Photograph of five women with their back to the camera. The woman in the center has her arms stretched over the backs of the other women. They are all wearing white dresses and one has a dark belt. All of their hair is pulled up except for one woman's whose hair is long and braided with a bow. They are facing a tall man and a canvas tent.
Photograph of Flavia Wignall Reid and Elizabeth Bancroft Lea. They are both wearing short-sleeve button-up shirts and long skirts. Ms. Reid's hair is dark and pulled into a bun and Ms. Lea's hair is light and styled the same. They are facing each other and holding hands. Both are smiling. In the background is a large-leaf plant and many trees.
Studio photograph of Byrd Ellis (in the center) with two unidentified women. All three women are wearing jackets with collared shirts and neckties and their dark hair is pulled back and parted in the center. There is a brooch pinned to Ms. Ellis' tie. In the background is a fake backdrop of curtains.
Studio photograph of four young women in large identical dark dresses. Beall Sawyer is seated on the left and holding an object with the woman next to her. The other two girls are standing behind them with their hands on Ms. Sawyer's shoulders. They are on top of a rug and in front of a fake backdrop. Written twice on the photograph around Ms. Sawyer is, "Beall Sawyer". Printed beneath the photograph on the mat is, "Swartz 705 Main St., Fort Worth, Tex."
Studio photograph of Lou Beall Sawyer Blanton and an unidentified woman from the bust up. They are both wearing collared shirts with neckties, dark jackets and hats. Written beneath the woman on the right side of the frame is, "Bealle Sawyer".
Photograph of six women and one small girl standing in front and on the stoop of a large building with a porch and hanging plants. Three of the women and the girl are wearing Victorian dresses and the other three women are wearing long-sleeved blouses and long skirts. One woman is wearing a bow tie and another is wearing a hat. Written on the photograph is "Mother" above the woman second from the left and "Aunt Byrd" second from the right.
Photograph of a young man and woman outside. The man is wearing a dark suit with a high collar, bow tie and hat. The woman is wearing a long flowing dress. Behind them are weeds and trees.
Photograph of four women standing on a ladder that is leaning against a water cistern. Louise Howell Conn is on the bottom rung and Alyce Howell is just above her with two unidentified women above them. They all wear blouses and long skirts. Alyce Howell wears a neck tie. In the background are houses, trees and fences.
Photograph of Alyce and Tom Howell and an unnamed friend. Alyce Cheatham Howell is on the left side of the frame next to Tom Howell and the other woman is kneeling and we see her profile. The women are wearing white dresses and large hats and Mr. Howell wears a pinstripe suit, bow tie and a hat. In the background are tall trees and shrubs.
Photograph of three friends in long-sleeved dresses sitting on a mowed lawn with an umbrella. The girl in the center is wearing a checkered dress. In the background is a wooden fence, several trees, a telephone pole and large houses.
Photograph of five women and two men outdoors. The women are wearing high-collared blouses and long skirts and the men are wearing high-waisted pants, dark jackets, hats and bow ties. Two of the women wear straw hats and are seated on the ground. The woman on the right side of the frame, has been identified as Cornelia Jane Vance Kerr, and is laughing and holding a twig to one of the men's mouth. In the background are pine trees and foliage.
Photograph of a large group of people, mostly children, picnicking. The little girls wear dresses, some are checkered and some wear bonnets or bows. The adult men wear suits with ties and some wear hats. In the foreground is a metal basin and in the background is a Model-T Ford. Behind that is a small building and many trees.
Photograph of three women at a slumber party. Two women are sitting on a bed and one woman is sitting on the floor next to a rug. The women wear white underpinnings and a woman on the bed is lacing up a tall boot. The woman in the background holds a duvet.
Photograph of four women at the Howell House Slumber Party. Two of the women are wearing white underpinnings and two are wearing blouses. One woman is holding a mirror for another woman who is brushing her hair. Another woman is fastening a blouse for another. On the ground is a rug and behind the women is a chair, doorway, large mirror, oil lamp, and photographs hanging on the wallpapered wall.
Photograph of Grace and Hazel Reeves with friend whose last name is Yates. The three women are seated on a bench with the middle woman's legs on the opposite side of the other two. The woman on the right wears a dress with a large collar and a scarf, the other women wear long skirts with white blouses and one wears a belt and a scarf. Directly behind them is a tree and behind that is a picket fence with several trees and a two story house.
Video footage from the WBAP-TV station in Fort Worth, Texas to accompany a news story about James R. Record, the chairman of the Fort Worth Polio Chapter, receiving an award for his years of service.
Photograph of the front of the Lipscomb County Courthouse in Lipscomb, Texas with Mildred Rice and Laura Sibley Barton sitting on the left side of the stairs and Jessie Lemaster and "___" Rice Duke sitting on the right side of the stairs (if you're facing the entrance). There are large pillars on the front of the courthouse. At the top it reads, "19 Lipscomb County 16". Behind the church on the right hand side of the frame is a small church building. The women's names are written across the bottom border.
Photograph of two boys named Edd Little and Lonnie Elliot. The two boys have their arms around each other and both are wearing newsboy caps, jackets, collared shirts and neckties. One boy wears knickers and the other pants.
Photographs of "Friends" by Wilfrid Wilson Gibson, held by UNT Special Collections. The cover is brownish paper, the title at the top, author in the middle and publishing info at the bottom all in black ink lettering. Image 2, the page on the left contains a list of books by the same author: Battle, Thoroughfarers, Borderlands, Fires, Daily Bread, Akra the Slave, and Stonefolds. The page on the right is "To the Memore of Rupert Brooke." Image 3, open book with page on the left blank, and the page on the right containing a small poem dated 23rd April, 2015. Rupert Brooke (1887-1915) was the son of a Rugby schoolmaster and attended school at Rugby and later at King’s College of Cambridge University. After completing his education, Brooke continued writing poetry and became one of the founders of the first anthology of Georgian Poetry. Now little studied, it was a dominant poetic movement of the time until it was supplanted by Imagism and the High Modernism of T. S. Eliot, Ezra Pound, and W. B. Yeats. While not as experimental as the Modernists, the Georgian poets did look to free poetry from the ornate language of Victorian verse and employ in its place plain and concrete language. Along with the Georgian poets, Brooke also interacted with members of the influential Bloomsbury Group, which included such prominent writers as Virginia Woolf and E. M. Forster. When war broke out, Brooke enlisted but never saw combat, instead dying of illness in March 1915 on his way to Gallipoli. Despite this, Brooke became a touchstone for other WWI poets, who dedicated volumes of verse to him, wrote essays celebrating his work, and published memoirs of his life. Rupert Brooke’s most anthologized poetry is often selected to represent a more inspirational and conventional perspective …
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