Postcard depicting the city of Madero, Mexico. The photograph shows a downtown street lined with business store fronts. In the distance, several people walk down the street, facing away from the camera. A fountain to the right of the photograph marks the beginning of the street. An automobile is parked in the distance on the right side of the street. On the back of the postcard is a letter written in Spanish, addressed to Mr. Jose B. Aguilar in San Antonio, Texas, from a Victoria in Madero, Mexico.
Postcard of the landscape of Cerro de Guadalupe. The postcard depicts two houses in front of a small hillside. The houses are small, one-story made of wooden slats. The closest house features a front porch and fence. A road runs to the right of both houses and toward the base of the hill. Several people are standing outside of the second house. A hand-written inscription reads "Cerro de Guadalupe H. Zuacuaro Mich. No 2." On the back, a letter is inscribed from Federica Abreu to Victoria, dated February 12.
Postcard of a girl seated in a windowsill. The girl is facing left, reading a book. She wears a long-sleeve dress with a wide collar and layered skirt. Her hair is worn up, and curled onto one shoulder. Her hair is decorated with flowers. A curtain is draped across the window.
Photograph of Romana Ortiz, sent to Frederica Abreu in Chicago, Illinois. Romana is sitting and holding a bouquet of roses in her right hand. She is wearing a collared, long-sleeve shirt and long dark skirt. She wears a dark hat with a brim of flowers and a bow tie around her neck. A letter to Romana from Federica is inscribed on the back of the postcard.
Postcard photograph of a man and woman standing on the deck of a ship. The woman stands in front of the man, holding onto the guard rail with her left arm. She wears a long dress with a large white collar and a tasseled belt. The man leans the guard rail, wearing a suit with a bow tie and hat. A large body of water is visible behind the couple. "Abordo del Louoma" is hand-written on the image. A letter addressed to J. B. Aguilera is written in Spanish on the back.
Postcard depicting the first Communion of Gsabel Gonsalez of Laredo. The girl is pictured wearing a sheer veil and white dress. She is holding a candle, prayer book, and a rosary. A statue of Jesus is placed on a pedestal to the right of Gsabel. Two faces of flowers are placed in front of the pedestal.
Postcard of San Bernardino Mountains featuring several roads roping through the valley. Small houses spot the mountain side along with dense foliage and pine trees. A letter to Victoria Abreu from Nina and Charlie is inscribed in Spanish on the back, dated August 15, 1939.
Photograph of six women in white dresses. They are all posing the same way, holding the hem of their dress with their right hand, and touching their chin with the left hand. The photograph is tinted so the dresses appear pink. The sky and grass are also tinted.
Postcard depicting Basilica Maya, a church in Peru. The church is large and many storied, featuring classic Castillon architecture. Many buildings surround the church, featuring similar architecture. On the back of the postcard, a letter is written to Federica Abreu from Anita and Lalo.
Photograph of six women dancing in a row. They have their arms wrapped around each other with their left legs extended to the same height. The dresses look like flowers, and are tinted green and pink. They all wear matching hats that look like flower petals.
Postcard photograph of Patzcuaro Lake, also known as Atardecer Lake in Guadalajara, Mexico. The photograph is cast in relief from the setting sun disappearing behind a line of mountains that stretch across the photograph. Several clouds filter sunlight onto to the lake in an irregular pattern. A dock is just visible to the right of the photograph, slightly below where the mountain line meets the lake waters. A hand-written inscription on the front of the postcard reads "Atardecer Lago de Patzcuaro No. 19. A letter to Federica Abreu is addressed on the back.
Postcard photograph of an observation point at the Pecos River Canyon. The photograph depicts a concrete road dividing the mountain in the foreground from the rest stop. The rest stop features a brick awning topped with large leaves and a gravel floor. A car is parking outside of the awning. Below, the canyon is visible, as well as a large train trestle stretching across two mountains. An inscription on the front of the postcard reads "Observation Point - Pecos River Canyon U.S. 90 Between Del Rio and Langtry, Texas. A letter is written in Spanish on the back, from Alfredo to Federica Abreu.
Postcard photograph of siblings Rosa, Eduardo, and Hortensia Coderra. The children are standing in a row, facing forward with their arms to their sides. The two girls, on the left and right of Eduardo, wear matching white dresses with polka-dot trim and large hair bows. Eduardo wears a long sleeve shirt with a large sailor's collar and two rows of button running down it. The shirt is secured with a belt. He also wears a cap on his head, and lace-up boots. A letter is inscribed on the back from Hortencia B. Coderra, addressed to Federica Abreu, in New York City.
