Denton Record-Chronicle (Denton, Tex.), Vol. 74, No. 88, Ed. 1 Friday, November 12, 1976 Page: 14 of 32
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Page 6B
THE DENTON RECORD-CHRONICLE.
November 12. As49
omusementJ
TWU
stages
‘Rosita ’
Frederico Garcia-Lorca’s
“Dona Rosita" will wind up
a three-day run Friday and
Saturday at Texas Woman’s
University
Directed by Dr C. Warren
Robertson, the play will be
presented at 8:15 p m each
night in Redbud Auditorium
Tickets for ’Rosita.”
TWU’s fall drama produc
tion, are $1 for adults and 50
cents for non TWU students
TWU students, faculty and
staff will be admitted free
Headed by Judith Scott in
the title role, the cast in-
cludes Jennie McKinney.
Bonnie Barr, Jill Quinlivan,
Terry Bazile, Marla Man-
dujano. Lisa Steinbach.
Cami Hillman. Elizabeth
Lively. Carol Greene and
Mary Kevetter.
Other players are Linda
Young. Bill Shelton, Vincent
Fruge, Bob Vento, Bob
Fincher. Paul Nolan.
Gregory Ford. Peter
Chidichino and Tony Med-
ven
Ms Kevetter also serves
as production coordinator
and Kristy Rivers is stage
manager
SOB
see
movie
morquee
Now SHOW ENG
ABC Cinema:
The Bingo Long
Traveling All Stars and
Motor Kings" follows a black
baseball team during the
days before the national
league integrated -
Campus Theater
“Two-Minute Warning
features a big name cast ■
an action drama about a
sniper who unleashes his
violence on the crowds
jamming Los Angeles
Memorial Coliseum for a
championship football game
Fine Arts Theater
“Hester Street." the
highly -acclaimed film
• focusing on immigrants in
turn-of-the century Amer
— • . - . . ica, starring Carol Kane and
Carol Kane (seated, right! is a young Jewish wife seeking Denton. The movie, "le directed by Joan Macklin
advice as she faces the problems of assimilation in a new by Joan Mick _ Silver
country — America — in “Hester Street," now showing in
NT orchestra slates concert
The North Texas State
University Symphony
Orchestra, under the
direction of Anshel Brusilow
will present its second
program of the 1976-77
concert series Wednesday
and Thursday at 8:15 p m in
the Music Recital Hall -
The concert will feature
NTSU faculty member
Charles Veazey performing
“Oboe Concerto in C minor
by Marcello.
Also in the program will be
Samuel Barbers “Adagio
for Strings," "Prelude to
The Afternoon of a Faun "
by Debussy • and
Tchaikovsky’s "Symphony Denton. 76201
No. 6 Pathetique)."
come-first served basis:
they are available in the
orchestra office. Room 168 of
the music building
Tickets can be reserved
for pick-up at the door by
calling 788-2454 or writing
the School of Music, NTSU.
THE FIVE OAKS
AUBREY TEXAS
SATURDAY: NOV. 13TH
9:00-1:00
CORKY
AND THE DELRAYS
WE HAVE THE MUSK
YOU HAVE THE PARTY
: $5.00 COUPLE BYOB
$3.00 SINGLE
Free tickets guaranteeing
a seat will be issued on a first
<*^
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Our Popular Wednesday Night Dinner
Buffet Offers You Many Chinese Deli-
cacies of Regional Differences. En-
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Menu.
Dinner Served 5:30 P.M To 9:00 P.M
5:30-9 30 P V Fr & Sot
Closed Tuesdays
We Prepare Orders To Go
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Friday >
‘PI
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The Old Vic:
Up for grabs
By GREGORY JENSEN
LONDON UPD — A want ad might put it this way- For
rent — London's most famous and best loved theater Newly
refurbished, completely equipped, seats 879. Would suit
highly ambitious tenant
The Old Vic isn’t quite advertising that way — not yet
But nobody quite knows what to do with this beloved old
theater. which has made more theater history than any other
in Britain ______
Exciting proposals come and go They’ve been coming and
going for nearly two years and still the Old Vic lives from
hand to mouth
- Its latest occupant is a pair of antique one-act farces by
Georges Fey deau and Frank Wedekind. "The Purging and
“The Singer " Director-adapter Peter Barnes and a polished
cast deliver a highly comic evening
Before that. double Oscar winner Glenda Jackson headed a
company which filled the Old Vic for a brief season A 50-
year-old mystery. "The Ghost Train, begins a short revival
in mid-November
And after that’
Nobody knows The Old Vic still has no company to call its
own _
Eight months ago the National Theater company ended a
13-year tenancy and moved a few blocks to its grandiose new
three-theater building on the Thames
Its final evening in the Old Vic was an orgy of nostalgia It
told the theater’s magnificent story, beginning with its open-
ing in 1818 but concentrating mostly on Lilian Baylis
Lilian, who came along in 1898, is a legend, a theater
manager of wildly eccentric genius who hauled the Old V ic to
greatness by sheer will power and an avalanche of prayers
She used it and its “daughter” house. Sadler s Wells, as seed
beds from which grew the Royal Ballet the English National
Opera and indirectly the National Theater
"The Old Vic may have the most distinguished past in the
— country,” a theater writer said recently, "but does it have •
future’”
Were it not for money it could have a dozen
Just down the working-class street is’the shoestring. con-
crete block theater of the Young Vic. the troupe which took
Scapino" to the United States Its building was designed in
Eigus
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1970 only for temporary use
The Young Vic desperately wanted to move into its
legendary neighbor But it had no money and extra grants
dried up in Britain's economic crisis. End of that dream
In 1974 the subsidy-giving Arts Council circulated the idea
of using the Old Vic as a London base for three esteemed
touring companies — the Royal Ballet s junior company, the
excellent Prospect Theater and the English Opera Group
Again, money problems — money to convert the Old Vic for
three differing uses, money for subsidies to keep three
troupes going The Royal Ballet junior company now is
moving into Sadler s Wells and the other two still have no
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London homes
The English Stage company, where "Look Back in Anger
began, wanted to switch from its Royal Court theater to the
Old Vic, which has twice as many seats No money
The same fate has overcome every other idea — and there
have been many of them
Technically the Old Vic belongs "to the people of London
Its charity covenant has restrictive clauses limiting its use
“for the performance of high-class drama, especially the
plays of Shakespeare and high-class opera"
Film director
to try acting
PARIS (AP) - Oscar
winner Maximilian Schell,
accustomed to starring
roles; accepted a brief but
important role in "Julia as
part of a reciprocal deal with
director Fred Zinnemann,
“It’s only a three-day
part,” said Schell, who is
appearing in the .20th Cen-
tury-Fox film starring Jane
Fonda, Vanessa Redgrave
and Jason Robards "I told
Fred I would do it if he ap
peered in my next picture ’
Schell is planning his fourth
film as a directorLLL
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Denton Record-Chronicle (Denton, Tex.), Vol. 74, No. 88, Ed. 1 Friday, November 12, 1976, newspaper, November 12, 1976; Denton, Texas. (https://texashistory.unt.edu/ark:/67531/metapth1703388/m1/14/: accessed July 17, 2024), University of North Texas Libraries, The Portal to Texas History, https://texashistory.unt.edu; crediting Denton Public Library.