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Museum Construction
Photograph of a construction project in Danevang, Texas; the future site of the Danish Heritage Preservation Society. Taken from a close angle, the photo captures the top of the beginning part of a gambrel roof. At its apex, a male construction worker in a black tank top is precariously balanced on top. He has put his weight on a projecting plank of wood and positioned his legs in between two vertical wooden beams to prevent himself from falling. A second man can be seen inside, almost hidden from view by the beams.
Museum Construction
Photograph of a construction project in Danevang, Texas; the future site of the Danish Heritage Preservation Society. A large plot of land has been leveled, long horizontal beams of wood aligned on the dirt to make a rectangle, and a cement foundation appears to have been poured. There is a man in the foreground, identified as Al Jensen, handling a slender object, looking down. He wears blue denim jeans, a plaid short-sleeve shirt, and a hat. A second man is seen in the distance with a hose in his hand. In the background, there is a small windmill and a single-story structure with white siding and sloping roofs.
Museum Construction
Photograph of a construction project in Danevang, Texas; the future site of the Danish Heritage Preservation Society. The foundation and the wooden framework can be seen on the right side. To the left, the dirt has been piled high from large tire tracks, presumably belonging to the red crane a short distance away from where the photograph was taken. Behind it, there is a yellow tractor, on which a man sits. Two other unidentified men can be seen behind the wooden beams.
Nesbitt Memorial Library Journal, Volume 10, Number 1, January 2000
The Nesbitt Memorial Library Journal contains historical information about Colorado County, Texas including personal accounts and research into area stories.
[Paintings Hanging in a Decorated Gallery]
Photograph of the Mexico in Austin Collections, an exhibit housed at the Mexic-Arte Museum in Austin, Texas. Two walls are visible. Paintings of individuals line both walls. Dotted lines are painted in a ovular pattern on the walls. The leftmost wall is painted beige, while the rightmost wall is painted white.
[Pamphlet: José Francisco Treviño: Raíces Sin Fronteras, A Retrospective]
Pamphlet presenting the exhibition entitled Raíces Sin Fronteras, A Retrospective, which celebrates the art of José Francisco Treviño at the Mexic-Arte Museum. The front cover of the pamphlet features one of Treviño's oil paintings as well as information about the exhibit. There is a short biography and artist's statement as well as a write-up about the exhibition by the executive director of the Mexic-Arte Museum Sylvia Orozco. The pamphlet features a section that is dedicated to testimonies by fellow artists, which includes essays by Santa Barraza, Modesta Barbina Treviño, César Martínez, Sam Coronado, Luis Guerra, Raúl Valdez, Luis R. Gutiérrez, and Alberto Hijar. There is a numbered list of the artworks that make up the exhibition as well as a list of sponsors, members, staff, Board of Directors, and upcoming exhibitions.
[Pamphlet: Luz Jiménez, Symbol of a Millennial People]
Pamphlet presenting an exhibit that celebrates the art of Julia "Luz" Jiménez at the Mexic-Arte Museum. The cover of the pamphlet includes exhibit and sponsor information as well as a photograph of Jiménez. There are two statements about the exhibit included in the pamphlet, one from the executive director of the Mexic-Arte Museum Sylvia Orozco, and the other from Blanca Garduño, who is an honorary board member of the museum. A brief biography of the artist and an image of one of her well-known works is also included in the pamphlet. There is a section that lists the Board of Directors and staff of the museum as well as some related activities that are located at the museum.
[Pamphlet: Mexico in Austin Collections]
Pamphlet for Mexico in Austin Collections, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas from September 14th, 2000 to November 18th, 2000. The pamphlet includes a historical timeline and information about Mexican art. On the front cover is an unfinished drawing of a person with arms outstretched and palms open. Inside the pamphlet is a drawing of a growling dog.
[Pamphlet: Noche de Fiesta Navideña]
Pamphlet presenting the Noche de Fiesta Navideña celebration at the Mexic-Arte Museum. There front cover features an abstract angel illustration that surrounds the date, time, and location of the celebration. The inside front cover contains sponsor information. The pamphlet includes an itinerary of the event and information about the museum, holiday traditions, and a silent auction. There is also a list of the Board of Directors and staff of the museum and a calendar of events. There are pages throughout the pamphlet that are dedicated to explaining certain Mexican holiday traditions, including poinsettias, luminarias, piñatas, posadas, and nativity scenes.
