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[Cathy Crimmins Book Review by Katie Grinch]: Review of the Cathy Crimmins book - How the Homosexuals Saved Civilization: The True and Heroic Story of How Gay Men Shaped the Modern World - by Katie Grinch. She gives several bullet points on how gay culture has influenced mainstream culture, as pointed out in the book. The last page is an excerpt from Crimmins' book.
[Crossing Over Gallery Space]: Photograph of a gallery at Crossing Over: Photographs and New Video Installations by Willie Varela, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Blue folding chairs are set up in the exhibition space. Photographs hang on the walls of the gallery.
[Dos Maestros Gallery]: Photograph of a gallery at the Dos Maestros exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Black and white prints hang on the gallery wall. A wooden sculpture is displayed on the right.
[Elvis and Arturo Castillo on Museum Day]: Photograph of a six individuals during a Museum Day event hosted by the Mexic-Arte Museum in Austin, Texas. Elvis and Arturo Castillo stand with Alebrijes Artisans from Oaxaca. A banner behind the group reads: "Elvis & Arturo Castillo."
[Gallery for Mexican Report]: Photograph of a gallery for Mexican Report: Contemporary Art from Mexico, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Paintings hang on the gallery walls. One half wall, left, displays two paintings.
[Gallery for YLA IX]: Photograph of a gallery in YLA IX, or Young Latino Artists Exhibition No. 9, an annual exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Colorful artworks hang on the walls of the gallery.
[Gallery for YLA IX]: Photograph of a gallery in YLA IX, or Young Latino Artists Exhibition No. 9, an annual exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Colorful artworks hang on the walls of the gallery. A sculpture constructed out of inner tubes hangs from the ceiling.
[Gallery for YLA IX]: Photograph of a gallery in YLA IX, or Young Latino Artists Exhibition No. 9, an annual exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Colorful metal tins hang from a wall in the gallery. A small television and tools are arranged in front of the wall.
[Gallery Space for Crossing Over Exhibition]: Photograph of a gallery at Crossing Over: Photographs and New Video Installations by Willie Varela, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Folding chairs are set up in the exhibition space. Photographs hang on the walls of the gallery.
[Gallery Space for Mexican Report]: Photograph of a gallery for Mexican Report: Contemporary Art from Mexico, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Paintings hang on the gallery walls. A statue on the gallery floor features silk daisies, a black platform, and yellow plastic bags.
[Gallery Space for Mexican Report]: Photograph of a gallery for Mexican Report: Contemporary Art from Mexico, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Paintings hang on the gallery walls. Busts are displayed on the floor of the gallery. The busts are fashioned out of textiles.
[Gallery Space for Mexican Report]: Photograph of a gallery at Mexican Report: Contemporary Art from Mexico, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Paintings hang on the gallery walls. Wooden and stone sculptures are displayed on the gallery floor.
[Group at Opening Reception for Mexican Calendar Legends]: Photograph of seven individuals at the opening reception for Mexican Calendar Legends, or Leyendas de los Cromos Mexicanos, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Consul of Mexico Francisco Alejo stands second from the left. Lulu Flores stands second from the right. The individuals are formally dressed.
[Group in Gallery of Mexican Calendar Legends]: Photograph of four individuals at Mexican Calendar Legends, or Leyendas de los Cromos Mexicanos, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Two women stand in the middle. They are professionally dressed and stand in front of a painting of women.
[Guide: Dos Maestros (Two Masters) Dr. Atl & Mardonio Magaña]: Gallery guide for an exhibition that was presented by the Mexic-Arte Museum entitled "Dos Maestros [Two Masters] Dr. Atl & Mardonio Magaña, Two Legendary Mexican Masters". The entire brochure is printed in green tinted gray-scale, including the photographs. The cover of the guide features the title and a photograph of a charcoal drawing by Dr. Atl. After the introduction on page two, the guide includes pages dedicated to biographical information about Dr. Atl and Mardonio Magaña. There are also pages that cover information about the "San Juan Parangaricutiro before and after its destruction", the "location of the Parícutin volcano", the history of Parícutin, and the "formation of a volcano". On page eleven and twelve, there is a chronological timeline that covers the life of Mardonio Magaña. There is a page of acknowledgements concerning the museum, the exhibition, and the gallery guide at the back of the guide as well as a page that features a list of the board of directors, members, honorary members, legal counselors, and staff of the Mexic-Arte Museum. There are several photographs of the artists and their artworks throughout the guide.
