George Ranch Historical Park - 50 Matching Results

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[Page written in autograph album to Mamie Davis from Zemma Schley]
Page written in autograph album. It states: "To Mamie Davis Peace be around, thee, wherever thou p__est; May life be for thee, one summer's day, And all that thous wishest, and all that thou lovest come smiling around thy sunny way! If sorrow e'er this calm should breath, May even thy tears pass off so lightly; Like spring-showers they'll only make The smiles that follow - shine more brightly. May time, who sheds his blright [sic] o'er all, And dayly dooms some joy to death, O'er thee, let years so gently fall, They shall not crush one joy beneath! As half in shad and half in sun This world along its path advances May that side the sun's ____ Be all that e'er shall meet thy glances Zemma Schley Richmond Mar 6th 1889".
[East exterior view of the J.H.P. Davis house]
Photograph of the J.H.P. Davis house. East exterior view of the white wooden two story house. The home has first and second floor porches with round white columns and white railing. Some of the windows have dark painted shutters. Three of the brick fireplaces can be seen above the roof line. A portico on the right side of the house is partially obscured by shrubs. At the center of the photograph is a shrub lined cement sidewalk leading to the front porch steps. There is a metal archway over the sidewalk about halfway to the steps. A woman wearing dark skirt, white blouse, and dark hat is seated on the top step of the porch. Two men and three women are standing on the porch near the front entrance. Line of tall shrubs on left; small shrub on right corner of house; large tree on right. The photograph is mounted on a gray cardboard substrate. Image dimension are: 17.3 cm x 12.1 cm.
[A horse and buggy in front of the J.H.P. Davis house]
Photograph of the J.H.P. Davis house. This is the exterior north facade of the two story white wooden house with dark painted shutters, gate post, urns, and fence baseboard. A brick fireplace is to the left of the porch. There is a stained glass window over the portico. Standing on the porch is J.H.P. Davis and two women. The house is enclosed by a white picket fence with open gate. Reference used for description: "Internship Report Davis Complex Research/Planning" written by Michael Moore. The photograph is mounted on a cardboard substrate. Written on back of photo in black: "Judge Davis Home in 1920 The Judge - Mrs. Davis, Mamie Davis". Also written on back with reference to the identification of Mrs. Davis and Mamie Davis in pencil was "Error". Image dimensions are: 19.5 cm x 11.8 cm.
[J.H.P. Davis in front of Davis house, standing on the shrub lined sidewalk]
Photograph (with color added) of a white wooden two story house. The house is the J.H.P. Davis house with J.H.P. Davis standing on the shrub lined sidewalk that leads to the front steps of the house. The house has a first and second floor porch with white columns and railing. Dark painted shutters are found on most of the windows. Three fireplace chimneys are visible above the roof line of the house. The front door of the house is opened and a fence and wooden building can be seen through the hallway. There are trees and shrubs on the right and left of the photo; large bare tree in right foreground. Written in black ink at bottom of photograph: "Nurses' Home". When the Davis home was no longer occupied by the Davis family, it became a home for nurses of Polly Ryon Memorial Hospital and was used as such until about 1975. Reference material used for the description information was provided by "Internship Report Davis Complex Research/Planning George ranch Historical Park" by Michael R. Moore.
[Photograph of Josey (Dagnell) Ryon, wife of James E. (Jim) Ryon]
Photograph of Josey (Dagnell) Ryon, wife of James E. (Jim) Ryon. In this bust studio portrait, Ryon is wearing a dark colored dress with shirred bodice and ruffled edging that extends from bodice and caps over full sleeves. Ryon has a Victoria chain with attached pin (attached at collar with chain extending down bodice). A ruffled trim is visible just above the banded collar. Ryon's dark hair is pulled back and into a bun. The photograph is mounted on a tan cardboard substrate. Text at bottom of cardboard reads: "Blue Gallery, Conner, McKinney, Fine Photos,". Written above photographer text in blue ink: "(Jim Ryon) Josey, Ryon. (Dallas)".
