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- A- n sef ma bo i duction by Asa Battles r Adobe Walls Fight Hide Painting (some attribute this to a Kiowa artist) In contrast to the early specimens, the later hides are in greater numbers from nearly all the Plains Indians. Here the question of the influence of the white man becomes important consideration. We must consider the influence of artists like George Catlin and Charles Bodmer. One example is the hide paintings of the Mandan artists over a two year period, they changed their style from early period to a highly representational one. When one speaks of the change in the Plains Indian art you see that the human form changes to be more real instead of the stick figure: detailed costumes and weapons, body movements are varied and vigorous, horses are depicted more frequently and in high galloping style, not like hobby horses. Color became an important fact in the form of the art. The Plains artist begins to illustrate a scene with a new perception of activity. Another factor to consider is that in late 19th century commercial colors became available through traders. This should also be considered with the beads that were available for decorating the clothing. The Ledger art at Fort Marion, Florida, where the prisoners of the Red River War were contained, was influenced to not show the battle scenes, the treatment of captives, scalping of victims, or torture of captives either Indian or white. The artists were directed to art of Indian life situations, hunting, horse races, Indian in full warring costumes with their horses, which would sell to the white customers. So in so many of the ledgers you don't see any violence, or killing of humans. They learned early of the value of the American dollar. Ledge painting starts at the right moving to left. 73
Index to the proceedings of the regional archeological symposium including separate lists by subject, title, author, and volume along with subject categories, a map of regions, and Texas county abbreviations.
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Robertson, Pinky.Transactions of the Regional Archeological Symposium for Southeastern New Mexico and Western Texas: 2011,
book,
2012;
Midland, Texas.
(https://texashistory.unt.edu/ark:/67531/metapth1661492/m1/79/:
accessed July 16, 2024),
University of North Texas Libraries, The Portal to Texas History, https://texashistory.unt.edu;
crediting Southwestern Federation of Archaeological Societies.