[Pamphlet: Santa Barraza: A MexieTejana from Nepantla]
Pamphlet presenting an exhibition at the Mexic-Arte Museum entitled Santa Barraza: A MexieTejana from Nepantla. There is an illustration of a profile of an adorned Hispanic face on the front cover of the pamphlet, which was printed on blue speckled paper. There is text on the inside and back of the pamphlet that explains Barraza's style, inspiration, and background. The text is surrounded by more illustrations and copies of the artists' work.
[Pamphlet: The Inward Gaze, Fifth Annual Young Latino Artists Exhibition]
Pamphlet inviting the recipient to the opening reception of The Inward Gaze: Body, Identity, Place on July 14th, 2000. This was the Mexic-Arte Museum's fifth annual Young Latino Artists Exhibition. A notice printed on tissue paper slipped into the invitation announces the Official Dedication of the Museum's Main Entrance Door and Corner Signage. A drawing of an unclothed figure appears on the cover. On the figure's chest is drawn an anatomically correct heart. Part of the drawing is repeated on the second page. Also on the second page is a drawing of an eye. A drawing of an anatomically correct heart appears on the back of the invitation.
[Panel Discussion at the Mexico in Austin Collections]
Photograph of a panel discussion at the Mexico in Austin Collections, an exhibit housed at the Mexic-Arte Museum in Austin, Texas. Speakers at the panel discussion included Susan Frost, Juan Sandoval, and John Kirkpatrick. Susan Frost and Juan Sandoval sit at a table. The audience faces away from the camera. Kirkpatrick sits in the audience. Dotted lines in ovular patterns are painted on the walls behind them. Paintings hang on the walls.
[Postcard: Iker Larrauri: Ikerkinesis]
Postcard for an exhibit at the Mexic-Arte Museum entitled "Ikerkinesis", which celebrates the art of Mexican artist Iker Larrauri. On one side of the flyer, two of Larrauri's drawings frame a short write-up about the artists' style and influences, as well as basic event information. The opposite side of the flyer features a copy of an original silkscreen print by Larrauri and some information about purchasing a copy of the print.
[Raul Alvarez Speaking at Opening Reception]
Photograph of Raul Alvarez speaking at the opening reception for The Inward Gaze: Body, Identity, Place. Alvarez speaks into a microphone. He wear a pale green dress shirt and paisley tie. A large painting behind him is blurred but seems to feature individuals.
[Sam Coronado and Students at Demonstration]
Photograph of Sam Coronado demonstrating technique to students from Johnston High School. Coronado, center, sits at a table. He holds a pen and draws on a large piece of paper. Students look on. Some sit, while others stand. Behind them is a blackboard and large bank of windows.
[Santa Barraza and Students]
Photograph of Santa Barraza and a group of students from Johnston High School. Barraza, center, holds open a book that features paintings of women. Two male students on the left study drawings. A male student sitting on the right holds a pencil in his right hand and looks down at a piece of paper.
[Santa Barraza and Unnamed Men at an Exhibit]
Photograph of Santa Barraza and two unnamed men at A MexicTejana from Neplanta, an exhibit held at the Mexic-Arte Museum in Austin, Texas. Barraza, left, wears a leather jacket and holds a beverage in her left hand. An unnamed man, center, wears a black suit and patterned tie. The last unnamed man, right, wears a black suit and purple tie. He holds a a beverage in his right hand. Paintings of women hang on the purple wall behind them.
[Santa Barraza Speaking at Exhibition]
Photograph of Santa Barraza speaking at A MexicTejana from Nepantla, an exhibition housed by the Mexic-Arte Museum in 2000. The artwork featured in A MexicTejana from Nepantla was created by Barraza herself. She stands behind a podium and speaks into a microphone. She wears a leather jacket and dark blouse. A large painting behind her features five women. The centermost woman wears a red and gold dress and blue shawl. At her chest is an anatomically correct heart; in her hands she holds a white bird. The women behind her vary in age.
[School Children at an Art Exhibition]
Photograph of a school group at the Mexico in Austin Collections, an exhibit housed at the Mexic-Arte Museum in Austin, Texas. Sam Coronado, Terry Tannert, and Herlinda Zamora stand with the group. A child in the front row holds up an illustrated poster. Dotted lines are painted in a circular pattern on the wall behind them. Paintings hang from the wall.