[Individuals in Costume at Mexican Calendar Legends Exhibition]: Photograph of four individuals in costume at Mexican Calendar Legends, or Leyendas de los Cromos Mexicanos, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Three women wear traditional dresses of various colors and styles. A man, second from the left, wears a traditional suit with white embroidery and a sombrero.
[Jose Clemente Orozco Farias Exhibition]: Photograph of artworks by Jose Clemente Orozco Farias. The Jose Clemente Orozco Farias exhibition was hosted by the Mexic-Arte Museum in Austin, Texas. Colorful abstract prints hang on the leftmost wall. A display case is situated on the right side of the gallery.
[Lulu Flores and Francisco Alejo at Opening Reception]: Photograph of individuals at an opening reception for Dos Maestros, an exhibition of artworks by Dr. Atl and Mardonio Madaña. Lulu Flores and Francisco Alejo, consul of Mexico, sit at a table with six others. They are formally dressed. Prints and statues are displayed throughout the gallery.
[Opening Reception for Dos Maestros]: Photograph of an opening reception for Dos Maestros, an exhibition of artworks by Dr. Atl and Mardonio Madaña. Consul of Mexico Francisco Alejo speaks to another man. Both wear suits. Tables are set up in the gallery space. Prints and statues are displayed on the walls of the gallery.
[Opening Reception for Dos Maestros]: Photograph of an opening reception for Dos Maestros, an exhibition of artworks by Dr. Atl and Mardonio Madaña. Individuals sit at tables set up in the gallery. They are formally dressed. Prints and statues are displayed throughout the gallery.
[Opening Reception for Mexican Calendar Legends]: Photograph of the opening reception for Mexican Calendar Legends, or Leyendas de los Cromos Mexicanos, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. White confetti has been thrown on the left side of the room. A woman holds a camera. Paintings hang on the walls of the gallery.
[Pamphlet: Collecting Latino Art]: Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum entitled, "Collecting Latino Art". The pamphlet folds out to span three panels long, and the entire pamphlet has magenta backgrounds and borders. The front cover features a photograph of a painting of a buffalo along with the exhibition title. The first panel reiterates the title at the top and includes the dates of the exhibition as well as a list of the contributing artists. There is a small note at the bottom of the panel that informs about the tax-free and free admission days at the museum. The second panel solely features a photograph of a painting from the exhibition. The painting depicts a girl seated on a chair and wearing a white shift dress. Artwork credits are at the side of the painting. The third panel advertises a separate event that was presented by the Mexic-Arte Museum entitled "Noche de Fiesta Navideña 2004 [Christmas Night Party 2004]". The panel includes information about the event including the date and times, tickets, location, catering, and music. The pamphlet also mentions a silent auction and "Nacimientos, Nativity Scenes from Local Collections". The background is yellow with a large ornamental bird. The back of the last panel highlights a photograph of a painting that depicts a man holding a small human head on a string harness. The man is wearing a white sheet clipped to his shirt. Artwork credits are at the bottom of the painting. The back of the middle panel contains information about the Mexic-Arte Museum, including the Mexic-Arte logo, sponsorships, phone number, location, hours of operation, and the website.
[Pamphlet: Crossing Over Exhibition]: Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum entitled "Crossing Over". The exhibition contained artwork by Willie Varela. The pamphlet has been printed in all over red scale, including the photographs. The cover of the pamphlet features a photograph of a corrugated metal fence and a blank billboard in the distance. The title and a descriptive secondary title are also included on the front. The pamphlet opens up to span three and a half panels long. The first panel includes the name of the exhibition as well as the dates and times of the opening reception, a members only preview, and a gallery talk by the artist. The second panel features a large photograph of a dilated eyeball and a statement about the exhibition above. The third panel features a picture of a drawing of an elderly woman standing next to a giant parrot. Details about an exhibition that ran concurrently to the featured exhibition are also included. The half-size panel includes information on sponsorship. The back of the last panel headlines a picture of two Hispanic boys who are looking in different directions. The back of the middle panel details information on the Mexic-Arte Museum.