[Photograph of Ryon House (pre-1889?) from a distance]
Photograph of Ryon House (pre-1889?) from a distance. White picket fence surrounds the house, complete with white archway on front fence. Small trees line the right side of the fence. Windmill present above and beyond the house. Upstairs master bedroom window and downstairs formal parlor window open. A woman is sitting on front porch. On bottom of picture, hand-written: "RYON HOUSE"
[Thomas Walter (Bud) Davis wearing a dark suit]
Photograph of Thomas Walter (Bud) Davis. In the portrait that ends above the knees, Davis is wearing a dark three piece suit with white shirt and light colored tie. He is holding a riding crop (?) in his hands. His right elbow is leaning on a large stone (?). Tree backdrop in left background; tropical plant leaves to the right. The photograph is mounted on a cardboard substrate that is slightly scalloped around the gold edging. Written on back of photo in pencil: "Bud Davis". Written on back in blue ink: "Thomas Walter Davis father J. H P Davis Richmond Texas died with TB 1922". This photograph was given to the George Foundation by the Fort Bend Museum in 1982.
[Page from an autograph album about angles around a bed addressed to "Mamie"]
Page from the autograph album that reads: "Mamie "May the angles around your bed side h____ to keep you from kicking off the covers. Your Friend L_. Dunbavy Richmond Texas Jan 25 188_".
[Albert Peyton George as a young man, facing to the left]
Studio bust portrait of Albert Peyton George. George, who has his hair parted on the side and combed back, is wearing a dark three piece suit, white shirt, and dark colored bow tie. He has a leaf pin on his left lapel. The photograph is mounted on tan cardboard substrate.
[Albert Peyton George as a young man, wearing a plaid three piece suit]
Studio bust portrait of Albert Peyton George. Albert, who has his hair parted on the side and combed back, is wearing a plaid three piece suit, white shirt, and light colored bow tie. The image is faded into an oval and is mounted on a tan cardboard substrate with scalloped gold edging.
[Bust image of J.H.P. Davis]
Bust photograph (appears to be painted image) of J.H.P. Davis. He is wearing a dark coat, dark tie and a white shirt. His dark hair is parted on his left side. He has a mustache and short hairs under his lower lip. He is glancing to the left. Attached to a cardboard substrate. Looks as if it used to be in an oval frame.
[Bust portrait of Mary Moore "Polly" Ryon wearing a dark dress]
Bust portrait of Mary Moore "Polly" Ryon taken by Justus Zahn, Galveston, Texas. Ryon's graying hair is parted down the center and is pulled back into a bun at the nape of her neck. She is wearing a dark dress that is shirred down the front. The high necked collar has two tiers of dark lace and is accented with a wide ribbon tied at center. The portrait is mounted on a tan cardboard substrate with gold trim around the edges. Back of photograph in pencil: "15911".
[A page from an autograph album addressed to a ten year old "Mamie"]
Page from autograph album reads: "To Mamie, You are 10 years old to day: my wish is that the years to come may be as happy as the past Cousin Belle Richmond Sept 13th 1887".
[Page from an autograph album from "Katie Peareson"]
Page from the autograph album that reads: "Sincerely Your friend Katie Peareson Richmond Feby 1/87".
[Page from an autograph album from Katie C. Bell to Mamie]
Page from the autograph album that reads: "To Mamie May flowers along thy pathway bloom, From every care thy heart be free And of every joy that earth can yield Be a portion given to thee Your true friend Katie C. Bell Richmond Jan 28th 1887".
[Page in an autograph album to Mamie from Gertrude Earnest]
Page in autograph album reads: "Mamie. May your life be of pleasure of Peace and of love untill [sic] the Angels shall whisper Mamie Your home is above! Your True Friend Gertrude Earnest January 25, 1887".
[A page from an autograph album addressed to "Mamie"]
Page from autograph album reads: "To Mamie On this leaf in memory forest may my name forever rest. Your Friend E.H. Da___".
[Page in autograph album to Mamie from Alex K. Jones]
Page in autograph album reads: "To Mamie Remember me when far far off where the wood chuck dies with the whooping cough Yours truly Alex K. Jones".