[School Children Visiting the Austin Collections]
Photograph of a group of schoolchildren at the Mexico in Austin Collections, an exhibit housed at the Mexic-Arte Museum in Austin, Texas. The children sit on the floor of the gallery space and face the left side of the photograph. An adult male stands on the left and speaks to the group. Dotted lines are painted in a ovular pattern on the wall. Paintings of individuals line the wall.
[School Group at Exhibition]
Photograph of a group of schoolchildren at A MexicTejana from Neplanta, an exhibition of artwork by Santa Barraza housed at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from January 28th, 2000 to April 15th, 2000. A woman gestures to a colorful painting of a woman as the children, who sit on the floor, look on. She is the only person facing the camera. Another woman stands at the back of the group. Many paintings in silver frames are hung on the wall, which is purple.
[School Group Poses at Exhibition]
Photograph of a group of schoolchildren at A MexicTejana from Neplanta, an exhibition of artwork by Santa Barraza housed at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from January 28th, 2000 to April 15th, 2000. The group poses in front of a large painting that depicts women in bold colors. The centermost figure wears a blue shawl and patterned red and gold blouse. An anatomically correct heart appears at her chest and she holds a white bird in her hands. Behind her are four women in plain dress. In the school group there are two adults, female and male, and seventeen children.
[Speaker at Opening Reception]
Photograph of a speaker at the opening reception for The Inward Gaze: Body, Identity, Place at the Mexic-Arte Museum in Austin, Texas. The speaker, who is male, wears glasses and a pinstriped suit. He speaks into a microphone and gestures with his right hand. A painting on the wall behind him features two individuals fighting.
[Stories from Nepantla]
Photograph of a piece of paper. Text on the page reads: "Stores from Nepantla, Youth Creative Writing & Print Project, Sponsored by Dell and The City of Austin under the auspices of the Arts Commission. Artwork by Lee Wilbur. Mexic-Arte Museum, 419 Congress Ave., Austin, TX 78701. 2000." At the center of the photograph is an illustration of a woman who wears a blue dress and blue pointed hat. Swirls emit from her right hand, which faces upward.
[Sylvia Orozco and Unnamed Man in Front of Title Wall]
Photograph of Sylvia Orozco and an unnamed man standing in the Luz Jiménez exhibit, Symbol of a Millennial People, at the Mexic-Arte Museum in Austin, Texas. Sylvia Orozco, left, wears a black and white patterned blouse and black skirt. The unnamed man, right, wears a white blazer and yellow patterned tie. A painting on the wall features a kneeling woman. The wall reads: "Luz Jiménez-Symbol of a Millennial People, Model and Muse of the Mexican School of Painting."
[Sylvia Orozco and Unnamed Woman]
Photograph of Sylvia Orozco and an unnamed woman standing in the Luz Jiménez exhibit, Symbol of a Millennial People, at the Mexic-Arte Museum in Austin, Texas. Sylvia Orozco, left, wears a white blouse and black skirt. The unnamed woman, right, wears a pale yellow shirt and denim shorts. A painting behind them features two women who are in the process of making tortillas.
[Sylvia Orozco at Opening Reception]
Photograph of four individuals at the opening reception for The Inward Gaze: Body, Identity, Place at the Mexic-Arte Museum in Austin, Texas. Rightmost stands a woman who faces away from the camera and wears a black sleeveless blouse. Centermost stand two men wearing suits. Sylvia Orozco, right, wears a sleeveless beige blouse. The group appears to be mid-conversation.
[Three Men Holding a Print of a Horse]
Photograph of three men holding a matted color print of a blue horse jumping over several large rocks that are jutting out of the ocean. The men are standing together in front of a blue wall which has another large painting on it on the right-hand side of the image. The men who, are all wearing suits, are all looking at each other and smiling.
[Three Men Holding an Unfinished Silkscreen Print in a Studio]
Photograph of three men holding up an unfinished silkscreen print of a blue horse jumping over a salmon-colored landscape scene. The three men, who are all wearing ink-stained aprons and smiling at the camera, are resting the print atop a print table. There is another print table in the foreground that is covered with papers, plastic, tools, color swatches, and achromatic prints. There are shelves lined with jars of ink and other supplies in the background on the right-hand side of the photograph.