[Pamphlet: Día de los Muertos Celebration 2004]: Pamphlet that advertises an event presented by the Mexic-Arte Museum entitled, "Día de los Muertos Celebration 2004". The pamphlet folds out to span three panels long. The cover of the pamphlet highlights the logo of the Mexic-Arte Museum, which is followed by the word "presents". The background is made up of a blurred photograph of enlarged motifs. When opened, the three panels are connected by a large, stylized illustration of a man wearing a tailcoat and running shoes in the center panel. The man's arm are held out, and he is holding skeleton marionettes that are dancing in both of the outermost panels. In addition to the dancing marionettes, the first panel also includes information concerning the date and times, location, and admission prices of the event. There is also information about a procession and major sponsors of the event. The third panel highlights a major sponsor and lists several activities and performances that will be at the event. The title of the exhibition spans all three panels. The back of the middle panel details information about the Mexic-Arte Museum, including the location, website, phone number, hours of operation, and sponsorships. The back of the first panel continues the motif background that is on the front cover.
[Pamphlet: Dos Maestros (Two Masters) Dr. Atl & Mardonio Magaña]: Pamphlet that advertises an exhibition that was presented by the Secretary of Foreign Affairs of Mexico, the National Council on Art and Culture, the National Institute of Fine Arts. and the Mexic-Arte Museum entitled "Dos Maestros (Two Masters) Dr. Atl & Mardonio Magaña". The entire pamphlet has been printed in green tones, including the photographs. The front cover of the pamphlet accentuates the exhibition title with a photograph from the exhibition as the background. The pamphlet folds out to span three and a half panels long. The first full-sized panel features information about the exhibition, including the title, address of the museum, and the date and time of the opening reception. The middle panel presents a passage about the drawings created by Dr. Atl, while the last panel presents a passage detailing the work of Mardonio Magaña. There is a photograph of a wood sculpture of three Mexican musicians above the passage about Magaña. The background of the first and second panels is a drawing from the exhibition. The half-sized panel contains information about major supporters as well as a photograph of a wooden sculpture from the exhibition. The back of the last panel features a large photograph of Mardonio Magaña. The back of the second panel includes information about the museum. Artwork credits are included in the pamphlet.
[Pamphlet: Mexican Calendar Legends]: Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum entitled "Mexican Calendar Legends". The cover of the pamphlet highlights a fully-colored picture of a painting that depicts an Aztec warrior wearing an orange feathered headdress and gold armor. He is holding a woman who is passed out in his arms; she is wearing a decorated white dress and a flower in her hair. The pamphlet folds out vertically to span three and a half panels long. The half panel, which is at the top, includes the title in large yellow letters as well as three logos from sponsors. The two subsequent panels feature a large, fully colored photograph of a painting of a giant woman walking toward a sail ship that is beached in the background. The woman, who is wearing a white lace dress, is looking behind her. The photo of the painting makes up the background of the two panels. The panels also include the date and times of the opening reception and a members-only guided tour.
[Pamphlet: "Mexican Calendar Legends" Brochure Translations]: Pamphlet that advertises an exhibition presented by the Mexic-Arte Museum entitled "Mexican Calendar Legends, 20th Century Mexican Calendar Art in Galas de Mexico". Along with the title of the exhibition and an image of a painting from the exhibition, the cover of the pamphlet also establishes that the pamphlet is made up of "Brochure Translations" from a separate gallery guide that is in Spanish. The first page features an introduction about the exhibition. The majority of remaining pages list the artists that are included in the exhibition as well as a short biography and description of the type of artwork each one produces. The last two pages list a few of the "classic themes of the calendar paintings". The back cover of the pamphlet features the sponsors of the museum and the exhibition as well as information about the exhibition and the museum.
