Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum, the Mexican Community Center of Austin, and the Consulate General of Mexico in Austin entitled "Flor Y Canto (Flower and Song)". The cover of the pamphlet includes the title and dates of the exhibition, a quote from the curator, a colorful photograph of flowers, and a graphic flower border. The pamphlet folds out to span three and a half panels long. The first full-size panel headlines information about the exhibition, including the title, dates of the opening reception and a gallery talk, and details about what the exhibition is about. The second panel features a large color photograph of an installation piece that is made of mostly blue flowers. The third panel features a large expressionistic painting of a boy with his mouth agape. Artwork credits are on the bottom of both the second and third panels. The half panel highlights major sponsors and supporters of the museum and the exhibition. The back of the last panel features a large photograph of a man sitting in a chair with an open book in his lap. Artwork credits are at the bottom of the panel. The back of the middle panel details sponsorship and museum information.
Photograph of a speaker at an opening reception for Flor y Canto, or Flower and Song, an exhibition of work by Yvonamor Palix. The speaker wears black. She stands in front of a large artwork. The artwork, which is black and white, features a woman metamorphosing into branches and rocks.
Photograph of a speaker at an opening reception for Flor y Canto, or Flower and Song, an exhibition of work by Yvonamor Palix. The speaker wears a suit. He stands behind a podium. An artwork fashioned out of bamboo shoots stands to the right of the podium.
Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum entitled "Stories Your Mother Never Told You". The exhibition contains artwork by Celia Alvarez Muñoz. The cover of the pamphlet contains the title and dates of the exhibition framed in front of a sepia photograph of various crafting supplies including ribbons, charms, and lace. The pamphlet opens up to span three and a half panels long. The first panel features the exhibition name, dates, and a passage about the mission of the body of work. The first panel also includes the dates and times for the opening reception, a members only gallery walk-through, and a gallery talk with the artist and the curator of the exhibition. The second panel contains a black and white photograph of a Mexican altar from the exhibition with a quote from the artist underneath. The third panel features a large black and white photograph of text that has been superimposed over a hand. Above the photograph, there are details for an exhibition that ran concurrently to the featured exhibition. The separate exhibition is entitled "Morir en Inglés" (To Die in English), which features artwork by Anita Pantin. The panel contains dates and background information about the exhibition. The half-panel contains sponsorship information and a quote from Muñoz. The back of the last panel features a black and white photograph of an ornamental smock from the exhibition, along with artwork credits at the bottom. The back of the middle panel contains information about the Mexic-Arte Museum as well as quotes from the artist.
Photograph of a teen docent at Stories Your Mother Never Told You, an exhibition of work by Celia Alvarez Muñoz. The exhibition was hosted by the Mexic-Arte Museum in Austin, Texas. The docent wears a black dress and name tag. She faces a title wall. The wall reads: "Celia Alvarez Muñoz: Stories Your Mother Never Told You."
Photograph of a teen docent at Stories Your Mother Never Told You, an exhibition of work by Celia Alvarez Muñoz. The exhibition was hosted by the Mexic-Arte Museum in Austin, Texas. The docent wears a black dress and name tag. She stands next to a mural. Patrons face away from the camera.
Photograph of a teen docent at Stories Your Mother Never Told You, an exhibition of work by Celia Alvarez Muñoz. The exhibition was hosted by the Mexic-Arte Museum in Austin, Texas. The docent, left, stands next to a mural. Sylvia Orozco stands on the right. Patrons, who face away from the camera, stand on the right.
Photograph of Celia Alvarez Muñoz and an unnamed man at Stories Your Mother Never Told You, an exhibition of work by Celia Alvarez Muñoz. The exhibition was hosted by the Mexic-Arte Museum in Austin, Texas. Muñoz, left, wears a purple and green satin jacket. The unnamed man, right, wears a black shirt.
Brochure that details the "Taste of Mexico 2003" event, which was presented by the Mexic-Arte Museum. The cover of the brochure features the event logo and title as well as the date and address of the event. The brochure contains information about the annual event as well as an event program and list of sponsors, participants, committee members, board members, staff, and silent auction donors. On pages seven and eight, there is a menu of dishes to be served by participating restaurants. There is a page about auction etiquette at the back of the brochure.
Photograph of patrons lining up for the Taste of Mexico event hosted by the Mexic-Arte Museum in Austin, Texas. They stand outside of the Mexic-Arte Museum. A party tent is visible in the background. A patron is purchasing a ticket in the foreground.
Photograph of four individuals at the fourth annual Taste of Mexico event hosted by the Mexic-Arte Museum in Austin, Texas. Sylvia Orozco stands farthest to the left. Two women and one man stand at the right. They are situated outside of a party tent.
