secured with a belt. He also wears a cap on his head, and lace-up boots. A letter is inscribed on the back from Hortencia B. Coderra, addressed to Federica Abreu, in New York City.
Postcard of a family portrait sent to J.B. Aguilera from Victoria. The photograph features four women and a boy seated around a dog. A baby is positioned against the belly of dog. The group is sitting in grass in front of a short fence, surrounded by foliage.
Postcard depicting the first Communion of Gsabel Gonsalez of Laredo. The girl is pictured wearing a sheer veil and white dress. She is holding a candle, prayer book, and a rosary. A statue of Jesus is placed on a pedestal to the right of Gsabel. Two faces of flowers are placed in front of the pedestal.
Postcard containing two photographs of the Guzmani Trio. The photograph to the left features the three male members of the trio standing one behind the other and facing the camera. The photograph to the right features the three men sitting in chairs. In the center of the postcard is an advertisement for the Trio, featuring photographs of the three men and images of the men balancing on large inflated balls.
Postcard with a felt kangaroo pasted onto a paper card. A gradient was applied to the card, transitioning from purple to blue. The card reads "Hearty Greeting. From the land of the Wattle and Kangaroo, Come heartfelt wishes, warm and true; May happiness each year increase, And future days roll on in peace." An inscription underneath the felt kangaroo reads "The Australian Kangaroo." A letter written in Spanish is addressed to Sabino Gomez in Chicago Illinois, from A. Guzmani in Sydney Australia.
Postcard photograph of an observation point at the Pecos River Canyon. The photograph depicts a concrete road dividing the mountain in the foreground from the rest stop. The rest stop features a brick awning topped with large leaves and a gravel floor. A car is parking outside of the awning. Below, the canyon is visible, as well as a large train trestle stretching across two mountains. An inscription on the front of the postcard reads "Observation Point - Pecos River Canyon U.S. 90 Between Del Rio and Langtry, Texas. A letter is written in Spanish on the back, from Alfredo to Federica Abreu.
Postcard of San Bernardino Mountains featuring several roads roping through the valley. Small houses spot the mountain side along with dense foliage and pine trees. A letter to Victoria Abreu from Nina and Charlie is inscribed in Spanish on the back, dated August 15, 1939.
Postcard of the landscape of Cerro de Guadalupe. The postcard depicts two houses in front of a small hillside. The houses are small, one-story made of wooden slats. The closest house features a front porch and fence. A road runs to the right of both houses and toward the base of the hill. Several people are standing outside of the second house. A hand-written inscription reads "Cerro de Guadalupe H. Zuacuaro Mich. No 2." On the back, a letter is inscribed from Federica Abreu to Victoria, dated February 12.
Postcard of baby Celia, sent to Federica Abreu. Celia is seated on an embroidered quilt. She is wearing a bonnet with lace trim and large flowers attached to each side. The bonnet is tied in a bow underneath her chin. The dress she is wearing is white and short-sleeved, with matching lace trim. She also wears socks and white shoes.
Postcard of Carmen Calvo, addressed to Federica and Virgilio Abreu. Carmen is standing and facing left, with her right arm tucked behind her. The photograph is embroidered with blue, cream, and pink stitches in the form of a dress.
Postcard written in Spanish, from Victoria Abreu to her grandmother. The front of the postcard depicts an older woman holding a small child. The woman is seated in a bed of grass looking down at the child, whom she holds by the waist.
Postcard depicting the city of Madero, Mexico. The photograph shows a downtown street lined with business store fronts. In the distance, several people walk down the street, facing away from the camera. A fountain to the right of the photograph marks the beginning of the street. An automobile is parked in the distance on the right side of the street. On the back of the postcard is a letter written in Spanish, addressed to Mr. Jose B. Aguilar in San Antonio, Texas, from a Victoria in Madero, Mexico.
Postcard of a girl seated in a windowsill. The girl is facing left, reading a book. She wears a long-sleeve dress with a wide collar and layered skirt. Her hair is worn up, and curled onto one shoulder. Her hair is decorated with flowers. A curtain is draped across the window.
Postcard with an image of the corner of Portage Avenue and Main Street in Winnepeg, Canada. The color illustration features a busy city street with pedestrians, police officers, wagons and streetcars all utilizing the road.