Photograph of Carpe Cubana's headquarters in La Feria Texas. In this photograph, the flood waters had receded, but the front of the building is strewn with debris. An inscription on the front of the photograph reads "Cuban Show Flood Quarters. La Feria Tex. 5/29/1929."
Photograph of Carpe Cubana's cookhouse in La Feria Texas. The street is flooded into the doorsteps of the houses up and down the street. A man stands in the middle of the street, facing the camera. An inscription on the front of the photograph reads "Cuban Show Cookhouse. La Feria Tex. 5/29/1929."
Tinted photograph of two women performing a dance outdoors. The women are holding hands and leaning towards the left and their right leg extended into the air. The women are dressed in Mexican costumes featuring black hats with pom-poms around the rim, long dresses with large floral borders, colored hose and matching necklaces.
Photograph of La Feria Texas. The street is flooded into the doorsteps of the houses up and down the row. The man stands in the middle of the street, facing the camera. An inscription on the front of the photograph reads "La Feria Tex. 5/29/1929."
Photograph of a two-story home. The home features a front porch supported by four Greek-Revival style columns. Flower baskets hang from the rafters, and two rocking chairs rest on the porch. The home has five visible windows on the bottom level, and four on the second level. The words at the bottom read, "Nuestro Hogar" in Spanish, or "Our Home."
Photograph of Angela Cardenas and Amelia, dressed in performance costumes for the Carpe Cubana circus. Angela stands on the right wearing a yellow dress with a large yellow hat. Amelia holds hands with Angela, facing left and wearing a pink dress with purple trim.
Postcard written in Spanish, from Victoria Abreu to her grandmother. The front of the postcard depicts an older woman holding a small child. The woman is seated in a bed of grass looking down at the child, whom she holds by the waist.
Postcard depicting the Abreu Troupe performing a stunt in front of a wooden structure. To the left of the photograph, a woman balances on the shoulders of a man. On the right of the photograph, two men stand several feet away from the couple with their arms outstretched. A boy is in midair between the two groups, appearing to have jumped from the woman's shoulders and preparing to land in the men's arms.
Photograph of the Abreu Troupe practicing in front of a barn. A man and a woman are in the motion of tossing a third member into the air when the photograph was taken. A man stands to the right, prepared to catch the third member.
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. Circus workers are unrolling yards of canvas from the train, pictured left. The railroad station is crowded with onlookers watching the circus unload.
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. A wagon pulled by six horses is followed by several other wagons and vehicles along a wide river. Onlookers watch as circus members perform for the crowd.
Photograph of Sabino Gomez and three members of the Gomez family. Sabino is pictured second to the right, wearing a round top hat, dark suit and bow tie. The other three men are also wearing suits and hat..
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. A wagon pulled by six horses is followed by various vehicles along a wide river. Onlookers watch as circus members perform for the crowd.
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. Many people line the left side of the street as a wagon train pulled by white horses with decorated harnesses. Several train cars are visible to the left of the photograph. The crowd consists of mostly men.
Photograph of the Abreu family acrobats performing on a stage situated between large storefronts at the Mendota Carnival. One member of the troupe is balancing two more members on his shoulders while a large crowd surrounds the stage.
Photograph of two clowns at the Carpe Cubana Circus. The clown on the left is dressed in over-sized clothing and a striped bow tie. He has a fake mustache on his upper lip, and his face is painted. His eyes are closed as he points toward the clown on the left, who is wearing the same costume.
Photograph of a Carpe Cubana wire walker. The man is balancing with his arms stretched outward with a look of intense concentration on his face. He is wearing a white shirt and pants, with a dark-colored tie around his neck and matching cummerbund.
Photograph of three men, a woman and a young boy in circus uniform. The men are wearing decorative suspenders and bow ties on top of white collared shirts and pants. The woman wears a dress with an embroidered bodice and long skirt, lace up boots, and ruffled bonnet.
Photograph of Sabino Gomez and his fellow performers. Sabino stands to the right of the two other performers, wearing matching one piece, long sleeve leotards with striped collars, sashes, and lace-up boots.
Photograph of the Abreu family with Sabino Gomez seated to the right of Federica. The men are wearing matching suspenders on top of pleated shirts. Federica, seated in the front center, is wearing a long dress with gathered sleeves and a pleated skirt. The waist and seams are embroidered with flowers. An embroidered lace doily is draped across the front of the bodice.
Photograph of the Abreu family with Sabino Gomez seated to the right of Federica. The men are wearing matching suspenders on top of pleated shirts. Federica, seated front center, is wearing a long dress with gathered sleeves and a pleated skirt. The waist and seams of her dress are embroidered with flowers. An embroidered lace doily is draped across the front of her bodice.
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