Photograph of a man cooking food at the fourth annual Taste of Mexico event hosted by the Mexic-Arte Museum in Austin, Texas. He stands over a grill. Meat and vegetables are being cooked on the grill. Patrons wait in line for food.
Photograph of a group at the Taste of Mexico event hosted by the Mexic-Arte Museum in Austin, Texas. Many wear Taste of Mexico t-shirts. They stand outside of a party tent. The photograph was taken at nighttime.
Photograph of seven individuals at the Taste of Mexico event hosted by the Mexic-Arte Museum in Austin, Texas. Most wear name tags. They stand outside of a party tent that is decorated with balloons. The photograph was taken at nighttime.
Photograph of five individuals at the fourth annual Taste of Mexico event hosted by the Mexic-Arte Museum in Austin, Texas. Sylvia Orozco stands farthest to the left. City councilman Raul Alvarez stands farthest to the right. They stand outside of a party tent that is decorated with colorful banners.
Photograph of four individuals at the fourth annual Taste of Mexico event hosted by the Mexic-Arte Museum in Austin, Texas. Sylvia Orozco stands second from the right, while Herlinda Zamora stands rightmost. The remaining individuals are also female. They hold beverages and plates of food. The photograph was taken outdoors.
Pamphlet that advertises an exhibition that was presented by the Mexic-Arte Museum, the Consulate General of Mexico, and the City of Austin entitled, "Miradas Del Arte Mexicano, A Vision of Mexican Art". The entire pamphlet is printed in blue-scale, including the photographs of the paintings. The cover of the pamphlet features a gestural painting of a face as well as the exhibition title and dates. The pamphlet opens up to span three and a half panels long. The first full-size panel features information on the exhibition, including the title, the date and times of the opening reception and a members only gallery walk-through, and some background information about the purpose and works of the exhibition. The second panel features a large photograph of a painting of a man with a beard, a frilly collar, and a feather in his brimmed hat. There is artwork credits at the bottom of the page. The last panel advertises an exhibition entitled "Hecho en Juarez: An Intimate Visit to the Cuauhtemoc Market", which ran concurrent to the featured exhibition. There is a large photograph of two hands holding shrimp and artwork credits at the bottom of the panel. Above the photograph, There is a short passage that contains a quote from the artist as well as some background information. The half panel includes information about sponsorships and artwork credits. The back of the last panel features a large photograph of a painting of three gestural faces and artwork credit below. The back of the middle panel includes information about sponsorship and the Mexic-Arte Museum.
Photograph of a title wall for Hecho en Juarez: An Intimate Visit to the Cuauhtemoc, an exhibition of work by Joel Salcido. The wall reads: "The Contemporary Art Series presents: Hecho en Juarez: An Intimate Visit to the Cuauhtemoc by Joel Salcido. Sponsored by the National Endowment for the Arts." A black and white photograph of hands hangs to the left of the text.
Pamphlet that advertises the 8th Annual Young Latino Artists Exhibition, Spitting Aguas, which was presented by the Mexic-Arte Museum and the City of Austin. The cover of the pamphlet features the title and date of the exhibition as well as a large photograph of two miniature hooded figure toys on a patio table outside. The pamphlet opens up to span three and a half panels long. The first full size panel details information on the exhibition including the date and time of the opening reception and a members only gallery walk-through. There is also a list included in the description of the exhibition that describes the artists that are involved. The second panel features a large color photograph of a girl wearing a red sweatshirt and looking at a chalkboard. The photograph is a sample piece from the exhibition. The last panel advertises a different exhibition presented by the Mexic-Arte Museum and the Coronado Studio entitled "Serie X". The panel includes a list of the artists that are involved and the date and time of the opening reception. At the bottom of the panel, there is information about the Serie Day Symposium, including details about a panel discussion, a book signing, and a studio tour. There are two featured paintings from the exhibition on this panel. There is information about sponsorship and also artwork credits on the half panel. The back of the last panel features a large surrealism-style painting of a farmer holding bloody chickens, a lounging pig, corn, and a scarecrow, along with artwork credits on the bottom. The back of the middle panel has an illustration of a boy shooting a gun and information on sponsorship for both the museum and the exhibition.
Photograph of four artists at YLA VIII: Splitting Aguas, an exhibition of work by young artists hosted by the Mexic-Arte Museum in Austin, Texas. Two women stand together on the left. A man and woman stand on the right. The woman standing second from the left holds a beverage. Black and white paintings hang on the walls behind them.
Photograph of two male artists at YLA VIII: Splitting Aguas, an exhibition of work by young artists hosted by the Mexic-Arte Museum in Austin, Texas. The man standing on the left wears a denim shirt, while the man standing on the right wears a black button up shirt. Both men have beards.