[Photograph of the 1887 class of the Richmond Public School]
Photograph of the 1887 class of the Richmond Public School. The students are lined up in six rows in front of the wooden school building. They are identified as: Back row: 1. Fanny Lamar 2. Mary Preister 3. ? 4. Mattie Bell 5. Reg. Dyer 6. ? 7. Cecil Dyer 8. ? 9. ? 10. Albert George 11. Bassett BlakelySecond row: 1. Minnie Preister 2. ? 3. Bell Dyer 4. Julia Norwood 5. ? Norwood 6. Professor Norwood 7. Tony Wessendorff 8. John Baker 9. ? 10. George BakerThird row: 1. Bessie McCloy 2. Lillie Winston 3. ? 4. Nina Bell 5. Kate Eckman 6. Heard Dyer 7. ? 8. ? Fourth row: 1. Lizzie McGee 2. Pearl Winston 3. Jennie Jones 4. Annie Somerville 5. Lyda Baker 6. Bertie Winston 7. Lola Jones 8. Alex Davis 9. Charlie Andrews 10. Will Robinson Fifth row: 1. Maybell Davis 2. Winnie McGee 3. Lillie Rambolt 4. Mamie Davis 5. Minnie Waffles 6. Allie Ogilby 7. Freddie Kochan 8. Earl McFarlane 9. Bush Pleasants 10. Len McFarlane 11. ?The photograph is mounted on a tan cardboard substrate.
[Autograph album "To my little Friend"]
Page from the autograph album that reads: "To my little Friend, This world is like a garden Your heart the fairest spot. Now in this fairy bower, Let me plant "Forget me-not" Your Friend Richmond April 20th 1886".
[Autograph album "To darling Mamie"]
Page in autograph album reads: "To darling Mamie =My prayer= May choicest blessings crown thy head A"around [sic] thee beauteous robes be spread M"ay [sic] never sorrows gloomy pall. I"n [sic] all thy life - like a dark shadow fall E"ver [sic] guard her Father from starless skies D"o [sic] grant she may grow in beauty as old Time flies A"ye [sic] give a life all peace - or strength to bear with Fale V"erify [sic] every promise - of her present state I" pray for sunshine on her days and years S"avions [sic]! Save her, from storms and tears. Lovingly subscribed C.M. Reading Home- April 16, 1886".
[Red velvet autograph album]
Red velvet autograph album containing many loose photos between the pages. Belonged to Mamie Davis George, as indicated by autographs and messages on various pages. One of front pages states: "Awarded to "Miss Mamie Davis" By her Music teacher Minnie E Andrew April 1st 1886".
[Child sitting on an upholstered chair, wearing a white long sleeved gown]
Photograph of a child sitting on an upholstered chair. The child is wearing a white long sleeved gown with no shoes. The toddler has left hand on the arm rest of the chair. The photograph is mounted on a tan cardboard substrate with gold trim around edge. Stamped on back in blue: "Louisville Art Gallery J. D. McDaniel Photographer 1205 Elm Street Two blocks West of Union Depot Dallas Texas".
[Announcement of funeral for R.J. Calder]
Announcement of funeral for R .J. Calder. It reads: "Funeral Notice. The friends and acquaintances of R. J. Calder, Are respecfully (sic) invited to attend his funeral from his residence, to=morrow Aug. 29th, at Nine o'clock, a.m. Interment at the Cemetery Richmond, August 28th, 1885."
[A 1886 Drug Store]
Photograph of a 1886 Drug Store. The drug store is located in a two story brick building on the corner of a dirt street. The sign "Drug Store" on the northwest corner of the building, has a horse hitched to the support post. The front of the building has two glass box windows on either side of the double door entrance. Eight men are standing on the sidewalk near the front entrance. There is a man sitting in each of the four second story windows on the front side of building. A hitching post is on far left; two white wooden buildings on far right with the top of a two story brick building partially visible over the roof tops of the wooden buildings. The photograph is mounted on a tan cardboard substrate. Image dimensions are: 19.7 cm x 12.4 cm. Pencil writing near top left corner of cardboard reads [not fully legible]: 84.50 49.00 $35.50 $35.50 (with x's under the cents).
[Gold velvet dining chair]
Chairs, side, Eastlake. Hall chair with gold-beige velvet upholstery; braid trim; Walnut; capstan round front legs, back legs square plain. American c. 1885 Old Object Term: Chair, Hall Pair
[Jennie Jones (Wessendorff) wearing a white dress and a floral corsage]
Studio portrait of Jennie Jones (Wessendorff). Jennie is the great granddaughter of Henry Jones. In this bust portrait, Jennie is wearing a white dress with puffed sleeves and tulle stand-up collar. She has a chain with a round pendant and ear drop earrings. She has a floral corsage pinned to her left shoulder. Jennie has her dark hair pulled back with a white ribbon. The photograph is mounted on a black cardboard substrate. The cardboard has scallop trim. Written on back of photograph in pencil: "For Brother".