[Pamphlet: Mexican Report, Contemporary Art from Mexico]: Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum entitled "Mexican Report, Contemporary Art from Mexico". The pamphlet folds out to span three and a half panels long. The entire panel has an orange background and blue, white, and orange borders. The cover of the pamphlet features the title of the exhibition as well as several blue-tinted photographs cropped and layered to create a decorative jagged element. The logos of several sponsors are included on the cover, and there is a sticker at the bottom that reads, "Complimentary Admission, Friday, Sept. 10, 2004". The first panel of the opened pamphlet, which is the half-size panel, includes the logo of the Mexic-Arte Museum and a list of major sponsors. The second panel includes the title of the exhibition, the name of the exhibition curator, and the date, admission price, and times of the opening reception, a member's preview, and a musical performance. The panel also contains information concerning parking, catering, sponsors, and a special guest. The second panel highlights a large, blue-tinted photograph of a painting that depicts "Mr. Clean" and "Garfield" watching a woman scrubbing a tile floor. Artwork credits are at the side of the photograph, and there is a quote from the curator below. The last panel features a photograph of a painting from the exhibition that takes up the entire panel. The photograph is also blue-tinted, and the painting depicts a mass of tangled tubes that are covered in cloth. The fleshy tubes appear to be stopping at a rectangular slab. Artwork credits are at the side of the photograph. The back of the middle panel continues the shape that consists of photographs that was created on the front cover. The back of the last panel advertises "Museum Day at the Mexic-Arte Museum". The …
[Pamphlet: Taste of Mexico 2004]: Pamphlet that advertises an event that was presented by the Mexic-Arte Museum entitled "Taste of Mexico 2004" in honor of Cinco de Mayo. The entire pamphlet, which folds out vertically to span three and a half panels, is printed in green tinted gray-scale. The cover of the pamphlet features an ornamental design, the title, and various photographs of the event behind a green backdrop. The first panel and a half includes general information about the festival including the title, a short description, date and time, location, ticket information, and parking information on a green backdrop. The second full-size panel advertises the festival leader, the silent auction, and featured live music on a green backdrop. The last panel lists the restaurants that will be serving food at the festival on a green backdrop. All three and a half panels utilize various arranged photographs of the festival to make up the background. The back of the last panel includes a photograph of a working chef framed by information about sponsors.
[Pamphlet: YLA No. 9, The Young Latino Artists]: Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum entitled "YLA No. 9, The Young Latino Artists Exhibition". The entire pamphlet has a red, white, and black color scheme with gray-scale photographs. The cover of the pamphlet features the title of the exhibition as well as a large photograph of an installation that consists of several striped fabrics. The pamphlet folds out to span three and a half panels long. The half-size panel lists all of the artists involved in the exhibition and their corresponding representative cities. The other three panels are connected by a red dashed line separated by target points labelled with the names of the Texas cities which are represented by the participating artists. There are also three photographs of artworks and credits that run along the dashed line. The bottom of the three panels are also connected by a long red backdrop that includes the title of the exhibition on the first panel. The second panel highlights information regarding the date and times of the opening reception and a members-only preview, the address of the museum, and a short description of the exhibition. The last panel lists the co-curators of the exhibition and past "YLA Artists". It also mentions a collaboration with a nearby gallery and a DJ performance. The back of the middle panels includes information about the Mexic-Arte Museum and it's sponsors. The back of the last panel features a large photograph of a red and gray-scale watercolor and ink painting of a cat and three monsters. Artwork credits are at the bottom of the panel.
[School Group in Gallery]: Photograph of a school group at Mexican Report: Contemporary Art from Mexico, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. The children sit in the gallery space. They are casually dressed and face the camera. An adult woman stands to the right of the group.
[Sculpture in Gallery for Mexican Report: Contemporary Art from Mexico]: Photograph of a gallery at Mexican Report: Contemporary Art from Mexico, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Paintings hang on the gallery walls. A large wooden sculpture is situated between two columns. The sculpture forms a wheel structure.
[Speaker at Opening Reception for Mexican Calendar Legends]: Photograph of the opening reception for Mexican Calendar Legends, or Leyendas de los Cromos Mexicanos, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. A speaker stands at a microphone. He wears a gray suit and dark tie. Paintings hang on the walls of the gallery.
[Sylvia Orozco and Others at Opening Reception]: Photograph of four individuals at an opening reception for Dos Maestros, an exhibition of artworks by Dr. Atl and Mardonio Madaña. Sylvia Orozco stands second from the right.
[Sylvia Orozco and Others at Opening Reception for Mexican Calendar Legends]: Photograph of six individuals at the opening reception for Mexican Calendar Legends, or Leyendas de los Cromos Mexicanos, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Sylvia Orozco stands third from the right. Religious paintings hang on the wall behind them.
[Sylvia Orozco at Opening Reception]: Photograph of Sylvia Orozco at an opening reception for Dos Maestros, an exhibition of artworks by Dr. Atl and Mardonio Madaña. Orozco sits at a table with seven other individuals. Prints and statues are displayed throughout the gallery.
[Sylvia Orozco, Lulu Flores, and Nilda de la Llata at Opening Reception for Dos Maestros]: Photograph of an opening reception for Dos Maestros, an exhibition of artworks by Dr. Atl and Mardonio Madaña. Individuals stand around a wooden statue of a man who wears a hat. Sylvia Orozco stands second from the right. Lulu Flores and Nilda de la Llata stand to the left of Orozco.