Photograph of Sam Coronado and Sylvia Orozco at YLA VIII: Splitting Aguas, an exhibition of artwork by young artists hosted by the Mexic-Arte Museum in Austin, Texas. Coronado, left, wears a black and white patterned shirt. Orozco, right, wears a black dress and yellow flowered brooch. Paintings hang on the wall behind them.
Photograph of five individuals at YLA VIII: Splitting Aguas, an exhibition of artwork by young artists hosted by the Mexic-Arte Museum in Austin, Texas. Sam Coronado stands farthest to the left. Sylvia Orozco stands second from the right. The remaining individuals are unnamed; two are women, while one is male. They stand in a gallery.
Photograph of Sylvia Orozco speaking at YLA VIII: Splitting Aguas, an exhibition of artwork by young artists hosted by the Mexic-Arte Museum in Austin, Texas. Orozco stands at a microphone. She wears a black dress and yellow flowered brooch.
Photograph of a mural at YLA VIII: Splitting Aguas, an exhibition of artwork by young artists hosted by the Mexic-Arte Museum in Austin, Texas. The mural features a tree, a dog, a dumpster into which a globe has been deposited, and a dollar sign with arms and legs. The dollar sign waves an ax. The dog looks longingly at the dumpster.
Photograph of two individuals at YLA VIII: Splitting Aguas, an exhibition of artwork by young artists hosted by the Mexic-Arte Museum in Austin, Texas. A man, left, wears tinted glasses and dark suit. A woman, right, wears a black and white striped blouse. They stand in front of several colorful paintings.
Photograph of three individuals at YLA VIII: Splitting Aguas, an exhibition of artwork by young artists hosted by the Mexic-Arte Museum in Austin, Texas. A man, left, wears a white button up shirt. Sylvia Orozco, center, wears a black dress and yellow flowered brooch. Another woman, right, wears a black blouse. They stand in a gallery.
Photograph of two artists at YLA VIII: Splitting Aguas, an exhibition of artwork by young artists hosted by the Mexic-Arte Museum in Austin, Texas. A man, left, wears a white dress shirt and dark tie. A woman, left, wears sleeveless black blouse. Photographs are hung on the wall behind them with pink ribbon.
Photograph of three artists at YLA VIII: Splitting Aguas, an exhibition of artwork by young artists hosted by the Mexic-Arte Museum in Austin, Texas. All are female. The leftmost two individuals wear black. The rightmost individual wears a red and white patterned blouse. The woman standing farthest to the left holds a beverage.
Photograph of two artists at YLA VIII: Splitting Aguas, an exhibition of artwork by young artists hosted by the Mexic-Arte Museum in Austin, Texas. A man, left, wears a dark shirt and trousers. A woman, right, wears a white blouse and dark tiered skirt. They stand in front of a large painting that is yellow, blue, white, and black in color.
Pamphlet that advertises an exhibition that is presented by the Mexic-Arte Museum entitled "Selections from the Permanent Collection". The cover of the pamphlet features a sepia painting of a creature as well as the title and dates of the exhibition. The pamphlet folds out to three and a half panels long. The first panel includes the title and dates of the exhibition and information about the opening reception, a members only gallery walk-through, and a gallery talks. The second and third panels feature information about the exhibition as well as a large sepia woodblock print of a "Woman and Child" and a sepia photograph of a man sitting in front of a wall with two papers and photographs of children on it. The smaller panel is mostly covered by a cropped sepia photograph of a masked bird costume as well as sponsorship information. There is a large photograph of a "Pre-Columbian Sculpture" on the back of the last panel.
Photograph of three individuals at Selections from the Permanent Collection, an exhibition hosted at the Mexic-Arte Museum in Austin, Texas. Lulu Flores, leftmost, wears a gray blazer. Congressman Lloyd Doggett, center, wears a dark blue suit. Sylvia Orozco, right, wears a sleeveless blue blouse and red skirt. They stand in front of a title wall.
Photograph of three individuals at Selections from the Permanent Collection, an exhibition hosted at the Mexic-Arte Museum in Austin, Texas. Lulu Flores, leftmost, wears a gray blazer. An unnamed man, center, wears a blue blazer. Rightmost stands a woman who is wearing a magenta blouse.
Photograph of two individuals at Selections from the Permanent Collection, an exhibition hosted at the Mexic-Arte Museum in Austin, Texas. Sylvia Orozco, right, wears a gray blouse. An unnamed woman, left, wears a dark blue blazer. They stand in front of a title wall. A statue is displayed in a case to the right.
Photograph of Lulu Flores speaking at an opening reception for Selections from the Permanent Collection, an exhibition hosted at the Mexic-Arte Museum in Austin, Texas. Flores stands behind a microphone. She wears a gray suit. Tribal statues are situated behind her.