[Three People Visiting the Austin Collections]
Photograph of three individuals at the Mexico in Austin Collections, an exhibit housed at the Mexic-Arte Museum in Austin, Texas. Standing left to right are an unknown woman, Jorge Sedeño, and Jose Clemente Orozco. The unknown woman wears an orange dress, white cardigan, and glasses. Sedeño wears a gray suit jacket and dark patterned tie. Orozco wears a collared shirt with blue and white vertical stripes. Black and white drawings of people hang from the wall behind them.
[Three People Visiting the Mexico in Austin Collections]
Photograph of three individuals in the Mexico in Austin Collections, an exhibit housed at the Mexic-Arte Museum in Austin, Texas. They sit at a black table in the gallery space. Herlinda Zamora, left, looks down at a piece of paper that sits on the table. Susan Frost, center, wears a multicolored blouse. Juan Sandoval, right, wears a blue shirt. Disposable coffee cups sit on the table. Paintings of individuals and animals hang from the wall behind them.
[Two Men Holding up a Silkscreen Print of a Jumping Bull]
Photograph of two men holding up a silkscreen print of a bull jumping over a rocky landscape. The men are standing on either side of the print, which they are resting on a workbench, and smiling at the camera. There is clutter in the room that surrounds them that includes a wooden easel and stool, more paintings, and a large tub of gesso.
[Two Men Silkscreen Printing]
Photograph of two men silkscreen printing on a print roller. The man closest to the foreground is looking up at the camera and holding a newly printed piece of paper. The man beside him is holding back several pieces of paper on the roller. In the background, there is a wall covered in achromatic prints. In the background on the left-hand side of the image, there is a large table covered with supplies and papers.
[Two Men Silkscreen Printing]
Photograph of two men silkscreen printing on a print roller. The man closest to the foreground is looking down at the print that he just printed. The man beside him is holding back several pieces of paper on the roller. In the background, there is a wall covered in achromatic prints. In the background on the left-hand side of the image, there is a large table covered with supplies and papers.
[Two Men Standing Behind a Print of a Jumping Horse]
Photograph of two men standing behind a table and smiling at the camera. There is an achromatic print of a jumping horse on top of the table as well as a drafter's brush, a hair dryer, and an exacto knife. There are drying racks, shelving, and a large drafting table covered with papers and supplies visible in the background.
[Two People Sitting in the Mexico in Austin Collections]
Photograph of Will Winn and Ann Elizabeth in the Mexico in Austin Collections, an exhibit housed at the Mexic-Arte Museum in Austin, Texas. They sit in folding chairs. Winn, left, wears a yellow polo shirt and brown trousers. He holds a beverage in his right hand. His other arm rests on Elizabeth's right shoulder. Elizabeth wears a blue sleeveless blouse and multicolored skirt. Her right hand rests on Winn's knee. Drawings hang on the wall behind them.
[Two Women at Flores Para Mi Mama Exhibition]
Photograph of Sylvia Orozco and an unnamed woman at Flores Para Mi Mama, an exhibition of work by Jaime Arredondo housed at the Mexic-Arte Museum in 2000. Both wear black. Orozco, left, wears a red beaded necklace. The unnamed woman, right, wears a pearl necklace. Jaime Arredondo can be seen standing in the background of the photo.
[Two Women Standing in Front of a Red Gallery Wall]
Photograph of Susan Frost and Sylvia Orozco in the Mexico in Austin Collections, an exhibit housed at the Mexic-Arte Museum in Austin, Texas. Frost, left, wears a red, white, and black patterned blouse. Orozco, right, wears a red necklace, black blouse, and red skirt. The wall behind them is painted red and features newspaper clippings and currency.
[Two Women Standing in Front of Title Wall at Flores Para Mi Mama Exhibition]
Photograph of Jaime Arredondo and an unnamed woman standing in front of a title wall at Flores Para Mi Mama, an exhibition housed at the Mexic-Arte Museum in 2000. Arredondo, left, wears a collared red shirt and black trousers. The unnamed woman, right, wears a sheer sleeveless blouse and white pants. On the left side of the wall is a large painting of a rose in yellow, pink, red, and orange colors.