[Photograph of five people on horseback in a pasture]
Photograph of five people on horseback in a pasture. The photograph is cropped into a circle with white border around image. The photo is mounted on a black cardboard matte with gold trim. The back of the photograph has floral vine pattern in brown.
[Two horses pulling a wagon load of hay]
Photograph of a man standing next to two horses pulling a wagon load of hay. The man is standing on the left side of the photograph with his hand on a gate. The wooden wagon is filled with hay and there is a person sitting atop the hay. There is a house in right background. Stamped on back in purple: "210 This Is A Genuine FoxTone Picture [outline of fox] Made By Fox Co. San Antonio, Texas."
[Albert Peyton George as a boy, wearing a dark military style outfit]
Tintype image of Albert Peyton George. In the photograph, George is wearing a dark military style outfit. A white collar is visible above the neckline of the jacket. A watch chain hangs across the front of the jacket. George has his left hand on a book that is on top of a table to his left. There is a hat and another book on the table. He has a tablet and a pencil in the right pocket of the jacket. The tintype has a paper frame with gold trim.
[Albert Peyton George wearing a military style jacket and short pants]
Photograph of Albert Peyton George. In the photograph, George is wearing a military style jacket and short pants. There is a watch chain across his jacket front. A white collar is visible above the top of his jacket. George has a tablet and pencil in his left jacket pocket. George is holding a book under his right arm. His left leg is across his right. He is leaning on a table that is to his left. On the table is a book and a hat. The photograph is mounted on a cardboard substrate. Written on the back of the portrait in pencil: "Albert Peyton George". Also in black print: "D. H. Swartz, Photographer, Columbus, Texas. Copying and Enlarging a Specialty. Dealer in Frames, Albums, Etc. Duplicates can be had cheap. Order soon." To the left of the photographer information is a drawing of a man sitting under a tree and fishing in a body of water, boats in water, buildings in background.
[Bud Davis as a boy, sitting with his right leg tucked under his left leg]
Studio photograph of a boy. The boy is identified as Bud Davis as written at bottom of image in blue ink. Davis is sitting in an upholstered chair that has tassels at the bottom and on the armrest. Bud is wearing dark colored short pants, jacket, vest, and white shirt. He has dark stockings with stripes at bottom and ankle boots. Davis is resting his right arm on the chair's armrest and his left hand is on his left thigh. The photograph is mounted on a tan cardboard substrate with pink backing.
[Three young women and two young men]
Photograph of three young women and two young men, possibly members of the Wessendorff family. In this studio portrait, the women are seated and the two men are standing behind them. The women on left and right are holding their hats in their laps while the woman in center (wearing a hat) is holding her purse. The man on left has his hand on the shoulder of the man on right. There is moss in the foreground with interior wall as background. The photograph has an arched crop at the top and it is mounted on a cardboard substrate. Written on back in pencil: "1884".
[Charlie Anders, Joe Anders, John Baker, George Baker, Albert George, and Earl McFarland]
Photograph of a group of six boys. The boys are identified on the back of the photograph as: "Charlie Anders, Joe Anders, John Baker, George Baker, Albert George, Earl McFarland." Also written "about 1883 Taken." The front row has three boys seated on a trunk; back row has three boys standing.
[Mamie Davis George and T.W. "Bud" Davis]
Mamie Davis George and T.W. "Bud" Davis in studio portrait, hand tinted watercolor. Frame is shadow box style with frame on frame appearance; inner frame dark finish with white floral etching; middle frame of dark gold; outer frame medium wood tone. 1882 Old Object Term: Photograph and Frame
[Ten men wearing ribbons]
Photograph of a group of ten men (one man standing to left and partial view of man to right are not part of the focal group). Six of the men in the front row are seated on a rock ledge sidewalk that leads to a building (doors in right background). Four men are standing in the back row. The photograph may be of a group of veterans (possibly from the Mier Expedition?) or members of the Veterans Legion of Honor who have gathered together for a reunion. William Kinchen is, from left to right, the third man in the bottom row. He is wearing a dark three piece suit and has his hands folded across the top of his cane. He is holding his hat in his left hand. He has his right leg crossed over his left leg. The image is an oval and is on a cardboard substrate. On back of photo in pencil: "WKD/ph 3:2" Image dimensions are: 18.4 cm x 12.3 cm.