Photograph of Senator Gonzalo Barrientos speaking at an opening reception for Selections from the Permanent Collection, an exhibition hosted at the Mexic-Arte Museum in Austin, Texas. Barrientos stands behind a microphone. He is mustachioed and wears a dark suit.
Photograph of three individuals an opening reception for Selections from the Permanent Collection, an exhibition hosted at the Mexic-Arte Museum in Austin, Texas. Senator Gonzalo Barrientos, Lulu Flores, and Sylvia Orozco hold up several pieces of paper. This resolution made the museum an official Mexican-American State Museum. Tribal masks are hung on the wall behind them.
Photograph of the gift shop at the Mexic-Arte Museum in Austin, Texas. A woman stands behind a counter. She wears a black jacket and red scarf. A vase of calla lilies and a sign reading "Mexic-Arte Museum" sit on the counter. On the right side of the counter is a lamp. Racks of gift items can be seen in the background.
Photograph of two men at an opening reception for Selections from the Permanent Collection, an exhibition held at the Mexic-Arte Museum in Austin, Texas. Between them is a display case in which a statue of a figure is presented. They stand in front of a title wall. The man standing on the right holds a bottle of beer with his right hand and points to the display case with the other hand.
Postcard that advertises "The 20th Annual Día de los Muertos Family Event" Celebration, which was presented by the Official Mexican and Mexican American Fine Art Museum of Texas and the Mexic-Arte Museum. The front of the photograph features a black and white photograph of an outdoor Mexican altar with photo credits included at the bottom of the image. On the right-hand side of the postcard, there is a list of events that will be at the celebration as well as the date of the event, the logo of the Mexic-Arte Museum, and museum contact information. The flip side of the postcard features a more detailed itinerary of the major events that will be at the celebration. There is also sponsor and admission information.
Photograph of individuals preparing for a parade hosted by the Mexic-Arte Museum in honor of Día de los Muertos, or Day of the Dead. Black and white photographs are set up on an altar. Two archways decorated with paper flowers are visible. A sign in the background reads "Railroad Crossing." The photograph was taken at dusk in downtown Austin, Texas.
Photograph of individuals preparing for a parade hosted by the Mexic-Arte Museum in honor of Día de los Muertos, or Day of the Dead. Black and white photographs and paper flowers are arranged on an altar. A woman wearing skeleton face makeup and a traditionally embroidered skirt stands in front of the altar. The photograph was taken at nighttime in downtown Austin, Texas.
Photograph of individuals dancing at a parade hosted by the Mexic-Arte Museum in honor of Día de los Muertos, or Day of the Dead. A woman faces away from the camera. She wears a yellow dress with ribbonwork tiers and lace. A young girl dances on the right. She wears a similar style dress that is blue in color. The photograph was taken at nighttime in downtown Austin, Texas.
Photograph of young dancers at a parade hosted by the Mexic-Arte Museum in honor of Día de los Muertos, or Day of the Dead. The dancers wear colorful floral dresses and blue braided ribbons in their hair. Their faces are painted white and black. The photograph was taken at dusk in downtown Austin, Texas.
Photograph of Sylvia Orozco and an unnamed woman at a parade hosted by the Mexic-Arte Museum in honor of Día de los Muertos (Day of the Dead). Orozco, left, wears a sleeveless floral blouse and red beaded necklace. The unnamed woman, right, wears a red blouse. The photograph was taken at nighttime in downtown Austin, Texas.
Photograph of altars at a parade hosted by the Mexic-Arte Museum in honor of Día de los Muertos (Day of the Dead). The space is set up like a graveyard. Each altar is contained within a square of colored fabric. The photograph was taken at nighttime in downtown Austin, Texas.
Photograph of altars at a parade hosted by the Mexic-Arte Museum in honor of Día de los Muertos (Day of the Dead). The space is set up like a graveyard. Each altar is contained within a square of colored fabric. Individuals walk around the space. In the foreground a man stands on a ladder as he decorates a metal frame with yellow tape. The photograph was taken at dusk in downtown Austin, Texas.
Photograph of Mrs. Fuentes at Noche Navideña, an exhibition of artwork hosted by the Mexic-Arte Museum in Austin, Texas. Mrs. Fuentes uses a paintbrush to paint the tail of a wooden animal statue. A statue of a giraffe sits on the left.
Photograph of Sylvia Orozco and Lulu Flores signing at Conaculta, or The National Council for Culture and Arts, in Mexico City, Mexico. Individuals in professional dress sit at a conference table. Water bottles and name cards are arranged on the table.
Photograph of nine individuals gathered at the home of U.S. ambassador Tony Garza in Mexico City, Mexico. Lulu Flores stands third from the left. Sylvia Orozco stands in the middle of the group. Nilda de la Llata stands third from the right. All are formally dressed. American and Mexican flags are visible in the background.
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