[Sylvia Orozco with Others in Gallery]: Photograph of three individuals at Mexican Calendar Legends, or Leyendas de los Cromos Mexicanos, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Sylvia Orozco stands rightmost. Two men stand with her. Paintings of country scenes hang from the wall behind them.
[Title Wall for Crossing Over Exhibition]: Photograph of a title wall at Crossing Over: Photographs and New Video Installations by Willie Varela, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Two walls are separated by a folding screen. The rightmost wall reads: "Crossing Over: Photographs and New Video Installations by Willie Varela." A painting hangs on the leftmost wall.
[Title Wall for Dos Maestros Exhibition]: Photograph of a title wall for the Dos Maestros exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Text on the wall reads: "Dos Maestros: Two Legendary Mexican Masters." A selection of small photographs are hung on the leftmost wall.
[Title Wall for Jose Clemente Orozco Farias Exhibition]: Photograph of a title wall for an exhibition of artwork by Jose Clemente Orozco Farias. The exhibition was hosted by the Mexic-Arte Museum in Austin, Texas. Colorful prints hang on the walls of the gallery.
[Title Wall for Mexican Calendar Legends]: Photograph of a title wall for Mexican Calendar Legends, or Leyendas de los Cromos Mexicanos, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. The title wall, left, reads: "Mexican Calendar Legends." A cardboard cutout of a pinup girl stands in front of the wall.
[Title Wall for YLA IX]: Photograph of a title wall for YLA IX, or Young Latino Artists Exhibition No. 9, an annual exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Lights are set up on the floor of the gallery. Text on the wall reads: "YLA No. 9, Young Latino Artists Exhibition."
[Two Men Standing in Front of a Painting]: Photograph of two individuals at the opening reception for Mexican Calendar Legends, or Leyendas de los Cromos Mexicanos, an exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Jose Treviño and an unnamed man stand in front of a religiously themed painting. The painting features the Virgin Mary.
[Written Materials on Display in Jose Clemente Orozco Farias Exhibition]: Photograph of written material by Jose Clemente Orozco Farias. The Jose Clemente Orozco Farias exhibition was hosted by the Mexic-Arte Museum in Austin, Texas. The materials are arranged in a display case and include several books of poems.
[Funeral Program for Rosie Lee Roberts, January 2, 2004]: Funeral program for Sister Rosie Lee Roberts (Mother Roberts), born November 6, 1905 and died December 27, 2003. The funeral was held Friday, January 2, 2004 at Calvary Baptist Church, officiated by Reverend Willie J. Harper, Sr. Funeral arrangements were made through Lewis Funeral Home and she was buried in Eastview Memorial Park in San Antonio, Texas.
[Funeral Program for Ammie O. Brown, January 8, 2004]: Funeral program for Ammie O. Brown, born September 30, 1953 and died January 2, 2004. The funeral was held Thursday, January 8, 2004 at Calvary Baptist Church, officiated by Rev. Kevin Nelson, Pastor. Funeral arrangements were made through Funeral Caring USA and she was buried in Southern Memorial Park in San Antonio, Texas.
[Funeral Program for Doris Rayford Scott, January 8, 2004]: Funeral program for Doris Rayford Scott, born November 4, 1915. The funeral was held Thursday, January 8, 2004 at Emmanuel A.M.E. Church, officiated by Reverend I.V. Tolbert, Pastor. Funeral arrangements were made through Sutton-Sutton Mortuary, Inc. and she was buried in Old U.B.F. Cemetery in San Antonio, Texas. Includes newspaper clippings.
[Funeral Program for Sylvester Jones, Jr., January 16, 2004]: Funeral program for Mr. Sylvester Jones, Jr., born January 25, 1918. The funeral was held Friday, January 16, 2004 at St. Paul United Methodist Church, officiated by Rev. Terrence Hayes, Pastor. Funeral arrangements were made through Lewis Funeral Home and he was buried in Southern Memorial Park in San Antonio, Texas.
[Funeral Program for Eddie Douglas, Jr., January 23, 2004]: Funeral program for Eddie Douglas Jr., born November 10, 19388. The funeral was held January 23, 2004 at Refuge Church of Our Lord Jesus Christ, officiated by Pastor Douglas Whittington. Funeral arrangements were made through Lewis Funeral Home and he was buried in Fort Sam Houston National Cemetery near San Antonio, Texas.

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