The Prospector (El Paso, Tex.), Vol. 39, No. 12, Ed. 1 Thursday, September 14, 1972 Page: 5 of 8
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September 14, 1972
Page5
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New Program
“Chicano happenings,” will be
one of the main features of
KTEP’S new program “Chicano
Perspective.”
Perspective, which began this
fall, will contain a popular music
format with an empathasis on
heavy-type recordings.
* News on the program will deal
with local chicano community
news.
Coverage of the Raza Unida
convention and an interview with
California’s rock group, Malo have
already made up part of previous
programs.
Jose Angel Escontriaz and Joe
Valenzuela host the program
Saturday nights from 8 to 10.
Prespectiva is presented entirely
in English and can be heard at
88.5 mhz. on the F.M. dial.
By Robert Dahl where every comma, semicolon, breathy, pregnant pauses and of a nearby ballroom’s sparkling
The current production on the and hyphen should be placed tremulousness are right out of the spherical ball are impressively
Festival Theater stage lays claim to every moment she’s on stage. The Actors Studio -- with all the handled by George Zangwell. And
being Tennessee Williams’ famed latter’s reveals an utterly negative mannerisms intact. Bill the use of blues riffs and
tragedy, "The Glass Menagerie.” I overbearing presence that grows Whitehead huffs and puffs his way fragments from popular songs of
maintain that it is no such thing; steadily more offensive. Hisability through the role of Tom, the period is tastefully adapted by
rather, it is a tripartite example of to raise the decibel level of a scene nicknamed “Shakespeare” by his Sudy Russell to fit the moods of
amateurishness gone berserk: a js unpardonable and debilitating, fellow employees in a dreary shoe certain scenes,
heinous crime, an abomination, especially when it causes one of factory. Instead of pathos, or People have been stopping me
and, a sacrilege -- each the tenderest love scenes in the some brand of idealism and/or frequently of late and asking why
simultaneously -- for the price of a annals of the American drama -- cynicism, all his performance I don’t write play reviews filled
duped theater-goer’s ticket. the confrontation with Laura by conveys is actor’s jitters and with lavish (sic) fulsome praise.
Ken Letner (a professional candlelight - to be still-born tension in extremis. After all, El Paso means amateur
director) doesn t direct the work halfway through its extremely The production is not theater; negative criticism of same
as much as he mauls it, or at least, dragged out entirety. The other completely without merit. There means no box office business,
extenuates its revealing moments two remaining cast members don’t are beautiful touches to the Amateur or not, go see this
8 fare much better. Rosalyn intensely evocative production of "The Glass
curtain falls is a feeling of Whitehead’s characterization (or, post-Depression set by Tom Menagerie” and see a work of art
unrelieved tediousness, the events rather,tock of characterization) Neyman. Lighting effects, shamefully maligned. Then come
and characters of the play have makes crippled, shy, neurotic particularly during the second act back and ask me the same
passed meaninglessly before ones Laura totally feckless. Her thunderstorm and the conveyance question. Idarevou.
eyes.
Tennessee Williams, it seems to
me, could surely get some kind of
litigation in higher courts started if
he witnessed this performance
/production.
The cast, with no exceptions, is
without distinction: four stick
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beautiful selection, complete
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figures going through inner
turmoils as if they were doing
recitations of the multiplication
tables. Never before have I
encountered, collectively, such
insufferable stage diction. Jayne
Howell as the faded belle turned
domineering mother and Raul
Loya as the gentleman caller are
the greatest offenders on this
account. The former’s
performance is one unending
sing-song monotone impeccably
Morse-coded; she is a very, very
ingenious line reader, but no
actress -- one knows precisely
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University of Texas at El Paso. The Prospector (El Paso, Tex.), Vol. 39, No. 12, Ed. 1 Thursday, September 14, 1972, newspaper, September 14, 1972; El Paso, Texas. (https://texashistory.unt.edu/ark:/67531/metapth1620659/m1/5/: accessed July 17, 2024), University of North Texas Libraries, The Portal to Texas History, https://texashistory.unt.edu; crediting University of Texas at El Paso.