[Two Women Visiting at Flores Para Mi Mama Exhibition]
Photograph of Jaime Arredondo and an unnamed woman standing in front of a title wall at Flores Para Mi Mama, an exhibition housed at the Mexic-Arte Museum in 2000. Arredondo, left, wears a collared red shirt and black trousers. The unnamed woman, right, wears a pale pink dress and pink roses in her hair. On the left side of the wall is a large painting of a rose in yellow, pink, red, and orange colors. Text on the wall reads: "the diversity & emergence series, Jaime Arredondo, Flores para mi mama."
[Two Women Visiting at the Austin Collections]
Photograph of Sylvia Orozco and an unnamed woman at the Mexico in Austin Collections, an exhibit housed at the Mexic-Arte Museum in Austin, Texas. Orozco, left, holds up a spiral bound book. The cover features a drawing of a woman and text that reads "Luz Jimenez." Drawings and paintings hang from the wall behind them.
[Women at Opening Reception]
Photograph of two women at the opening reception for The Inward Gaze: Body, Identity, Place at the Mexic-Arte Museum in Austin, Texas. The women stand on the left and face a wall of pictures on the right. Both wear black dresses, hold bottles of beer, and carry programs. Black and white photographs are hung on a wall behind them. Other people mill around in the background.
[Funeral Program for Mrs. Earlene Bateman Davis, January 8, 2000]
Funeral program for Mrs. Earlene Bateman Davis, born February 28, 1936 and died January 4, 2000. The funeral was held January 8, 2000 at Friendship Baptist Church, officiated by Rev. R. L. Archield, Sr. The funeral arrangements were made through The Lewis Funeral Home and she was buried in Meadowlawn Memorial Park in San Antonio, Texas.
[Funeral Program for Lee Arthur Hendricks, Jr., January 10, 2000]
Funeral program for Mr. Lee Arthur Hendricks, Jr. The funeral was held Monday, January 10, 2000 at Friendship Baptist Church, officiated by Rev. R. L. Archield, Sr., Pastor. Funeral arrangements were made through Lewis Funeral Home and he was buried in Meadowlawn Memorial Park in San Antonio, Texas.
[Funeral Program for James W. Hood, Sr., January 28, 2000]
Funeral program for Brother James W. Hood, Sr., born June 4, 1906 and died January 23, 2000. The funeral was held January 28, 2000 at Friendship Baptist Church, officiated by Pastor R. L. Archield, Sr. Funeral arrangements were made through Lewis Funeral Home and he was buried in Meadowlawn Memorial Park in San Antonio, Texas.
[Funeral Program for Leo J. Brown, Jr., January 31, 2000]
Funeral program for Mr. Leo J. Brown, Jr., born October 27, 1927 and died January 27, 2000. The funeral was held Monday, January 31, 2000 at Second Baptist Church, officiated by Rev. Robert L. Jemerson. Funeral arrangements were made through Lewis Funeral Home and he was buried in Sunset Memorial Park in San Antonio, Texas.
[Funeral Program for Mr. Morris S. Walker, Sr., January 31, 2000]
Funeral program for Mr. Morris S. Walker, Sr., born July 20, 1920. The funeral was held January 31, 2000 at the Palestine Baptist Church, officiated by Rev. L. A. Crenshaw. Funeral arrangements were made through D. W. Brooks Funeral Home, and he was buried in the Fort Sam Houston National Cemetery near San Antonio, Texas.
[Funeral Program for Alonzo Richardson, February 3, 2000]
Funeral program for Deacon Alonzo Richardson, born April 6, 1922 and died January 28, 2000. The funeral was held Thursday, February 3, 2000 at New Light Baptist Church, officiated by Rev. J. S. Smith. Funeral arrangements were made through Lewis Funeral Home and he was buried in Fort Sam Houston National Cemetery near San Antonio, Texas. Includes two newspaper clippings.
[Funeral Program for John Duke, February 8, 2000]
Funeral program for Sir John Duke. The funeral was held February 8, 2000 at Antioch Missionary Baptist Church, officiated by Rev. E. Thurman Walker. The funeral arrangements were made through Lewis Funeral Home and he was buried in Meadowlawn Memorial Park in San Antonio, Texas.
[Funeral Program for Bennie Carter, February 10, 2000]
Funeral program for Sister Bennie Myra Gray Carter, born October 24, 1934 and died February 4, 2000. The funeral was held February 10, 2000 at Antioch Baptist Church, officiated by Dr. E. Thurman Walker. The funeral arrangements were made through Lewis Funeral Home and she was buried in Fort Sam Houston National Cemetery near San Antonio, Texas.
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