[Painting of Mamie Davis and Thomas Walter Davis]
Photographic copy of a painting of Mamie Davis and Thomas Walter Davis. The original paintings were separate portraits of the two children and were later put together to form one image. Mamie, who has her dark hair parted down the center and pulled back, is wearing a below knee length long sleeved dress with large rounded lace collar. Lace trim is seen at sleeves and v- shaped inset in the tier effect near bottom hemline and then again as part of under skirting. The bottom tier of skirt is pleated. Three buttons trim the "v" at the tiered hemline. Mamie is wearing ear drop earrings and a chain and pendant. She is holding a round hoop in her right hand and she has her left hand on the back of the chair (in which Thomas is seated). She has her left ankle crossed over her right. Thomas is seated in an upholstered chair (with tasseled bottom and armrest). Thomas is wearing a dark short pant suit, striped stockings, and dark lace-up boots. He has his left arm on the chair armrest.
[Photograph of Mamie Davis as a child]
Photograph of Mamie Davis as a child. In this studio portrait, Mamie is wearing a below knee length long sleeved dress with large rounded lace collar. Lace trim is seen at sleeves and "v" shaped inset in the tier effect near bottom hemline and then again as part of under skirting. The bottom tier of skirt is pleated. Three buttons trim the "v" at the tiered hemline. She has on striped stockings and lace up ankle boots. Mamie is wearing ear drop earrings and a chain and pendant. She is holding a round hoop in her right hand and a riding crop in her left hand. There is a straw hat decorated with flowers and ribbons on the floor at Mamie's feet. Mamie's dark hair is parted down the center and pulled back. Mamie is resting her left elbow on a cement ledge in the background (with cupid image on column). Painting of foliage as backdrop. Photograph is mounted on a tan cardboard substrate. Written on back of photograph in pencil: "Mamie Davis George" and in blue ink: "father H. HP Davis Mother Susan Ryon Davis Richmond, Texas." Photograph was given to the George Foundation by the Fort Bend Museum.
[Thomas Walter "Bud" Davis as a child]
Photograph of Thomas Walter "Bud" Davis as a child. (Born in 1879). Davis is seated in an upholstered chair (tassels on bottom and armrest) with his left leg tucked under him. He has his left arm on the armrest of the chair. Davis is wearing a dark jacket and short pants, striped stockings and dark lace-up boots. The photograph is mounted on a tan cardboard substrate.
[Albert Peyton George seated in an upholstered chair, wearing a dark three piece suit]
Photograph of Albert Peyton George. George, who is seated in an upholstered chair, is wearing a dark three piece suit (top button buttoned). George has his right arm across the arm rest of the chair. His left arm is resting on his left thigh. Portrait ends just above the knees. The photograph is mounted on a cardboard substrate. The cardboard has a red trim around the perimeter. Back of portrait in black print: "Louis Rice Photographer Texas." The words are written inside of drawn banners. A camera and paint palette image are drawn between drawings of two women in round frames.
[Belle Ryon Davis wearing a hat with flowers on it and holding a child]
Photograph of Belle Ryon Davis holding a child. The photograph is cropped by fading at Davis' waist. Davis, who is wearing small wire-rimmed glasses, is dressed in a long sleeved dress with sleeves that puff near the shoulder. Lace of a darker color is seen from shoulder and down side and again at sleeves. The dark color is repeated in two strips on high collar. Her dark hat has dark tulle, ribbon, and flowers with lighter colored flowers to the right. The child is wearing a long white gown with crocheted cap. The back of the photograph bears evidence that it may have been glued into a frame or an album.
[A child holding a hat and standing on a wooden bridge]
Studio portrait of a child. The child, who is standing on a wooden "bridge", is wearing a dark colored outfit with plaid trim. The child has dark lace-up boots and is holding a hat in left hand. The photograph is mounted on a brown cardboard substrate with text at bottom that reads: "C. J. Wright, Houston, Texas." The back of the photo has circles with different patterns, drawing of a camera, easel, and paint palette; banner with "CJW" in oval center and banners below this reading "I Have Engaged The Sun To Shine For Me." More text reads "C. J. Wright, Houston, Texas All Negatives Preserved Duplicates may be obtained at any time."
[A child sitting in a chair, wearing a long sleeved white gown]
Studio portrait of a child. The child, who is wearing a long sleeved white gown, stockings, and dark shoes, is sitting on a print blanket. The photograph is mounted on a brown cardboard substrate with text at bottom that reads: "C. J. Wright, Houston, Texas." The back of the photo has circles with different patterns, drawing of a camera, easel, and paint palette; banner with "CJW" in oval center and banners below this reading "I Have Engaged The Sun To Shine For Me." More text reads "C. J. Wright, Houston, Texas All Negatives Preserved Duplicates may be obtained at any time."
[Child wearing a white gown with ruffled lace trim]
Photograph of a child. In this studio portrait, the child is wearing a white gown with ruffled lace trim. She is wearing a bracelet on her right wrist. The child is sitting in a fabric draped wicker chair. The photograph is mounted on a dark gray cardboard matte. The matte has text below the portrait that reads: "Lorenz Art Gallery Extra Finish [in paint palette drawing] Richmond, Texas".
[Group of forty-seven men, women, and children standing on the Redondo Hotel steps]
Photograph of a group of 47 men, women, and children standing on the steps that lead to the Redondo Hotel in Redondo, California. Balustrade that is part of the building roof at top center of photo. Tropical plant (on covered porch area of main building) to far left of photo. Written in white in bottom left corner: "5L9". Back of photograph in blue type reads: "BALLOON ROUTE EXCURSION Los Angeles The Finest $1.00 Trolley Trip in the World Over the Scenic Lines of the Los Angeles-Pacific Co. [poem enclosed in thin blue line] Away in the merry Southland, Far down where the oranges grow = = In the land of the great busy city, Where the angels were lost long ago, There's a way to forget your troubles, For a day to be brimful of fun, And the jolly Balloon Route Excursion Will show you how it is done. [second stanza] "Not up in the air" he takes you, Though you'd think you had left there For weariness, trouble, sorrow or care Have no place in this car=load of (?) Then away and away he will speed you Through Fairy Land, down to the shore Then back to real life, he will leave you (?) With a feeling = = yes a longing, for more. [end of poem] Photograph of Balloon Route Excursion Party Taken At Redondo Hotel, Redondo, Cal. Duplicates furnished by C. E. McCarthy, Excursion Photographer, 429 So. Hill ST., Los Angeles, Cal. Order by Number on Print." Areas where words are not legible have a 7 cm x 9.4 cm piece of paper adhered to the cardboard. The photograph is mounted on a black cardboard substrate with tan patterned trim around perimeter of the photograph. Image dimensions are: 20.5 cm x 15.4 cm.
[A man wearing a dark three piece suit, and a dark bow tie]
Studio portrait of a man. The man is wearing a dark three piece suit, white shirt, and dark bow tie. The chain for his watch is seen near the buttons of the vest. The man has dark hair, parted on his left side, and a thick graying mustache. The photograph was trimmed to oval shape and placed on a gray cardboard matte (tan area shows between photo and matte) with oval embossed line around perimeter of photo. Image dimensions are: 4.4 cm x 6.5 cm.
[Mauve pink dining chair, armless]
Chairs, dining, Eastlake. 1 of a set of 8 Eastlake style, includes 1 armchair, 7 side; upholstered in mauve pink velvet with covered button edging; upholstered over top of chair crests in roll form; black walnut, casters on front legs. American c. 1880-1885 Old Object Term: Dining Chairs
[Photograph of Mary "Polly" Ryon]
Photograph (copy from page of a book) of Mary "Polly" Ryon. In this bust portrait, Ryon is wearing a dark colored dress with shirred bodice, doubled lace collar with ribbon at center, and puffed sleeves. She has her graying hair parted down the center and pulled back into a tight bun. The picture is framed by a thin black line. Photograph was at the bottom of page 1 in the Mamie George photo album.
[Turkish style chair with tassled fringe]
Chair, Turkish style. Green velvet upholstery, cut velvet floral trim; placed vertically on outer sides; green fringe around legs; overstuffed with wire frame and walnut legs. American c. 1880 Old Object Term: Turkish-style chairs
[William Kinchen Davis seated, with his right hand on a cane]
Photographic copy of William Kinchen Davis. Davis, who has gray hair, is seated and has his right hand on the crook of a wooden cane with his left hand resting in his lap. Davis has his left leg over his right. He is wearing a dark three piece suit with white shirt and dark tie. A watch fob is visible at his vest. Portrait ends at his knees.
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